Christopher Woll

Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2020 |
Co-Producer
Film |
TAPE Deborah Kampmeier / Downmix Post |
|
2019 |
Supervising Sound Editor
Film |
In Action Sean Keneally & Eric Silvera / Downmix Post |
|
2019 |
Supervising Sound Editor
Film |
Rizzo Jeanette Dilone / Downmix Post |
|
2019 |
Re-Recording Mixer
Television |
A Gesture and a Word Dave Davidson / Downmix Post |
|
2019 |
Supervising Sound Editor
Film |
Overexposed Juan David Castilla / Downmix Post |
|
2019 |
Re-Record Mixer and Sound Designer
Television |
ASPIREist Sean Efran / Efran Films |
|
2017 |
Sound Designer
Film |
Dobara Phir Se ARY Digital Network |
|
2016 |
Re-recording Mixer / Sound Designer
Film |
Brooklyn Tide Rubidium Wu / Crimson Engine |
|
2016 |
Sound Designer / Rerecording Mixer / Composer
Film |
Punk's Dead James Merendino / Liberty Spikes Productions |
|
2016 |
Post Supervisor / Rerecord Mixer
Film |
SPLIT Deborah Kampmeier / Full Moon Films |
|
2016 |
ADR Mixer / Recordist
Television |
Yasuni Man Ryan Patrick Killackey |
|
2015 |
Rerecord Mixer
Television |
The 46ers Blake Cortright / Arche Productions |
|
2015 |
Rerecord Mixer
Television |
A Gesture and a Word Dave Davidson / Hudson West Productions |
|
2014 |
Sound Designer / Sound Editing
Television |
Holy Land: A Year in the West Bank Hillcrest Films |
|
2013 |
Composer
Television |
The Gettysburg Story Jake Borrit / Borrit Films |
Education
Year | Qualification | Where |
---|---|---|
2012 | BFA in Music | Sonic Arts Center @ The City College of NY |
2009 | AAS in Music | Laguardia College CUNY |
2007 | Diploma Audio Engineering | Institute of Audio Research |
Equipment
I own and can operate: Dolby Atmos, Pro Tools HD, Dolby 5.1 Surround Processing, Nyrink LT/RT Tools, iZotope Advanced Audio Editor RX5, Revoice Pro, Soundminer v4.5 Pro, Waves 360 Surround Tools, Avid Media Composer 8, Final Cut Pro 7, Final Cut Pro X, Adobe Premier CC, Adobe Illustrator CC
About me
Film and television mixer and sound designer working out of Park Slope, Brooklyn. Can provide Audio Supervision and Post Production Supervision on larger films, coordinate teams of audio engineers. My scope of work consists of ADR recording, the creation of all sound effects for a project to include: foley, ambiances, hard sfx, creative/creature sounds and transitional elements, dialog noise reduction, editing and mixing, music editing and upmixing for surround. And the final re-record mix of all elements in either stereo, 5.1, 7.1 or Dolby Atmos audio configurations.I am also capable of handling the creation of your deliverables such as DCPs, Blu-ray Screeners and Quicktime Printmasters.
I adhere to all ATSC and SMTPE audio specification and guarantee passing QC on any network.
Please see my info below:
Additional information:
Reel: https://christopherwoll.com/sound-design/
IMDb: https://www.imdb.com/name/nm6008443/
Skills
Secondary Job Title | Sound Designer |
---|---|
Job Titles | Composer, Re-Recording Mixer, Foley Artist, Sound Assistant, Sound Designer, Sound Editor, Sound Supervisor, Dubbing Editor, Dubbing Mixer, Post Production Producer, Post Production Supervisor, Sound Playback, Studio Supervisor, Sound Engineer, Sound Mixer, Engineer, Engineer, Audio, Engineer, Post-Production, Recording Group, Sound Technician, Sound Dep, Sound Manager, Sound No.1 / A1, Sound No.2 / A2, Sound No.3 / A3, Podcast Host |
Years in industry | 6+ years |
Languages Spoken | English |
Driving Licences | Standard |
Organisations / Memberships | ASCAP |