Genevieve Davidson
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2019 |
Assistant Stage Manager
Theatre |
The Gruffalo's Child Liesel Badorrek / CDP Theatre Producers |
|
| 2018 |
Stage Manager/Operator
Theatre |
2:20AM Hallie Shellam / Anvil Productions |
|
| 2018 |
Stage Manager
Theatre |
Il Pagliacci Rachel McDonald / Freeze Frame Opera |
|
| 2018 |
Assistant Stage Manager
Theatre |
Hir Zoe Pepper / Black Swan State Theatre Company |
Studio Underground State Theatre Centre of WA |
| 2018 |
Stage Manager/Operator
Theatre |
Lovely Mess Katrina Cornwell / Riot Stage |
North Melbourne Town Hall |
| 2018 |
Assistant Stage Manager
Theatre |
RIOT The Show Jennifer Jennings & Phillip McMahon / THISISPOPBABY |
|
| 2018 |
Assistant Stage Manager
Theatre |
BRIEFS: Close Encounters Briefs Factory |
|
| 2017 |
Stage Manager/Operator
Theatre |
Desert 6:29pm Bridget Balodis / Red Stitch Actor's Theatre |
Red Stitch Actor's Theatre |
| 2017 |
Stage Manager/Operator
Theatre |
They're Playing Our Song Company Eleven |
|
| 2017 |
Stage Manager/Operator
Theatre |
Only A Year Sarah Austin / Sarah Austin and Co |
Monkeybaa |
| 2017 |
Stage Manager
Theatre |
I Carry Your Heart Paige Marshall |
North Melbourne Town Hall |
| 2017 |
Stage Manager
Event |
Elegies: A Song Cycle Joshua Webb / Crying Wolf Productions |
Butterfly Room |
| 2017 |
Stage Manager
Music & Singing |
Joondalup Eisteddfod Joondalup City Council |
|
| 2017 |
Audition Assistant
Event |
Book of Mormon Book of Mormon Australia |
His Majesty's Theatre |
| 2017 |
Stage Manager
Theatre |
Fiesta City of Joondalup |
|
| 2017 |
Production Assistant
Theatre |
The Crucible Douglas Rintoul / Sell A Door |
Touring |
| 2016 |
Dome Operator
Theatre |
Tort E Mort Connections Nightclub |
|
| 2016 |
Audition Assistant/Chaperone
Theatre |
Matilda The Musical Australia Matilda The Musical |
Western Australian Academy of Performing Arts |
| 2016 |
Stage Manager/Box Office
Theatre |
The Duckmasters Elle Harris / Elle Harris Productions |
|
| 2015 |
Stage Manager, Show Caller, Flyman
Theatre |
Sweeney Todd: The Demon Barber of Fleet Street Craig Griffen / Fresh Bred Productions |
Joy Shepherd Performing Arts Centre |
| 2015 |
Stage Manager, Show Caller, LX Board Operator
Theatre |
Assassins The Musical Gregory Jones / Midnite Youth Theatre Company |
The Studio |
| 2015 |
Dresser
Theatre |
Beauty Shop Connections Nightclub |
Education
| Year | Qualification | Where |
|---|---|---|
| 2016 | Bachelor of Performing Arts in Stage Management | Western Australian Academy of Performing Arts |
| 2015 | Advanced Diploma of Live Production and Management Services - Stage Management | Western Australian Academy of Performing Arts |
| 2014 | Diploma of Live Production and Technical Services – Stage Management | Western Australian Academy of Performing Arts |
Equipment
My Equipment/Kit:
I can use:
About me
I have a Bachelor of Performing Arts in Stage Management from the Western Australian Academy of Performing Arts (WAAPA). Through my training in Stage Management, I have the confidence to work independently, while also an appreciation of working as part of a tight-knit team. I am highly proficient at score reading and dance blocking. I have experience across props/set, sound and light operation, and costume work and have spent last three years stage managing and operating on a variety of different sizes of live performance. I am very familiar with the day-to-day running of a theatre and the pre-production work that goes into rehearsals and preparing a musical for the stage. I enjoy both the pre-production/rehearsal period as well as the backstage live performance aspect of stage management. Through working in so many varied positions at different levels, and in many different venues, I am comfortable to take any and all challenges I encounter within a role.Crew:
My experience in university productions as Production Manager, Stage Manager, Show Caller, Orchestra Manager and Assistant Stage Manager have prepared me for the industry. On these shows I have had the chance to work in a diverse range of theatre including opera, dance, acting, musicals, school shows and outdoor events. Since WAAPA is practical-based and the productions are largely student run I have been able to develop my skills in a realistic show setting. Sourcing props, writing up budgets, crew/cast schedules, running lists, risk and hazard management, stage managing, and show calling are just some of the skills and experiences I have been able to undertake. I am looking to broaden my experience from the theatre into the film industry
License & Passport
| Driver's License: | Yes |
Skills
| Secondary Job Title | Showcaller |
|---|---|
| Job Titles | Production Assistant (PA), Stage Manager, Production Manager, Production Support, Music Director, Set Dresser, Casting Assistant, Chaperone / Driver, General Staff, Automation / Flying |
| Years in industry | 3 to 6 years |
| Work Permits | Australia |