Jason Neisewander
Other
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My Contact Number:
Links
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2020 |
Post VFX PA
Film |
The Midnight Sky George Clooney / Netflix |
|
2020 |
Post VFX PA
Film |
The Conjuring: The Devil Made Me Do It Michael Chaves / New Line Cinema |
|
2014 |
Post VFX PA
Film |
Jupiter Ascending Lana and Lilly Wachowski / Warner Bros. |
|
2013 |
On-set VFX PA
Film |
Divergent Neil Burger / Summit Entertainment |
Education
Year | Qualification | Where |
---|---|---|
2022 | B.A. Film Production | Columbia College Chicago |
Equipment
My Equipment/Kit:
I can use:
About me
My interests have always leaned toward the fantastical side of film making from a general interest in practical effects to the digital side of VFX. With a few years under my belt working in the Chicago film and television community I decide to make the transition to the Los Angeles area to pursue work in the world of VFX.Additional information:
Past VFX experience broken down into on-set and post roles. On-set expereince involved assisting data manger on feature film set. Roles included general camera notes - Shotgun mobile platform, disto measurements, mud maps, HDRIs, etc.
Post production role transitioned from general P.A. to digital asset manager assistant ingesting vendor provided shots into Shotgun software for supervisor Cinesync session viewing.
License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Runner |
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Job Titles | Production Assistant (PA), Production Support, Art Dept Assistant, Casting Assistant, Post Production Assistant |
Years in industry | 3 to 6 years |