Tom Cassidy
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2020 |
Sound No.2 & Video Tech
Theatre |
9 to 5 the Musical |
Savoy Theatre |
| 2020 |
Sound No.1
Theatre |
When We Have Sufficiently Tortured Each Other National Theatre |
National Theatre |
| 2019 |
Sound No.1
Theatre |
Rutherford & Son National Theatre |
Lyttleton Theatre |
| 2019 |
Sound No.1
Theatre |
Top Girls National Theatre |
Lyttleton Theatre |
| 2019 |
Sound No.1
Theatre |
When We Have Sufficiently Tortured Each Other National Theatre |
Dorfman Theatre |
| 2018 |
Sound No.2
Theatre |
Everybody's Talking About Jamie Everybody's Talking About Jamie |
Apollo Theatre |
| 2017 |
Sound NO.3
Theatre |
Beautiful the Carole King Musical Marc Bruni / Beautiful the Carole King Musical |
Aldwych Theatre |
Education
| Year | Qualification | Where |
|---|---|---|
| 2009 | Music Technology | Rose Bruford |
Equipment
My Equipment/Kit:
I can use:
About me
I have been working in theatre for 7 years, progressing from Dep work to No.2 and 3 roles on large scale musicals. I am experienced with all aspects of theatre sound roles from mic fitting to mixing, and take huge pride in presentation of mics on Cast. I continue to love work working in the west end and hope to keep moving within the industry to gain more fantastic experiences on future shows.Skills
| Job Titles | Sound Operator / Engineer |
|---|---|
| Years in industry | 6+ years |