Sam Walker
Files
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video fileShowreel 2021
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2022 |
Cinematographer
Commercials & Industrials |
The Dorchester Hotel - Works of Art (Branded Documentary) Gorilla Gorilla |
Lewes |
| 2022 |
Cinematographer
Film |
Speed Dating (Short) Jean Paul-Ly |
Hackney, UK |
| 2021 |
Cinematographer
Film |
Bushwhacker Blues (Short) James Campbell |
Darlington, UK |
| 2021 |
Cinematographer
Film |
Flit (Short) Henry Leroy-Salta & Alexander Tol |
Surrey, UK |
| 2021 |
Cinematographer
Film |
Bar Fight (Feature) Marc Price / Wales Interactive |
Bath, UK / London, UK |
| 2021 |
Director, Cinematographer
Commercials & Industrials |
Bimini x Capital FM - Back to Live (Social) Global |
Brighton, UK |
| 2021 |
Director
Online & Multimedia |
Anne-Marie & Barclaycard Back to Live (Out of Home) Global |
Dimension Studio, London |
| 2021 |
Director, Cinematographer
Commercials & Industrials |
Jack Whitehall x Ebay Small Business (Commercial) Seen Connects |
|
| 2021 |
Director, Cinematographer
Online & Multimedia |
Oreo x Capital FM (Social) Global |
|
| 2021 |
Director, Cinematographer
Commercials & Industrials |
Capital FM x Ebay (Social) Global |
|
| 2020 |
Director
Online & Multimedia |
Amanda Holden - "Home For Christmas" (Music Video) EMI Records |
|
| 2020 |
Director, Cinematographer
Commercials & Industrials |
Pokemon Masters (Commercial) Maverick Media |
Croydon, UK |
| 2020 |
Cinematographer (2nd Unit)
Film |
Swipe Fever (Feature Film) Nathan Neuman |
|
| 2020 |
Director, Cinematographer
Online & Multimedia |
Azule (Commercial) Asmodee |
|
| 2020 |
Director, Director of Photography
Online & Multimedia |
Wizarding World Gold Christmas (Social) Warner Bros |
Warner Bros Studio |
| 2019 |
Director
Online & Multimedia |
MTV EMA'S (Social) Viacom |
Seville, Spain |
| 2019 |
Director, Cinematographer
Film |
Pumped Fiction (Short) RedCon1 |
Croydon, UK |
| 2019 |
Director of Photography
Film |
School of the Damned (Feature Film) Netflix / Peter Vincent |
Brighton, UK |
| 2019 |
Director, Cinematographer
Online & Multimedia |
McDonald's Monopoly (Social) The Marketing Store |
|
| 2019 |
Director of Photography
Online & Multimedia |
LADbible x Smirnoff Sausage Troll (Social) LADbible |
|
| 2019 |
Cinematographer, Director
Commercials & Industrials |
McDonald's Book or Toy (Social) The Marketing Store |
|
| 2018 |
Director of Photography
Film |
A Fistful of Lead (Feature Film) Marc Price / Dead Pixel, 4 Digital Media |
Kent, Wales, UK |
| 2018 |
Director, Cinematographer
Online & Multimedia |
UNILAD x SAMSUNG (Social) Unilad |
Cornwall, UK |
| 2018 |
Director of Photography
Commercials & Industrials |
Spark Your Imagination (Social) Matthew Simpson / Ekstasy Films |
London, Milton Keynes, UK |
| 2018 |
Director, Cinematographer
Film |
Man Up (Short Film) Bloombox Productions |
|
| 2018 |
Director
Commercials & Industrials |
Lost in Translation (Social) MotorEasy |
Reading, UK |
| 2018 |
Director
Commercials & Industrials |
UNILAD x RedBull (Social) Sam Walker / UNILAD |
UK, France, Belgium, Netherlands |
| 2017 |
Director, Cinematographer
Commercials & Industrials |
Adidas Glitch Campaign (Social) The Marketing Store |
|
| 2017 |
Director of Photography
Commercials & Industrials |
Yale Locks - The Birthday Homecoming (Commercial) Matthew Simpson / The Fold |
|
| 2017 |
Camera Operator
Television |
The Russel Howard Hour (TV) Errol Ettienne / Sky 1 / Avalon TV |
|
| 2017 |
Camera Operator
Commercials & Industrials |
Romesh: Talking to Comedians (TV) Errol Ettienne / BBC / Greendoor Pictures |
|
| 2017 |
Director of Photography
Commercials & Industrials |
RS Components: Supporting Generations (Social) Matthew Simpson / Ekstasy Films |
|
| 2017 |
Director, Producer, Editor
Commercials & Industrials |
Team Skull vs Team Pikachu (Social) Pokemon International |
|
| 2017 |
Director, Director of Photography, Editor
Commercials & Industrials |
McDonalds Monopoly (Social) The Marketing Store |
|
| 2017 |
Director, Director of Photography, Editor
Commercials & Industrials |
