Clare Cahill
- AD (1st)
- Production Manager
Greater London
Credits
Year | Role / Type | Name of Production / Director |
---|---|---|
2015 - 2016 | Producer Film (Feature) | The Hand Of The Creator Odilon Rocha |
2015 | Line Producer, 1st AD Film (Short) | Suburban Dracula Kawita Sareen |
2015 | Line Producer Film (Short) | Life in Colours Mark Margason |
2014 | Line Producer Film (Docu) | Tomorrow Never Knows Paul Knight |
2013 | Producer, 1st AD Film (Feature) | The Turtle and the Sea Marek Budzynski |
2013 | Line Producer, 1st AD Film (Feature) | Art Ache Berty Cadilhac |
2013 | Producer, 1st AD Film (Short) | The Pit and the Pendulum: A Study in Torture Fiona Bavinton |
2013 | 1st AD Film (Short) | Iced Ray Shell |
2012 - 2013 | Production Manager, 2nd AD Film (Short) | Desire Leon Ockenden |
2012 - 2013 | Production Manager Film (Short) | Irongate Sean Cronin |
2012 | 1st AD Film (Feature) | The Gridiron Gary Delaney |
2012 | Production Manager, 2nd AD Film (Feature) | The Fall of the Essex Boys Paul Tanter |
2012 | Co-producer, 1st AD Film (Feature) | Riot Simon Phillips |
2012 | Co-producer, 2nd AD Film (Feature) | The Ice Cream Wars Paul Tanter |
2011 - 2012 | 1st AD Film (Feature) | Art is... Barry Bliss |
2011 | 2nd AD Film (Feature) | The warning Alexander Williams |
2011 | 1st AD Film (Feature) | The Rise & Fall of a White Collar Hooligan Paul Tanter |
2011 | 1st AD Film (Feature) | The Best Years Danny Patrick |
2011 | 2nd AD Film (Feature) | Alien Uprising Dominic Burns |
2011 | 2nd AD Film (Feature) | Strippers vs Werewolves Jonathon Glendening |
2011 | Co-producer Film (Short) | Girl in a Yellow Dress Inyang Udosen |
2011 | 2nd AD Film (Feature) | Zero David Barrouk |
2010 | 1st AD Music Video | Rev78 / Every Bone James Nunn |
2010 | Production Manager, 2nd AD Film (Feature) | Love Tomorrow Chris Payne |
2010 | 1st AD Film (Short) | Happy Birthday Jules Rampton |
2010 | Producer, 1st AD Film (Short) | The Broken Heart Fiona Bavinton |
2010 | 1st AD Film (Short) | August Diana Liyanage |
2010 | 1st AD Film (Feature) | The Ninth Cloud Jane Spencer |
2009 - 2010 | 1st AD Film (Feature) | Godard and Others Barry Bliss |
2009 - 2010 | Co-producer, 1st AD Film (Short) | Beijo de Morena Edilberto Restino |
2009 - 2010 | 1st AD Film (Feature) | The Scandalous Four Christianne Van Wijk |
2009 - 2010 | 1st AD Film (Feature) | Wills Diaries Charis Feeny Orchard |
2009 - 2010 | Producer, 1st AD Film (Short) | The Ladies' Room Fiona Bavinton |
2009 | Producer, assistant director Music Video | Stephen Hitchens / Let's Talk Fiona Bavinton |
2007 - 2009 | Producer, 1st AD Film (Short) | ceci n'est pas un chapeau Fiona Bavinton |
2008 | Producer Film (Short) | The Confession Fiona Bavinton |
2008 | Producer, location manager Film (Short) | The Dead Fiona Bavinton |
2005 - 2006 | Co-producer Film (Docu) | Finding Our Place Sue Armstrong |
2006 | Co-producer, 1st AD Theatre Production | Dolly Stainer of Kew Cottages Fiona Bavinton |
Education
Year Qualification Where 2009 Assistant Directors in feature film (bespoke training) Straight Curve 2009 Producers Foundation Certificate Raindance 1994 BA (Hons) University of Melbourne Equipment
- I own (and can operate):
- laptop with Move Magic, CeltX, Office suite
About me
Passionate about storytelling and film, I bring a broad range of people management and scheduling skills and experience to a crew, together with a strong work ethic.
I am known for maintaining a calm, approachable deameanour on set and have been described by producer Clare McGann as " a steady hand at the tiller".
Referees
provided upon request
Additional Information
I have a broad range of skills and experience which all contribute to my effectiveness as an Assistant Director. These include:
- operational experience in scheduling, logistics, tasking, training, crowd management, emergency triage and incident management, developed as a volunteer member of the State Emergency Service in Victoria, Australia.
- teaching, tutoring and research experience in Criminology at the University of Melbourne, Australia
- administrative, scheduling and tasking skills developed as a Clerk of Courts, Melbourne, Australia.
Skills
- Languages Spoken
- English
- Interested in
- Arts
- Biography
- Commercials
- Corporate
- Documentary
- Drama Reconstruction
- Film (Feature)
- Film (Short)
- Investigative
- Music
- Natural History
- Licenses
- Standard Driving (PLG)
- Experienced in
- Film (Feature)
- Film (LB)
- Film (Short)
- Years in industry
- 3 to 6 years
- Organization/Union Membership
- BECTU (UK)
- Production Guild (UK)
- Shooting People (UK)
- WFTV (UK)
Professional Recommendations
Charlotte Annice Spruch Makeup Artist (SFX)
I'm always happy to work on a production where Clare is involved. She's organised and friendly with her crew and makes sure everyone's morale is high to get the job done.
Agnieszka Kukulka Makeup Artist (SFX)
It is absolute pleasure to work with Clare. Incredibly professional and friendly. I also found her helpful and supportive on many occasions. Great communication with cast and crew.
Scott Toms Production Manager
I have worked with Clare before and she is a very personable, hard working professional. She trained me as an AD and took time to get me through the duties required and still managed to keep everyone on set happy. All round good lady
Fabio Guglielmelli Cinematographer
Clare Cahill is one of the most sensitive and competent 1st AD I have worked with. Always able to handle the stress of the role with incredible calm without creating any tension, leading the crew to complete successfully the project within the deadlines.
Tara Mascara Make-up Artist
I worked with Clare who was 1st AD on a low budget feature film last Year. She was really calm under pressure, friendly,motivated and very efficient at her job. I hope to work with her again in the future.
Greg Brand Camera Operator
It was a fantastic experience working with Clare. She was an outstanding AD, always keeping the crew on schedule, whilst making sure we were all well looked after, allowing us to keep our minds on the task at hand.Clare has a vast amount of experience on set, and yet always has time for any questions and queries... even amidst a frantic shooting schedule.