Carmen Fortea
Video
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video fileCOMMERCIAL REEL 2021
Other
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My Contact Number:
Links
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2021 |
Director of Photography
Commercials & Industrials |
The Staff Canteen Featured Chef The Staff Canteen |
|
2020 |
Director of Photography
Video |
Mueveloreina / Que es el amor? Joecar Hanna / Build from the Roof |
|
2020 |
Director of Photography
Film |
Return of the Beast from Outer Space Max Ward / Dolphragon Films |
|
2020 |
Director of Photography
Commercials & Industrials |
Rustler Trailer Max Ward / Max Ward Film |
|
2020 |
Director of Photography
Commercials & Industrials |
Barreira - Visionaries Blas Martí / Montaña Studio |
|
2020 |
Director of Photography
Commercials & Industrials |
Amstel - Volverán Blas Martí / Montaña Studio |
|
2019 |
Director of Photography
Video |
We Used to Pray / City Walls Joecar Hanna / Build from the Roof |
|
2019 |
Director of Photography
Commercials & Industrials |
Earth & Sky Simon Riley / Kaleidovision |
|
2019 |
Director of Photography
Film |
Press 1 for Redemption Max Ward / Max Ward film |
|
2018 |
Director of Photography
Video |
Júlia / Menta Corinne Films |
|
2017 |
Director of Photography
Commercials & Industrials |
Backyard x Jägermeister Corinne Films |
|
2017 |
Director of Photography
Commercials & Industrials |
La Marina de València Corinne Films |
|
2016 |
Director of Photography
Video |
Tórtel / Nadie se parece a nosotros Corinne Films |
|
2016 |
Director of Photography
Video |
Soledad Vélez / Asteroid Corinne Films |
Education
Year | Qualification | Where |
---|---|---|
2019 | MA CINEMATOGRAPHY | MET FILM SCHOOL |
Equipment
My Equipment/Kit: Blackmagic URSA Mini 4.6K
I can use: Arri Alexa Mini, Blackmagic Ursa mini 4.6K, ARRI Alexa XT, RED Scarlet-W, Sony PMW-F55
About me
BORN IN SPAIN, RAISED AMONGST AMERICANS; HOME IS WHERE MY CAMERA IS, BUT YOU WILL MOST LIKELY FIND ME WORKING BETWEEN THE UK AND SPAIN. I HAVE BEEN BEHIND THE CAMERA SINCE 2013 WHEN I CO-FOUNDED CORINNE FILMS.I have worked for companies like Jägermeister, The Ned, Amstel, Nestlé, and music bands such as New Hope Club, Mueveloreina, and Polock; within teams of 30+ people and budgets over 50K.
My work is characterized by always trying to find a balance between the requirements of the script and aesthetically pleasing lighting and camera work. I enjoy the challenge of capturing beauty within reality. This can be seen in my yet-to-be-released project ‘Everyday Sacred’, an award-winning film that’s focused on capturing the little moments in life that usually go unnoticed.
License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Colorist |
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Job Titles | Colorist, Camera Operator, Cinematographer, Director of Photography (DOP), 2nd Assistant Camera - Clapper / Loader, DIT / Data Wrangler, Camera Assistant, Gaffer / Lighting Director, Spark |
Years in industry | 6+ years |
Organisations / Memberships | Shooting People (UK) |