George Holdren
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2020 |
Visual Effects Supervisor
Television |
Star Trek: Picard Filmworks/FX, inc. |
|
2019 |
Visual Effects Coordinator
Television |
Cosmos CosFX Films |
|
2019 |
Visual Effects Coordinator
Television |
Mindhunter David Fincher / CosFX Films |
|
2019 |
Digital Intermediate Colorist
Film |
Honest Theives Gor Kirakosian / Filmworks/FX, inc. |
|
2018 |
Visual Effects Coordinator
Television |
Ballers CosFX Films |
|
2018 |
Post-Production Supervisor
Film |
Beyond White Space Kenneth Locamandi / White Space, LLC |
|
2018 |
Digital Intermediate Colorist
Film |
The Open House Matt Angel / Filmworks/FX |
|
2018 |
Visual Effects Coordinator
Film |
Alpha Albert Hughes / CosFX Films |
|
2018 |
Scanning Technician
Film |
Shred the Master Design Ryan Stevens Harris / Filmworks/FX |
|
2017 |
Visual Effects Coordinator
Film |
Geostorm Dean Devlin / CosFX Films |
|
2016 |
Visual Effects Coordinator
Television |
House of Cards CosFX Films |
|
2016 |
Digital Intermediate Producer
Film |
Aztec Warrior Scott Sanders / Filmworks/FX |
|
2015 |
Visual Effects Coordinator
Film |
Spare Parts Sean McNamara / CosFX Films |
|
2015 |
Visual Effects Coordinator
Film |
The Longest Ride George Tillman Jr. / CosFX Films |
|
2015 |
Digital Intermediate Colorist
Film |
The Funhouse Massacre Andy Palmer / Filmworks/FX |
|
2015 |
Visual Effects Coordinator
Film |
Joy David O. Russell / CosFX Films |
|
2014 |
Visual Effects Coordinator
Film |
This IS Where I Leave You Shawn Levy / CosFX Films |
|
2014 |
Visual Effects Coordinator
Film |
Gone Girl David Fincher / CosFX Films |
|
2014 |
Visual Effect Artist
Film |
Break Point Jay Karas / CosFX Films |
|
2013 |
Digital Intermediate Colorist
Film |
Bilet na Vegas Gor Kirakosian / Filmworks/FX |
|
2013 |
Digital Intermediate Colorist
Film |
The Canyons Paul Schrader / Filmworks/FX |
|
2013 |
Digital Intermediate Colorist
Film |
Khod Konem Gor Kirakosian / Filmworks/FX |
|
2012 |
Digital Intermediate Colorist
Film |
Hiroken: The Last Samurai Alejo Mo-Sun / Filmworks/FX |
|
2012 |
Compositor
Film |
Hitchcock Sacha Gervasi / Prana Animation |
|
2012 |
Digital Intermediate Colorist
Film |
Lost and Found in Armenia Gor Kirakosian / Filmworks/FX |
|
2011 |
Digital Intermediate Colorist
Film |
How to Die in Oregon Peter Richardson / Filmworks/FX |
|
2010 |
Digital Intermediate Colorist
Film |
Kissing Strangers David Michael Katz / Filmworks/FX |
|
2010 |
Post-Production Supervisor
Film |
The Dead Undead Edward Conna / Filmworks/FX |
|
2010 |
Digital Intermediate Producer
Film |
Pete Smalls is Dead Alexandre Rockwell / Filmworks/FX |
Education
Year | Qualification | Where |
---|---|---|
2002 | School of Cinematic Arts | University of Southern California |
Equipment
My Equipment/Kit:
I can use:
About me
I am post-production expert whose 18+ years of experience has tracked the transition of the film industry into the digital age. I started working in a negative lab, but I have held jobs as a VFX artist, Digital Intermediate specialist, Colorist, and Post Supervisor among others. Experience at all stages of the post-production pipeline brings deep knowledge of what it takes to bring a project through to completion. I have skillfully led teams of artists in the delivery of work for both television and major motion pictures. Staying competitive in a rapidly changing field shows that I'm a proven early adopter of new techniques and technologies, and am always looking to learn new ways to work more efficiently.Referees:
Available on request.
License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Post Production Technician |
---|---|
Job Titles | Visual Effects (VFX) Artist, Post-Production Coordinator, Post-Production Management / Support, Compositor, Colorist, Production Support, Live Programming / Broadcasting, Post Production Coordinator |
Years in industry | 6+ years |