Megan Barbour
Other
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My Contact Number:
Links
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2020 |
Deputy Stage Manager
Theatre |
BRIT Kids BRIT Kids |
The BRIT School |
| 2018 |
Foley intern
Event |
The Final Adventure of Frankie Fightwell Ellie Pitkin / Blackshaw Theatre |
Putney Arts Theatre |
| 2016 |
Stagehand
Theatre |
My Fair Lady Kyla Thornburn / Gilbert and Sullivan Society |
Artscape Theatre Centre |
Education
| Year | Qualification | Where |
|---|---|---|
| 2020 | Production Arts | The BRIT School |
About me
I've worked in many venues, from a capacity of 150 seats at amateur theatres to an opera house with 1500 seats: this particular production had a month-long, fully sold out run. I have experience being stage crew for 5 years, particularly helping with doing get-ins and get-outs. I’ve also been on stage management teams, and have experience being a runner for events. This means that I have great people skills and that I’m good at communication. From a technological point of view, I have also done lighting design, and have operated lights and sound. I’ve acquired the knowledge from years of experience to be able to lead a team towards a successful show. I learn technology very quickly, which helps when faced with new equipment, such as lighting desks or deputy stage management desks, as it means I can focus on the work at hand from the get-go. An example of this is when I was lighting designer for my first big dance show, I had to learn how to use the lighting desk on the tech day, which I managed to successfully do quite quickly because I’m a quick learner and have acquired sharp listening skills over the years.Skills
| Secondary Job Title | Lighting Designer |
|---|---|
| Job Titles | Deputy Stage Manager, Lighting Designer, Lighting Operator, Prop Maker, Props Assistant, Props Buyer, Sound Operator |
| Years in industry | 3 to 6 years |
| Languages Spoken | English |
| Driving Licences | Motorcycle |
| Work Permits | EU |