Tania Freimuth
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2018 |
Director of Photography
Film |
Milagros Lexie Helgerson |
|
| 2018 |
Director of Photography
Film |
The Outpatient Greg Astor / Astor Films |
|
| 2018 |
Director Of Photography
Commercials & Industrials |
Saietta Emma Murphy / Life Size Media |
|
| 2018 |
Director Of Photography
Commercials & Industrials |
Elcogen Emma Murphy / Life Size Media |
|
| 2017 |
Director Of Photography
Commercials & Industrials |
Q-Bot Emma Murphy / Life Size Media |
|
| 2017 |
Director Of Photography
Commercials & Industrials |
Kiwi Power Emma Murphy / Life Size Media |
|
| 2017 |
Director Of Photography
Commercials & Industrials |
Vantage Emma Murphy / Life Size Media |
|
| 2017 |
Director Of Photography
Commercials & Industrials |
Ventive Emma Murphy / Life Size Media |
|
| 2017 |
Director Of Photography
Commercials & Industrials |
Libertine Emma Murphy / Life SIze Media |
|
| 2017 |
Director Of Photography
Commercials & Industrials |
Centrax Emma Murphy / Life SIze Media |
|
| 2017 |
Director Of Photography
Commercials & Industrials |
Oxsensis Emma Murphy / Life Size Media |
|
| 2017 |
Director Of Photography
Film |
Pitfall Ben Desmond / A Ben Desmond Film |
|
| 2017 |
Director Of Photography
Film |
Kid Gloves Julia Hart / Just in Case Films |
|
| 2017 |
Cinematographer
Film |
Spanish Dancer Richard Dunkley |
|
| 2016 |
Director of Photography
Commercials & Industrials |
Department of Energy and Climate Change Emma Murphy / Life Size Media |
|
| 2015 |
Director Of Photography
Film |
Endemol Matthew Jones / E-Graphic |
|
| 2015 |
Director Of Photography
Commercials & Industrials |
Nissan Juke Matthew Jones / TBWA |
|
| 2015 |
Cinematographer
Film |
Burrows Road Tania Freimuth / UEA |
|
| 2015 |
Director of Photography
Commercials & Industrials |
National Gallery Alisa Murphy / Life Size Media |
|
| 2015 |
Lighting Camera Operator
Commercials & Industrials |
Dogs Trust Mark Allen / Squeezed Media |
|
| 2015 |
Cinematographer
Film |
Vout Au Renee Lizzy Dyson |
|
| 2015 |
Lighting Camera Operator
Commercials & Industrials |
Cross Rail Mark Allen / Squeezed Media |
|
| 2015 |
Lighting Camera Operator
Television |
Douglas Adams Presents Mark Allen / SoTV |
|
| 2015 |
Director of Photography
Video |
Piney Gir / Ugly Bones Tania Freimuth / Piney Gir |
|
| 2015 |
Director of Photography
Commercials & Industrials |
Kyocera Mark Allen / Squeezed Media |
|
| 2015 |
Director of Photography
Commercials & Industrials |
Dogs Trust Mark Allen / Squeezed Media |
|
| 2015 |
Cinematographer
Film |
Ding Dong Ditch Trevor Williams / Delphina Films |
|
| 2015 |
Cinematographer
Film |
Thunder Eben Skilliter / Thunder Films |
|
| 2014 |
Lighting Camera Operator
Commercials & Industrials |
OMD Tania Freimuth / Norvell Jefferson |
|
| 2014 |
Cinematographer
Film |
Culture Shock Steve Balderson / Dikenga Films |
|
| 2014 |
Director of Photography
Film |
Little Devil Max Barber / Clever Max Productions |
|
| 2014 |
Director of Photography
Commercials & Industrials |
Malcolm Black 'The Art of Running' Richard Dunkley |
|
| 2013 |
Director Of Photography
Commercials & Industrials |
Skittles Nicholas Kurs / TBWA |
|
| 2013 |
Cinematographer
Film |
Ice Dancing the Raw Edge James Ford / Hicks Jaggi |
|
| 2013 |
Cinematographer
Film |
Out at Lunch Alisa Murphy / Life Slice Films |
|
| 2012 |
Cinematographer
Film |
Tail's End Julian Miller / No 33 Productions |
|
| 2011 |
Cinematographer
Film |
Daisy Chain Alfie Dale / Sameera Steward |
|
| 2010 |
Director of Photography
Film |
Sacrifice Steve Looker / Binary Film |
|
| 2010 |
Cinematographer
Film |
Shifts Simon Jarvis / Paper Scissor Stone |
|
| 2007 |
Cinematographer
Film |
Lands End Ruth Torjussen |
|
| 2006 |
Cinematographer
Film |
Speak Now Greg Astor |
|
| 2006 |
Director of Photography
Film |
Treasure of Albion Andrew Walkington / British Youth Foundation |
|
| 2005 |
Director of Photography
Film |
Upstaged Andrew Walkington / British Youth Foundation |
|
| 2002 |
Director Of Photography
Video |
LHB / Every Body Sees It on My Face Neil Adamson |
Education
| Year | Qualification | Where |
|---|---|---|
| 2005 | The Camera and Visual Story Telling | Maine Media Workshops & College |
| 2005 | Advanced Digital Cinematography | Maine Media Workshops & College |
| 2005 | Location Lighting | Maine Media Workshops & College |
| 1990 | Design for Communication Media: Film&TV | Manchester Metropolitan University |
Equipment
My Equipment/Kit: BMCC 2.5K, DSLR 5D MK3
I can use: Arri Alexa, Arri Amira, RED Epic, C100, BMCC 2.5K, C300 Mk1, C300 Mk2, Dslr 5D Mk3
About me
As a photographer with a love of story telling the move into cinematography was a natural step and by immersing myself in the camera department I have become an accomplished Cinematographer and Lighting Camera Operator. My unique style of shooting is award winning and can be seen in my work on commercials, short form documentary and narrative fiction films. With a background in film drama I have experience with a wide range of film and digital cameras and the ability to adopt different styles of shooting. I lensed my first professional feature film as Director of Photography in 2004. Generally I shoot on large format cameras like the Alexa, I am well organised accustomed to working on location and skilled with small or large lighting set ups.Referees:
Available on Request
Additional information:
Experience shooting on 16mm and 35mm film practised at operating a wide range of digital cameras made by Arri, Red, Canon and Sony.
License & Passport
| Driver's License: | Yes |
Skills
| Secondary Job Title | Cinematographer |
|---|---|
| Job Titles | Director, Camera Operator, Cinematographer, Director of Photography (DOP), Videographer, Photographer, Teacher |
| Years in industry | 6+ years |
| Organisations / Memberships | BAFTA (UK), BECTU (UK), GBCT (UK) |