Ray Beard

Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2014 |
Lighting Assistant
Film |
Break Nick Moss / LA Productions |
|
2011 |
Lighting Assistant
Film |
The Last Ferry Miracle Productions |
|
2011 |
Lighting Assistant
Film |
The Devil's Dosh Zach Guerra Productions |
|
2010 |
Lighting Assistant
Film |
Reds and Blues : The Ballad of Dixie and Kenny Ian Lysaght / Miracle Productions |
|
2009 |
Lighting Assistant
Film |
Fifteen Minutes That Shook the World Illy / Miracle Productions |
|
2007 |
Art Assistant
Film |
Charlie Noades R.I.P. Jim Doyle / North Star Productions |
Education
Year | Qualification | Where |
---|---|---|
2010 | BA (Hons) Film and Television Production | Edge Hill University |
Equipment
My Equipment/Kit:
I can use:
About me
I studied Film and Television Production at Edge Hill University and graduated with a 1st Class in 2010. Since then, between regular jobs, I have worked on several productions as a lighting assistant - a role that I have enjoyed immensely, however I feel the need to progress a bit further and with that in mind I am due to sit my 17th edition examination at the end of January.I am also a freelance photographer and I am VERY keen to gain experience on the camera team side of things, so I would like to offer my services as a Camera Assistant. Coming from a background of photography and with the experience and grounding that working in the lighting department has gave me I feel confident and excited about what 2015 and beyond has to offer.
Additional information:
I am based in Liverpool and I am available to work not only around the North West but through out the UK - there being several friends that I can stay with in London, should the need arise.
License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Camera Assistant |
---|---|
Job Titles | 2nd Assistant Camera - Clapper / Loader, Camera Assistant, Gaffer / Lighting Director, Lighting Tech / Operator, Chaperone / Driver |
Years in industry | 6+ years |