Marcus Anuzis
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2022 |
Dubbing mixer, Sound Design & Sound Editor
Film |
Remnants Chris Boyd |
|
| 2022 |
Dubbing mixer, Sound Design & Sound Editor
Film |
Snapshot Sam Barnett |
|
| 2022 |
Dubbing mixer, Sound Design & Sound Editor
Film |
Baked Beans Enon Films |
|
| 2022 |
Sound Recordist, Boom Operator
Film |
Pinch Pinch Joe Willis |
|
| 2021 |
Dubbing mixer, Sound Design & Sound Editor
Commercials & Industrials |
Born in Bradford Anarchy Cinema |
Bradford |
| 2021 |
Dubbing mixer, Sound Design & Editor
Film |
To Butcher a Bird |
|
| 2021 |
Sound Recordist, Mixer
Film |
Remnants Chris Boyd / Jumpcut Productions |
Peak District |
| 2021 |
Sound Recordist, Mixer
Film |
Baked Beans Hugh Adamson & Haley Murahee / Enon Films |
|
| 2021 |
Sound Assistant, Car rigger
Film |
Tasbeeh Iqbal Mohammed / Enon Films |
Sheffield City Centre |
| 2021 |
Dubbing mixer, Sound Design & Sound Editor
Film |
Ubani Na Moto Pishdaad Modaressi Chahardehi / Anarchy Films |
|
| 2021 |
Dubbing mixer, Sound Design & Sound Editor
Film |
Stained Canvas Jayne Slater / Independent |
|
| 2021 |
Sound Recordist, Dubbing Mixer, Sound Editor
Film |
The Party Hugh Adamson / Enon Films |
|
| 2021 |
Sound Recordist, Boom Operator
Film |
A Change in Time Pat Knight |
|
| 2021 |
Dubbing mixer, Sound Design & Editor
Film |
Round My Way Mark Stokes / Static Flow Productions |
Bradford |
| 2020 |
Boom Op
Film |
Dirt Diploid Productions + BFI |
Hull University |
| 2019 |
Audio mixer, Audio Editor and Foley artist
Event |
Audiobook Private client |
|
| 2019 |
Sound Designer, Audio mixer and Foley artist
Commercials & Industrials |
Youtube Series- Teaching to draw Private client |
|
| 2019 |
Sound Designer, Audio mixer, Composer, Producer and Musician
Film |
Bonfire Dreamtape Studios |
|
| 2019 |
Foley Artist, Sound designer and Audio mixer
Film |
Poker Night Private client |
|
| 2019 |
Foley Artist, Sound designer and Audio mixer
Film |
Blue Private client |
|
| 2018 |
Lead Sound
Film |
Help Wanted Raza Mallal / Talking Lens |
Education
| Year | Qualification | Where |
|---|---|---|
| 2015 | Music Technology | Leeds Beckett |
Equipment
My Equipment/Kit: Sennheiser G3's x2, Shure SM7B, Timecode, Zoom Recorders
I can use: Zoom Recorders, Shure SM7B, Timecode, Deity S2 Shotgun Microphone, Sennheiser G3'S X2
About me
-Working as a boom op on BFI films-Sound recordist on films/news/netflix documentaries
-Composer on an advert that raised £1,000,000
-Dubbing mixer/sound editor on a documentary that aired at docfest this year as well as finishing my first game with soundtrack + audio implementation.
Available for: commercial, corporate, short film, fiction, documentary & adverts.
License & Passport
| Driver's License: | Yes |
Skills
| Secondary Job Title | Dubbing Mixer |
|---|---|
| Job Titles | Sound Mixer / Recordist, Sound Operator / Engineer, Sound Editor, Sound Designer, Sound Assistant, Composer, Dubbing Editor / Mixer |
| Years in industry | 3 to 6 years |
| Work Permits | EU |
| Musical Skills | Bass Guitar, Drums/Percussion, Guitar, Piano/Keyboards, Synthesiser |
| Musical Style | Ambient, Anime, Big band, Bitpop, Blues, Bossa nova, Britpop, Bubblegum pop, Chillout, Classic country, Classic rock, Classical, Disco, Drum & Bass, Dub, Grunge, Hip hop, House, Indie, Jazz, Metal, Pop, R n B, Rap, Reggae, Rock, Ska |