Tomás Ferreira
Images
Video
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video fileTomás Ferreira Showreel 2024
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video fileIn a House, At Night Short Film Trailer
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video fileAway in Silence Short Film Trailer
Documents
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document fileEditor_Tomas Ferreira 2024
Other
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My Contact Number:
07712814942
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
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2023 |
Online Content Editor
Online & Multimedia |
Royale Without Cheese - Film Review Podcast |
|
2022 |
Writer-Director & Editor
Film |
Coming and Going - Documentary Short Film |
|
2022 |
Writer-Director and Editor
Film |
In a House, At Night - Horror Drama Short Film |
|
2021 |
Writer-Director and Editor
Film |
Away in Silence - Drama Short Film |
|
2021 |
Assistant Director Department runner (work experience)
Television |
War of the Worlds #3 - Sci Fi TV Series Indra Siera / Urban Myth Films |
|
2021 |
Director and Editor
Film |
FATE - Drama Short Film |
|
2020 |
Director and Editor
Film |
Alone Voices - Documentary Short Film |
|
2019 |
Editor
Film |
Entrudo - Documentary Short Film |
|
2019 |
Screenwriter
Film |
Winter - Drama Short Film |
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2019 |
Screenwriter and 1º Asst. Director
Film |
Alfama is of the Singers - Documentary Short Film Alexandra Barbosa / Lisbon Theatre and Film School |
|
2024 |
Editor
Film |
The Stronger - Drama Short Film |
Education
Year | Qualification | Where |
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2023 | Online Course | The Go-To Editor Course |
2022 | MA Film (Directing) | University of South Wales |
2021 | Avid Media Composer Essential Training: 101 Fundamentals | LinkedIn Learning |
2021 | Introduction to DaVinci Resolve 17 course | Blackmagic Design |
2020 | Bachelor in Cinema - Screenwriting and Editing Specialization | Lisbon Theater and Film School |
2019 | "Spirits, Shadows and Reflections" Workshop managed by award winner director, João Salaviza | BOCA - Biennal of Contemporary arts |
2019 | Online Practical Screenwriting Online Course | Managed by professional screenwriter Tyler Mowery |
2018 | FEST New Directors New Films Festival, Training Ground Workshops | FEST Film Festival – Cultural Association |
Equipment
My Equipment/Kit: Da Vinci Resolve Studio 18 (Studio User), Adobe Premiere Pro, Adobe Media Encoder, ASUS TUF Gaming A15
I can use: Adobe Premiere Pro, DaVinci Resolve, Celtx, Microsoft Office Suite, Adobe Media Encoder
About me
Since an early age, I found myself writing stories, intrigued by the details in composing other worlds and the quiet unveiling of characters’ inner lives. The development of my craft as a writer deepened at Lisbon Theatre and Film School, maturing my storytelling voice through specializing in screenwriting and editing, but it was my aspiration to become a film director which lead me to complete a Masters in Film Directing at the University of South Wales (UK).In this journey, I realized how my continued studies and practice in screenwriting had made me a stronger director and editor and one concerned with a minimalistic style of Cinema, focused on shaping emotion and dramatic tension through subtle suggestions; on exploring story undertones in visually detailed atmospheres; on letting a performance breathe while aware of the poignancy of when to cut. This is the eclectic mindset of the writer-director-editor, accutely understanding story drama and rhythm in all its shapes over the filmmaking stages.
In this vein, I’ve directed and edited both documentary and fiction shorts. In 2019, I was one of the Biennal of Contemporary Arts participants on the Film workshop “Spirits, Shadows and Reflections” lead by the award-winning director João Salaviza. In 2020, I co-wrote a short film accepted for a creative supporting programme at the 2021 Cannes Film Festival and recently, my short film “In a House, At Night” premiered at Soho London Film Festival moving onto the independent Festival circuit. In my work, I’m excited by the dialogue of ideas with other collaborators and auteurs, whether as a director or editor. In both roles, I seek to find unglimpsed possibilities in the raw material, challenging expectations in film narrative and form so as to create thought-provoking moments that incite the viewer to question rather than reach clear answers. Film should be a mysterious unfinished sentence, started by the filmmaker who then invites the audience’s imagination to write its ending.
License & Passport
Passport: | Yes |
Driver's License: | Yes |
Skills
Secondary Job Title | Video Editor |
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Job Titles | Video Editor, Post-Production Assistant, Post-Production Management / Support, Screenwriter, Director |
Years in industry | 1 to 3 years |
Highlights
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The Soho LIFF Festival director Liz Farahadi interviews filmmaker Tomás Ferreira, writer-director and editor of the short film "In a House, At Night" officialy selected by Soho London Independent Film Festival. Check out the interview here: https://www.youtube.com/watch?v=laToLXjoyeA&t=93s
Synopsis: On Halloween night, in a women's shelter, 7-year-old Lynn sulks about missing her old house and dares to leave her mother's bed in a tantrum, hurting her. Separated and alone, the young girl re-encounters fear as witness of the asleep victims' nightmares, while Alice, her mother, dangerously ponders about calling back her husband so to give Lynn her family again. -
https://vimeo.com/877964244?share=copy
My entry for Editfest 2023, the 30 day editing competition managed by Filmsupply, the global leader in cinematic stock footage.
Set in the near future of a weathering Earth, a dying hero is brought back to life by a shadowy organization that transforms him into the ultimate human specimen. An experiment that reveals the key to save humanity, but at what cost...
Edit fest is an exciting and free opportunity to edit with access to a vastness of high-end footage from talented #filmmakers that #filmsupply provides. If you are interested in experimenting and increasing your portfolio, I definetly recommend the competition or simply going to Film Supply website for your own work. it was a chance to showcase my skills not only in trailer editing, but its branches to showreels and commercial videos.