Ryan Millar


YearRole / TypeName of Production / DirectorCompany / Venue
2020 - 2021Sound Recordist
Film (Short)
Knock Knock
Shian Denovan
Affecting Films
2020 - 2021Sound Recordist
How to make a living in jazz
Philip Nash
Nash Productions
2020 - 2021Sound Recordist
Film (Short)
The Taxi Driver
Mariia Veselkova
2020 - 2021Sound Recordist
Film (Short)
The Bench
Guy Taylor
Gatton Films
2020 - 2021Sound Recordist
Film (Feature)
The Diaries of Tai Atlas
Henry Simpson-Gray
H Visions Entertainment
2020 - 2021Sound Recordist
Fried - episode 3Independent
2020 - 2021Sound Recordist
Film (Short)
Sam Windle
2018 - 2019Sound Assistant
Television / TV
White House Farm
Paul Whittington
Raptor Pictures Ltd
2017Sound Recordist
Film (Feature)
The Game Changer
Thomas Kadman
Dryblue Films
2016 - 2017Sound Recordist
Film (Feature)
Thai boxer
Charlie Garrett
Treasure Tower Films
2016 - 2017Sound Recordist
Film (Short)
The Medal
Leo Baker
Sync Films
2016Sound assistant
Television / TV
Ben Taylor
Avalon Television Ltd
2016Sound trainee/assitant
Television / TV
Dr Foster 2
Jeremy Lovering
Drama Republic/ITV
2016Sound Recordist
Operation Centaur
Meike Simms
Meike Simms Media
2015Sound Recordist
Film (Student)
Norman Knuckles
Wembi Rodrigue Montana
VW Films
Film (Short)
Still Walters
Tim Bernard
Memoir Pictures
2015Sound Recordist/dialogue edititor/mixer
Film (Short)
Through The Scope
Ian Tierney
  • Education

    Pro Tools 101 - 110School of Sound Recording
    2014Audio ProductionSAE London


    I own (and can operate):
    Tascam HS-P82 recorder, Sennheiser MKH 416, Neuman KM 84, Rycote shock mount & Softie, Panamic 3m boom pole, 4 x Sennheiser EW100 G3 transmitter/receiver units, 4 x Sanken COS 11, URSA ankle/waist/chest straps, Ambient ACN-CL & NANOLockit Sync Box x 2

    About me

    I'm a BA Hons graduate of the audio production programme at the SAE institute London. During the course of my studies I had the opportunity to work on sound for animation, post-production and location/field recording projects. Allowing me to assimilate comprehensively in understanding the principles and practices required to produce and deliver a professional composite sound-track for film/TV.

    I have been involved in every position of the sound department from location recording to final mix, and have acquired enough knowledge to competently fulfil my responsibilities.

    I work well in a team, leasing with directors, producers and camera operators to capture optimum sound quality, even in the most challenging of environments.

    Additional Information

    Experienced in: Post-Production, location recording, Pro Tools/Logic, dialogue - sync/edit/mix, foley, ADR, FX (sync/mix), dubbing/final mix, 5.1/stereo mix, file arrangement/labelling/delivery, DVD authoring, Izotope RX4.

  • Skills

    Years in industry
    • 3 to 6 years
    • CRB Checked
    • Standard Driving (PLG)
    DBS checked
    • Yes (within last 12 months)
    Languages Spoken
    • English
    Interested in
    • Animation
    • Arts
    • Biography
    • Business
    • Comedy
    • Commercials
    • Competition/Gameshow
    • Cookery
    • Corporate
    • Digital/Online Campaigns
    • Documentary
    • Drama Reconstruction
    • ENG/Outside Broadcast
    • Environmental
    • Film (Feature)
    • Film (LB)
    • Film (Short)
    • Health
    • Home Renovation TV
    • Horror
    • Investigative
    • Live Daytime
    • Live TV
    • Magazine
    • Mobile Phone Content
    • Motoring
    • Music
    • Music Promo
    • Natural History
    • News & Current Affairs
    • Reality TV
    • Sport
    • Teaching
    • Television
    • Travel
    • Wildlife
    • Youth TV
    Experienced in
    • Animation
    • Comedy
    • Documentary
    • Film (Short)
    • Music
    • Music Promo
    Driving Licences
    • Standard
    Own a car?
    • Yes