Luke Oliver
Files
-
video fileSteadicam Narrative Showreel (2018)
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2020 |
Steadicam Operator
Television |
Anne Boleyn Lynsey Miller / The Fallen Falcon Ltd |
|
| 2020 |
Steadicam Operator
Film |
Shakuntala Devi: Human Computer Anu Menon / Genius Films |
|
| 2019 |
Steadicam Operator
Film |
Palindrome Marcus Flemmings / Palindrome Pictures |
|
| 2019 |
A Cam Op and Steadicam Op
Film |
Me, Myself and Di Chris Green / Samantha Lloyd Productions |
|
| 2018 |
Steadicam Operator
Film |
Welcome to the Powder Keg Toby Spanton / Tavistock Productions |
|
| 2018 |
Steadicam Operator
Film |
Anemone Amrou Al-Kadhi / Fox Cub Films |
|
| 2017 |
A Cam Op / Steadicam Op
Film |
The Marine 6: Close Quarters James Nunn / Close Quarters Films |
|
| 2017 |
1st AC and Steadicam Operator
Film |
Poised Robert Cairns / Cinergy Film |
|
| 2017 |
1st AC and Steadicam Operator
Film |
House Red Corrie Greenop / House Red The Movie |
|
| 2017 |
Steadicam Operator
Television |
Jamie Johnson Joe Talbot / Short Form Film |
|
| 2017 |
Steadicam Operator
Film |
Pond Life Bill Buckhurst / Open Palm Films |
|
| 2017 |
Steadicam Operator
Film |
Clash Amrou Al-Kadhi / Fox Cub Films |
|
| 2017 |
Steadicam Operator
Television |
The Hidden Track Robert Cairns / Cinergy Film |
|
| 2017 |
1st AC and Steadicam Operator
Film |
The Silent Child Chris Overton / Slick Showreels |
|
| 2016 |
Steadicam Operator
Video |
Earl / Tongue Tied Jon Olav Stokke / Familia Films |
|
| 2016 |
Steadicam Operator
Film |
Silver Birches Randall Stevens / True Films |
|
| 2016 |
1st AC and Steadicam Operator
Film |
Dark Beacon Corrie Greenop / Fright House Films |
|
| 2016 |
Steadicam Operator
Film |
The Days We Lost Daniel Ambor / Daniel Ambor Films |
|
| 2016 |
Steadicam Operator
Commercials & Industrials |
Yahoo – Daily Fantasy Daniel Polanco / Malt Films |
|
| 2016 |
Steadicam Operator
Film |
Superboy Mark Wilson / Superboy the Film |
|
| 2016 |
Steadicam Operator
Video |
Bear's Den / Auld Wives Sam Yates / Eureka Productions |
|
| 2016 |
Steadicam Operator
Video |
Dishy Tangent / Monster Charlotte Ginsborg / Dishy Tangent |
|
| 2016 |
Steadicam Operator
Film |
Pippa Chris Broomfield / Ravensbourne University |
|
| 2016 |
Steadicam Operator
Film |
Blue Hollywood Francesco Gabriele / London Film School |
|
| 2016 |
Steadicam Operator
Television |
Vernon Walks Santiago Zannou / Morena Films |
|
| 2016 |
Steadicam Operator
Film |
The Works Elliot Barnes-Worrell / The Works Productions |
|
| 2015 |
B Cam Op / Steadicam Op
Television |
Street Fighter - Resurrection Joey Ansah / World Warrior Ltd |
|
| 2015 |
Steadicam Operator
Video |
Klyne / Closer Jon Olav Stokke / Nothing To See Here Productions |
|
| 2015 |
Steadicam Operator
Film |
Eliminators James Nunn / The Tea Shop & Film Company |
|
| 2015 |
Steadicam Operator
Film |
Out, Out- Alí Halliday / Que Vida La Vida |
|
| 2015 |
Steadicam Operator
Film |
Soldier Bee Alex Hardy / Sky Blue Films Ltd |
|
| 2015 |
Steadicam Operator
Commercials & Industrials |
EE - Hospitality Promo Duncan Crowe / Contented Brothers |
|
| 2015 |
First AC A Camera
Film |
Breakdown Mark McQueen / Impact Entertainment |
|
| 2014 |
First AC
Commercials & Industrials |
Pokerstars: Interactive Games James Nunn / Djinn Entertainment |
|
| 2014 |
Steadicam Operator
Film |
Prometheus Rising Diana Fröse / Met Film School |
|
| 2014 |
First AC, Steadicam Operator
Film |
Age of Kill Neil Jones / Richwater Films |
|
| 2014 |
Camera Operator / Steadicam Op
Film |
Fingers Alex Marx / Fox Cub Films |
|
| 2014 |
First AC, Steadicam Operator
Film |
We Still Kill The Old Way Sacha Bennett / Richwater Films |
|
| 2014 |
Camera Operator / Steadicam Op
Film |
Rise of the Footsoldier II Ricci Harnett / Richwater Films |
|
| 2014 |
DoP
Film |
Flashback Laura K Phillips / Dexterity Films |
|
| 2013 |
Camera Operator / Steadicam Op
Film |
Top Dog Martin Kemp / Richwater Films |
|
| 2013 |
Camera Operator / Steadicam Op
Film |
Assassin J.K. Amalou / Richwater Films |
|
| 2013 |
DoP
Film |