London Fashion Week: Makeup Plus (Social) Unsigned Management |
|
| 2017 |
Director, Director of Photography, Editor
Film |
Where do art and migration meet? (Documentary) The Tate Modern |
|
| 2017 |
Director, Director of Photography, Editor
Film |
What does it mean to be a woman in art? (Documentary) The Tate Modern |
|
| 2017 |
Director, Director of Photography, Editor
Commercials & Industrials |
Uniqlo Presents: Tate Lates (Social) The Tate Modern |
|
| 2016 |
Director of Photography
Commercials & Industrials |
A Day in the Life of a Cannes Lions Judge (Online) Jose Mouzo Estevez / Cannes Lions |
Cannes, France |
| 2016 |
Cinematographer
Commercials & Industrials |
Keyline - Annual Film (Online) Mike Saraswat & Matthew Simpson / Ekstasy |
|
| 2016 |
Cinematographer (2nd Unit)
Film |
1603 (Feature Film) Paul J. Lane / Baiboon Film Entertainment |
Erbil, Iraq |
| 2015 |
Cinematographer
Commercials & Industrials |
Google - UK Roadshow (Social) |
Manchester, UK |
| 2015 |
Cinematographer
Commercials & Industrials |
Elite Models London - National Final (Social) Elite Models |
|
| 2015 |
Director, Writer, Producer
Film |
Where Am I? (Short) Sam Walker / Shootme Films ltd |
|
| 2015 |
Cinematographer
Commercials & Industrials |
Nike ID London (Social) Greg Walsh / Sports Stylist |
|
| 2015 |
Director
Commercials & Industrials |
Doritos - Granny (Spec Commercial) Sam Walker / Shootme Films ltd |
|
| 2014 |
Director, Cinematographer
Commercials & Industrials |
Air France - "In Safe Hands" (Short) Sam Walker / Shootme Films ltd |
|
| 2014 |
Writer, Director, Producer, Cinematographer
Film |
Hard Times (Short) Shootme Films ltd |
|
| 2013 |
Director, Writer, Producer
Film |
Echo (Short) Shootme Films ltd |
|
| 2012 |
Director, Writer, Producer
Film |
Hunted (Short) Sam Walker / Shootme Films ltd |
|
| 2012 |
Writer, Director, Producer
Film |
Suspect 13 (Short) Shootme Films ltd |
|
| 2012 |
Director
Film |
Monday (Short) Sam Walker / National Youth Film Academy |
Education
| Year | Qualification | Where |
|---|
Equipment
My Equipment/Kit: ARRI ALEXA MINI (Shooting Package)
I can use: Arri Alexa Mini (Shooting Package)
About me
Sam's career so far has seen him create D&AD Award winning commercial content, shoot documentaries exhibited at The Tate Modern and lens three feature length films - two of which are now available on Netflix.Fuelled by doughnuts and coffee, Sam brings a chipper disposition to set and thrives on the process of collaboration. A preference for both naturalistic and minimalistic lighting, Sam pushes to create a feeling of authenticity through his composition, movement and lighting - whatever the project. He is an advocate and promoter of equality and fair representation within the industry.
Likes: Set Dogs, Tattoos, Vegan Food.
Dislikes: Ignorance, Egos, Crummy Pizza
License & Passport
| Driver's License: | Yes |
Skills
| Secondary Job Title | Director of Photography |
|---|---|
| Job Titles | Writer, Director, Cinematographer, Director of Photography (DOP) |
| Years in industry | 6+ years |
Highlights
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Paul Dewdney Productions
I have known Sam professionally for the past three years with him in both in a Film Director and Cinematographer capacity.
Sam’s professional attitude is always at the fore in these areas, he possesses great tact, patience and latitude within his skill set always striving for the best possible outcome for not only the visual aspect but also the enhancement of the actor all the while maintaining an ambient, well at ease calmness which all in all leads to an immensely productive environment. His leadership skills in a film set arena are calm yet solid, easy going yet precise and always conducted in a friendly assertive and wholly professional manner.
Sam's knowledge of the equipment that he uses in regard to photography and lighting is detailed and concise and likewise his skills in regard to editing vis-a-vis associated post-production areas are exemplary and precise.
I would have no hesitation whatsoever with recommending Sam in these areas.