Robin Webster

Documents
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document fileRob Webster CV JULY 2011
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2011 |
Camera Trainee (Main unit)- Red Epic
Commercials & Industrials |
Weightwatchers "Play" DOP: Marcel Zyskind, 1st AC: Jake Marcusson / Academy Films/ Saatchi & Saatchi |
|
2011 |
Assistant camera
Television |
Input output Joe Kane / Channel 4/ Liar/ Polar media |
|
2011 |
1st AC/ Focus puller (RED)
Commercials & Industrials |
Lyca Mobile TVC Dop: Mikolaj Jaroscevisz / Flame Visuals |
|
2011 |
2nd assistant camera (red epic)
Film |
Born of war DOP: Malte Rosenfeld / Jewson film productions |
|
2011 |
1st AC/ Focus Puller
Film |
Dawn Stephanie Zari, DOP: Brian Strange / Moving Pictures Media Company |
|
2011 |
2nd Assistant Camera (Sony F35)
Film |
Marie Christiaan Neu/ DOP: Yuri Krylov / University of Westminster MA |
|
2011 |
Central Loader (35mm)
Film |
Counting Backwards DOP: Adam Suchitzky. 1st AC: Sky Shannock / COY! Films |
|
2011 |
Focus Puller (Alexa)
Television |
Life In My Shoes DOP: Adam Scarth / ITV/ Body and Soul |
|
2011 |
2nd Unit 1st Assistant Camera (S16mm)
Film |
Piercing Brightness Shazad Dawood/ DOP. Bartlomiej Sienkiewicz / City Projects/ Ubik Productions |
|
2011 |
2nd Assistant Camera (S16mm)
Film |
Piercing Brightness Shazad Dawood/ DOP. Bartlomiej Sienkiewicz / City Projects/ Ubik Productions |
|
2011 |
Focus Puller
Performing Arts |
iTunes Festival 2011 iTunes |
|
2011 |
1st Assistant Camera
Commercials & Industrials |
Guiness World Records "ITV Daybreak Bumpers" Alix Harrison / GWR/ SkinFlicks |
|
2011 |
1st Assistant Camera (DAILIES)
Film |
Soul Mate DIR. Irina Izmestieva DOP. Lorenzo Levrini / IZM Production |
|
2011 |
1st Assistant Camera (RED)
Video |
Kassandra / King Of The Dance Hall DOP. Mikolaj Jaroscevisz / JPM Music |
|
2011 |
1st Assistant Camera
Film |
Super Mario Tania Liev, DOP Martin Fuhrer BSC / CSSD |
|
2011 |
1st Assistant Camera
Film |
Push the Button Jon Sen. DOP Rob Hart / Navarone Films |
|
2011 |
Camera Operator
Television |
Aston Martin GT4 Rally Centurion Films/ Motor Sport TV/ Sky Sports |
|
2011 |
2nd Assistant Camera
Film |
Hanging DOP Stefan Mitchell / Mark It Films |
|
2011 |
Clapper Loader (16mm)
Film |
Incandescent Noise Tom Swash / Pola Pictures |
|
2010 |
1st Unit Camera Trainee (Alexa)
Commercials & Industrials |
Jaguar Gary Holder / Tangerine Films |
|
2010 |
1st Assistant Camera
Television |
Come Dine With Me (Persian Version) Manoto TV/ ITV |
|
2010 |
Focus Puller (RED)
Film |
Tribe Benjamin Johns / Argy Films |
|
2010 |
Additional 2nd AC
Film |
Tribe Bejamin Johns / Argy Films |
|
2010 |
Focus Puller (5d MkII)
Film |
The Sweetness Has Gone Nicolas Laborie / ASM Capital Ltd |
|
2010 |
1st Assistant Camera
Film |
Esmee Fairbairn Daniel Mitelpunkt / Day For Night Films |
|
2010 |
Clapper Loader (35mm)
Video |
Casually Sunshine / Consequences From The Kill Ollie Goodrum / Amarillo Films |
|
2010 |
Gaffer
Film |
Give or Take Day For Night Films |
|
2010 |
Clapper Loader (35mm)
Commercials & Industrials |
Beaulieu National Motor Museum TV Commercial Silver Productions |
|
2010 |
1st Assistant Camera
Film |
The Best Years Daniel Patrick / Empire Productions UK |
|
2010 |
Camera Operator (S16mm)
Film |
Slashimi Tony Powell / AUCB |
|
2010 |
1st Assistant Camera (s16mm)
Film |
John and Georgia Amin Muller / AUCB |
|
2010 |
1st Assistant Camera (s16mm)
Film |
Easy Under The Apple Bough Hendrik Faller / AUCB |
|
2010 |
