Di Le
Other
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My Contact Number:
Links
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2019 |
Sound Editor
Television |
Anonymous Content Rightor Doyle / Anonymous Content |
|
| 2016 |
Sound Designer
Film |
Murder In The Woods Luis Iga / Chop Chop |
|
| 2016 |
Sound Effects Editor
Film |
Zoombies Glenn Miller / The Ayslum |
|
| 2015 |
Production Sound Mixer
Film |
Weaponized Tim Woodward Jr / Status Media |
|
| 2015 |
Sound Effects Editor
Film |
Little Dead Rotting Hood Jared Cohn / The Asylum |
|
| 2015 |
Sound Designer
Film |
DYSFUNKTION David Bianchi / Exertion |
Education
| Year | Qualification | Where |
|---|---|---|
| 2013 | Video Game Sound Design | Pinnacle College |
Equipment
My Equipment/Kit: 2TB SFX Library / Boom / Edwards / Sound Ideas / Etc (Post-Production), COMTEK 216 IFB / Wireless Camera & Village Monitoring (Production Sound), DENECKE TS-3 SLATE Digital Time-Code Slate (Production Sound), Fab Filter Mastering Suite (Post-Production), Izotope Advance Restoration (Post-Production), Kontakt Complete (Post-Production), Pro Tools 12 HD (Post-Production), SANKEN COS-11 / Lavalier Microphones (Production Sound), SENNHEISER MKH-416 / Shotgun Microphone (Production Sound), SFX : Futz Box / Dehumanizer / Vahalla Room / Etc (Post-Production), Waves PLATINUM Bundle (Post-Production), ZAXCOM NOMAD 10 / Time-Code Enabled Recorder (Production Sound), ZOOM F8 / Time-Code Digital Recorder (Production Sound)
I can use: Waves Platinum Bundle (Post-Production), Comtek 216 Ifb / Wireless Camera & Village Monitoring (Production Sound), Denecke Ts-3 Slate Digital Time-Code Slate (Production Sound), Sanken Cos-11 / Lavalier Microphones (Production Sound), Sennheiser Mkh-416 / Shotgun Microphone (Production Sound), Zaxcom Nomad 10 / Time-Code Enabled Recorder (Production Sound), Zoom F8 / Time-Code Digital Recorder (Production Sound), 2Tb Sfx Library / Boom / Edwards / Sound Ideas / Etc (Post-Production), Kontakt Complete (Post-Production), Sfx : Futz Box / Dehumanizer / Vahalla Room / Etc (Post-Production), Fab Filter Mastering Suite (Post-Production), Izotope Advance Restoration (Post-Production), Pro Tools 12 Hd (Post-Production)
About me
We are highly motivated Sound Designers with a keen ear for quality and meticulous attention to detail. We have good work ethics; team players; can handle multitasking, and very reliable with deadlines.We’re a beast when it comes to audio restoration and sound design. Organization and communication are both critical traits we possess which makes me a more efficient Sound Designer.
From design to mixing, our studio is equipped with all the necessity needed to complete any project thrown at us. Our sound library is endless, are able to design anything for any film/commercial/video game no matter how small or large the projects are.
Referees:
Lisa Ries / Supervising Sound Editor / The Asylum / removed
Shyam Sundar Sengupta / Producer / removed
David Bianchi / Director / Exertion Films / removed
Additional information:
We Worked on Lil Dicky's "$ave Dat Money" music video/documentary which aired on TMZ, FUSE and has over 120 million views on Youtube.
We’re also contracted sound effects editors for "The Asylum" and “Netflix”.
We’ve won 2 awards for best sound design.
License & Passport
| Driver's License: | Yes |
Skills
| Secondary Job Title | Sound Editor |
|---|---|
| Job Titles | DIT / Data Wrangler, Dubbing Editor / Mixer, Sound Designer, Sound Editor, Sound Mixer / Recordist, Sound Operator / Engineer, Boom Operator |
| Years in industry | 3 to 6 years |