Alan Andrade
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2016 |
Editor
Film |
Sabini Gary Love / Omerta Films |
|
2015 |
DIT
Video |
The Corrs / Blue Skies Warner music UK |
|
2015 |
DIT
Video |
The Corrs / Ellis Island Warner music UK |
|
2015 |
DIT
Video |
The Corrs / Bring On The Night Warner music UK |
|
2015 |
Editor
Film |
The Cheat and God David R Robert / Animus Pictures Ltd |
|
2015 |
DIT
Film |
THE COMEDIANS GUIDE TO SURVIVAL Mark Murphy / Green Screen Studios |
|
2015 |
DIT
Commercials & Industrials |
WestFild Shopping Cetre Harita Shah / PURE Agency |
|
2015 |
DIT
Film |
Cat Face Ogodinife Okpue / Adverto Studios |
|
2015 |
DIT
Film |
Then and Now Bashford twins / Camelot Films |
|
2015 |
Colourist
Film |
A Plea For Grimsby Preston Thompson / Kleos productions |
|
2015 |
DIT
Commercials & Industrials |
Castello Creamy White Asif Main / Field Trip |
|
2015 |
Colourist
Film |
Lords Of London Antonio Simoncini / Omerta Films |
|
2015 |
DIT
Film |
Abduct Ilyas Kaduji / Abduct films |
|
2014 |
DIT Colourist
Film |
Perfect Match Bashford twins / Camelot Films |
|
2014 |
Editor
Film |
Impresario Mitch Hill / Undernight Films |
|
2014 |
DIT
Television |
One Direction Dicky Charmers / Salt TV Ltd |
|
2014 |
DIT
Commercials & Industrials |
Toyota Auris Dicky Charmers / Salt TV Ltd |
|
2014 |
DIT
Commercials & Industrials |
PleC Salt TV Ltd |
|
2014 |
DIT
Commercials & Industrials |
Vodafone Togetherness Film Field Trip |
|
2014 |
DIT
Commercials & Industrials |
VW Commercial Veicles Field Trip |
|
2014 |
DIT
Commercials & Industrials |
VW Used Cars Field Trip |
|
2014 |
DIT
Commercials & Industrials |
VW 360 Craig Young / Feild Trip |
|
2014 |
Editor
Video |
Jeet Chahil / Mele Vich Dhol Vajda Gil Kolirin / Kolirin Films |
|
2014 |
DIT
Film |
Kids In Love Chris Foggin / Ealing Studios |
|
2014 |
DIT
Television |
David Beckham Off The grid BBC |
|
2014 |
DIT
Film |
Slapper and Me Betsan Morris Evans / Keep your Trap Shut LTD |
|
2014 |
DIT
Television |
Mapp and Lucia Diarmuid Lawrence / GRAFTON HOUSE PRODUCTIONS/BBC |
|
2013 |
DIT
Film |
Mercs Mercs Films |
|
2013 |
Editor
Film |
Performance Darren S.Cook / ISSA |
|
2013 |
Editor
Film |
Mariage Counceling Darren S.Cook / ISSA |
|
2013 |
Editor
Film |
Take Off Darren S.Cook / ISSA |
|
2013 |
Editor
Film |
Interview Darren S.Cook / ISSA |
|
2013 |
Editor
Film |
Intern Darren S.Cook / ISSA |
|
2013 |
Editor
Film |
Infidelity Darren S.Cook / ISSA |
|
2013 |
Editor
Film |
Dead Serious Darren S.Cook / ISSA |
|
2013 |
Colourist
Commercials & Industrials |
Samsung Air Conditioners Mike Saraswat / Salt TV Ltd |
|
2013 |
Editor
Film |
Blackmail Darren S.Cook / ISSA |
|
2013 |
Editor
Film |
Still Here Darren S.Cook / ISSA |
|
2013 |
Editor
Film |
Luke Darren S.Cook / ISSA |
|
2013 |
Editor
Film |
Late Night Darren S.Cook / ISSA |
|
2013 |
Editor
Film |
Innocent Darren S.Cook / ISSA |
|
2013 |
Editor
Film |
Guilty Darren S.Cook / ISSA |
|
2013 |
Editor
Film |
Fly Darren S.Cook / ISSA |
|
2013 |
Editor
Film |
Fallen Darren S.Cook / ISSA |
|
2013 |
Editor
Film |
Car Park Darren S.Cook / ISSA |
|
2013 |
Editor
Film |
Candles Darren S.Cook / ISSA |
|
2013 |
Editor
Film |
Animal Rights Darren S.Cook / ISSA |
|
2013 |
DIT
Film |
This Way Out Staten Cousins Roe / Network Ireland Television |
|
2013 |
DIT
Film |
The Pit and the Pendulun Fiona Bavinton / Sea Urching Films |
|
2013 |
Editor
Video |
Jeet Chahil / Kaim Sardari Gil Kolirin / Kolirin Films |
|
2013 |
DIT
Performing Arts |
Fantasy - The musical Paul Jibson / Active Group |
|
2013 |
Editor
Film |
Iced Ray Shell / Sea Urching Films |
|
2013 |
DIT
Film |
The Life of Marthin Grey Alan Arbibe / Arbibe Films |
|
2013 |
Colourist
Film |
Olive Green Suki Singh / SuperMemo World |
|
2013 |
DIT
Film |
Iron Gate Sean Cronin / Magnificent Films |
|
2013 |
DIT
Film |
Art Ache Berthy Cadilhac / Sea Urching Films |
|
2012 |
Colourist
Film |
Rosco Lives ..... |
|
2012 |
DIT
Film |
Riot Simon Philips / Press On Features |
|
2012 |
DIT
Film |
Our Lad Light Brigade Films |
|
2012 |
Colourist
Television |
Xclusive Red Dot Digitals |
|
2012 |
Colourist
Television |
The making of a Mogul Red Dot Digitals |
|
2012 |
Colourist
Television |
The Real Me Red Dot Digitals |
|
2012 |
Colourist
Commercials & Industrials |
Lambeth Red Dot Digitals |
|
2012 |
DIT
Film |
The Lake free lance films |
|
2012 |
Colourist
Film |
Lost in Italy Lost in Italy |
|
2012 |
Editor
Film |
GridIron UK, Universal Studios Gary Delaney / Brushycreekfilms.com |
|
2012 |
DIT
Film |
Ten Ten |
|
2012 |
DIT/Editor
Film |
G.B.H Press on features |
|
2012 |
DIT
Film |
The Hooligan Wars Simon Phillips / Press on features |
|
2012 |
DIT
Film |
Whacher self Matt Cruse / whachher self |
|
2012 |
Editor
Film |
The lights are on The Lights are On |
|
2012 |
DIT
Film |
Art is... Barry Bliss / New Troy Productions |
|
2012 |
Actor
Film |
Auto Drive Ruber Duck Films |
|
2012 |
SA
Television |
P45 P45 |
|
2011 |
Underwater cameraman
Event |
Shark Production Shark Production |
Education
Year | Qualification | Where |
---|---|---|
2004 | Photography and cinema | Ulbra |
Equipment
My Equipment/Kit:
I can use:
About me
I am trained in video, video editing and colour grading.Had studied at one of best privet universities in Brazil, and worked in my area for many years, as instated in my CV.