Director of Photography (s16mm)
Film |
Alco-Hold-Up Daniel Gozalez / AUCB |
|
2010 |
Camera Trainee
Commercials & Industrials |
"Mabthera" Corporate Promo Adam Pensotti / Sugarway Ltd |
|
2009 |
Director of Photography (s16mm)
Commercials & Industrials |
Barclaycard- Thomas Bailey / Kodak |
|
2009 |
Director of Photography (s16mm)
Commercials & Industrials |
Robinson's- Danny Gonzalez / Kodak |
|
2009 |
Camera Operator (s16mm)
Commercials & Industrials |
Barclaycard- Kim Jarret / Kodak |
|
2009 |
1st Assistant Camera
Video |
Supreme Feat. Scarz / Swear Down Ryan Samuda / New Treatment |
|
2009 |
1st Assistant Camera
Video |
Natalie May / Sexy Sexy Adam Linzey / New Treatment |
|
2009 |
1st Assistant Camera
Television |
Sophia's Diary Season 3 Adam Linzey / New Treatment |
|
2009 |
Best Boy (Electrical) (s16mm)
Film |
The Last Hit Kyrill Djementev / The Arts Institute Bournemouth |
|
2009 |
1st Assistant Camera
Film |
The Death of a Stranger Lance Penez / Bournemouth University Masters Degree |
|
2009 |
1st Assistant Camera
Video |
Scarz / When You gonna Link Me Adam Linzey / Sony Entertainment |
|
2007 |
Camera Trainee (35mm)
Commercials & Industrials |
Ford Focus CMAX Martin Neill / Imagination |
Education
Year | Qualification | Where |
---|---|---|
2010 | BA Film Production | Bournemouth Film School (AIB) |
Equipment
My Equipment/Kit:
I can use:
About me
I am a London-based freelance camera assistant, operator and cinematographer with experience in shooting and assisting Feature Films, Shorts, Music Promo's, TV Broadcast, Commercials and Documentary. I have worked with 16mm (Arri SR1,II,II, Arri 16SB, Arri 416, Aaton 16 and Super,Aaton Penelope & Bell and Howell's 16mm), 35mm (Panavision Millenium, Arriflex 535b, Arricam Studio and Lite & Cameflex Eclair) and HD (Red One, Red MX, Canon 5d MkII, Canon 7d, Sony PMW-EX1 and EX3, Sony HDW750, Sony HVR/DV/DVCAM/HDCAM, Panasonic p2, JVC HD/HDV, SGPRO35 adapter, Letus Elite35 adapter, Redrock M2 adapters). I also have experience in the electrical department as a gaffer and best boy with an electrical engineering qualification.Additional information:
Full, clean driving license since May 2007.
PADI Certified Diver.
License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Focus Puller |
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Job Titles | Camera Operator, 1st Assistant Camera - Focus Puller, Director of Photography (DOP), 2nd Assistant Camera - Clapper / Loader, DIT / Data Wrangler, Camera Assistant, Gaffer / Lighting Director, Lighting Tech / Operator, Key Grip, Rigger, Post Production Assistant |
Years in industry | 3 to 6 years |
Highlights
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Stephanie Zari (Director)
I would highly recommend Robin to any camera department/production.
Having worked with Robin on a very challenging feature film, his performance working in this capacity proved valuable and essential not only in my opinion to the camera team, but also to the production as a whole.
Robin distinguished himself with his consistent professionalism and dedication on set, often going beyond the call of duty in any given situation.
In my opinion, along with his technical skills, he possesses great interpersonal, trouble-shooting and communication skills.
I would highly recommend Robin to any production. He is a pleasure to have on the set from a 1st Assistant Director perspective - quick, reliable and most pleasant to work with.
Stephanie Zari
Director/Writer
1st Assistant Director