The Conversations Marcus Flemmings & Haider Zafar / The Conversations Ltd. |
|
| 2013 |
Camera Operator
Commercials & Industrials |
Cadbury Marvellous Creations Promo Ben Taylor / Snappin' Turtle Productions |
|
| 2013 |
DoP
Commercials & Industrials |
HoF Denim Buying Guide Michaela Lowe / Alpha Century Ltd |
|
| 2013 |
DoP / Steadicam Op
Commercials & Industrials |
Readwell Promo Reeve Rixon / Alpha Century Ltd |
|
| 2013 |
First AC, B-Cam Op
Film |
Vendetta Stephen Reynolds / Richwater Films |
|
| 2013 |
DoP / Steadicam Op
Video |
Josephine / Portait Reeve Rixon / Rubyworks |
|
| 2013 |
Camera Operator / Steadicam Op
Film |
He Who Dares Paul Tanter / Runaway Features Ltd |
|
| 2013 |
Camera Operator / Steadicam Op
Film |
Shame The Devil Paul Tanter / Press On Features |
|
| 2012 |
Gaffer / B Camera Op
Film |
Candlestick Chris Presswell / Workbus |
|
| 2012 |
Second AC
Commercials & Industrials |
Shell Connect Oliver Cheetham / Imagination |
|
| 2012 |
Camera Operator
Commercials & Industrials |
Brendan Cole and Jo Wood 'Swing Into Action' Michael Traboulsi / Snappin' Turtle Productions |
|
| 2012 |
Camera Operator / Steadicam Op
Film |
White Collar Hooligan 2: England Away Paul Tanter / Press On Features |
|
| 2012 |
Camera Operator / Steadicam Op
Film |
The Fall of the Essex Boys Chata Pictures |
|
| 2012 |
Camera Operator / Steadicam Op
Film |
GBH Simon Phillips / Press On Features |
|
| 2012 |
Camera Operator
Commercials & Industrials |
Measuring Your Travel Programme - Norgine Alex Mason / Egencia |
|
| 2012 |
Camera Operator
Film |
The Blueblack Hussar Jack Bond / Sunrise Pictures |
|
| 2011 |
Camera Operator
Commercials & Industrials |
Colman's Christmas Turkey Carving Masterclass with Sam Faiers Michael Traboulsi / Snappin' Turtle Productions |
|
| 2011 |
Camera Operator
Commercials & Industrials |
Working with Egencia - Bupa Alex Mason / Egencia |
|
| 2011 |
Camera Operator
Commercials & Industrials |
Working with Egencia - Unum Alex Mason / Egencia |
|
| 2011 |
Steadicam Operator
Film |
The Rise & Fall of a White Collar Hooligan Paul Tanter / Press On Features |
|
| 2010 |
Camera Operator
Performing Arts |
Nintendo - Goldeneye 007 Lee Robinson / Maskomi |
|
| 2009 |
Director / Camera Operator / Editor
Film |
The Secret Station Luke Oliver / Bournemouth University |
Education
| Year | Qualification | Where |
|---|---|---|
| 2009 | Television Production BA (Hons) | Bournemouth University |
Equipment
My Equipment/Kit: E-Image 7050 Fluid Head Tripod, Kenyon Labs KS-4x4 Gryro, RT Motion, Steadicam Archer, SWIT S-8192S V-lok Battery Set, Teradek Bolt
I can use: Steadicam Archer, RT Motion, Teradek Bolt, Kenyon Labs KS-4x4 Gryro, SWIT S-8192S V-lok Battery Set, E-Image 7050 Fluid Head Tripod, Arri Alexa, Arri Amira, Sony F55, Red Epic, Black Magic 4K, Canon Cameras, Canon Cameras, Sony FS100, Sony FS700, Canon 5D mkii, Canon Cameras, Sony PMW EX1, Sony PMW EX3, Sony Cameras
About me
I'm a freelance Steadicam Owner / Operator with a 24v Steadicam Archer. This is suited to heavier digital cameras such as the Alexa family. I've been operating Steadicam rigs for over six years now, flying a huge variety of cameras. I am based in London, but have shot all over the UK and abroad.Additional information:
I have Steadicam experience in short films, feature films, TV, music promos, corporates, and commercials.
License & Passport
| Driver's License: | Yes |
Skills
| Secondary Job Title | Camera Operator (HD) |
|---|---|
| Job Titles | Camera Operator |
| Years in industry | 3 to 6 years |
Highlights
-
Alí Halliday (Director)
It was an outright pleasure to work with Luke on "Out, Out-", my second short as Director and Producer. He more than fulfilled his recommended status. He possesses not only an obvious natural skill with the Steadicam rig, but also a very polite, professional approach which really impressed our actors. I am very much looking forward to working with Luke next summer on my third short "Let the Shadows become you", where I am sure he will be able to master the tough Steadicam shots I challenge him with yet again. All my thanks Luke, Alí