As photo and video manager aboard cruise ships, I had gain experience and confidence to ingest, edit, colour grade and delivery video in extremely short deadlines.
My editing skills are in Premiere Pro, but I also edit in Avid and FCP, and I colour grade on DaVinci Resolve.
I am confident that my grading skills are up to date with the new trends and technology, as so far I had used only the Tangent Wave Panel to grade on Resolve.
I am looking for both freelance and permanent positions, as editor and colourist.
As a Freelance I can edit and grade on location or at home, as I have my own editing and grading suit, for real time grade and play back with no rendering.
My suit is composed of:
Tangent Wave - Grading Panel
Bella - Premiere Pro Keyboard
Monitors - 2x 24' full HD
Grading monitor - JVC DT-V24G1E
HP Z800 WorkStation
2x Nvidea Quadro 5000
Additional information:
Hi My name is Alan Andrade and I would like to be cosider for the position of DIT Editor and colour grader
Here is a description of my mobile DIT editing and grading suit.
I can send some photos of my van, The perfec all in one solution on set and post.
Under Night Post Production
DIT, Editing, Grading, Mastering
Alan Andrade
removed
DIT
On location DIT with all you need for a fast paced environment, supplying you with computers, card readers and backup drives for a safe and fast data transfer.
DIT can be done on a fast laptop with external drives for fast and safe data transfer or with the most reliable and fast computers, external drives and colour correct monitor, all inside of proper OB Van, perfect for external shoots, where a dark room and proper viewing environment its impossible.
Real time viewing for any format of media and cameras thru BCN connection from the cameras to a colour correct broadcast monitor on the OB Van, where the director and producers can watch all in real time on the comfort of a mobile studio.
Real-time recording can be done directly from the OB Van thru BCN connection for a fast paced environment, with not time wasting transferring media from cameras to drives, while watching all in real time from a 24" colour correct monitor or a 47" monitor directly from the comfort of an OB Van.
Data encoding from any format to any format on location.
If you shoot on Red R3D format, the transcoding can be done in a fast outputting low resolution .mov format for a fast offline editing and full data 444 uncompressed RGB for the final output. All in a fast paced environment for the comfort and speed of a real studio workflow with the convenience of a mobile OB Van, with no time wasting transferring and transporting media around to be encoded, transcoded and delivered.
On location assembling, linking and sinking audio and video, for the fastest feature film, corporate and commercial environment workflow. Exporting EDL, AAF, MXL format for Premiere pro, Avid or Final Cut Pro workflows.
Real time grading for features, commercial and corporate, where the director and producers can check and set up LOOKS for the scene, even before the film is finished, so if the director is not happy with the lighting for the LOOK he is looking for, the scene can be shoot again with no pick up days after the project is finished.
Under Night will Back up and store a complete copy of your project for 5 years at no extra cost. So if anything happened with your media and you need a second copy of the full project, Under Night can send it straight away.
Editing
Editing is done on Premiere Pro CS6, for a fast and precise environment, and cam be exported for any format of media or editing suite, like Avid or Final Cut Pro.
With the use of fast editing suites and real-time Nvidia Graphic cards, the editing and viewing can be achieved with not time wasting rendering, so you see the project getting form as it is done in real time.
Real time Assembling, linking and sinking multiple cameras and audio streams, for a fast output environment, where time is money
Colour Grading
With one of the best grading soft ware out in the market "DaVinci Resolve" grading is done in a fast and reliable suite with real time Nvidia graphic cards, so all can be done and played back in real time with no rendering, using proper grading control panels and colour correct monitors, for a precise and fast workflow, all in the comfort of an OB Van directly in your door steps, so you don't need to move around for the viewing in each grading section.
Mastering
The master copy of the project can be exported in any format available on the market, from .mov to Cinepack, with the correct data compression and legal limits for Commercial, Broadcast, DVD, Blue Ray and Cinema release.
License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Colorist |
---|---|
Job Titles | Video Editor, Visual Effects (VFX) Artist, Colorist, Camera Operator, Cinematographer, Director of Photography (DOP), Photographer, DIT / Data Wrangler, Camera Assistant |
Years in industry | 6+ years |