Justin Cerone
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2021 |
Editor / Motion Designer / Producer
Event |
Various television development sizzles Dave Goldberg / Killer Bunny Entertainment |
|
2021 |
Editor / Sound Designer
Voiceover |
Killer's Vault Dave Goldberg / Killer Bunny Entertainment |
|
2021 |
Editor
Television |
Filth Fighter Candace Boissy / Surveillance TV |
|
2020 |
Editor / Motion Designer / Producer
Commercials & Industrials |
Dozens of corporate events Danielle Wong / ADM Productions |
|
2018 |
Editor
Television |
Soft Focus with Jena Friedman Jena Friedman, Josh Cohen / Adult Swim |
|
2017 |
Editor
Television |
ISKA World Championships Martial Arts US Open Kevin Cusick / KC Productions |
|
2017 |
Editor
Television |
90-Day Fiance - Happily Ever After? Sharp Entertainment |
|
2016 |
Editor
Television |
Tiny House Nation Leftfield Pictures |
|
2016 |
Editor
Television |
Liquid Science Leftfield Pictures |
|
2016 |
Editor
Television |
Debate Wars Dan Pasternack / Big Beach |
|
2016 |
Editor
Television |
Forged in Fire Leftfield Pictures |
|
2015 |
Editor
Television |
Football Town: Barrow, Alaska Leftfield Pictures |
Education
Year | Qualification | Where |
---|---|---|
2008 | TV / Video Production / Communications | SUNY Plattsburgh |
Equipment
My Equipment/Kit:
I can use:
About me
As far back as I can remember, I've been infinitely curious and obsessed with finding the truth in everything. In short, video became my storytelling means of choice. At this point in my life, I've experienced every aspect of production - shooting, editing, lighting, field producing, audio - you name it. Having eventually discovered the edit as the most important part, I've since made it my primary focus. Everything about it - the technical fixes, the art, the workarounds, the pacing, the psychology, even (dare I say) some manipulation - proved to be where the most effective stages of the storytelling were applied. Unlike many editors, I've been fortunate enough to not have been pigeonholed into a certain style or genre. My editing experience has included documentaries, sports packages, reality TV, narrative shorts, motion graphics, fast-paced intros, gripping montages, podcasts, and short web videos that have tallied tens of millions of views on social media. Each job begins with understanding my audience and the intended goals of the task at hand, which often means seeking optimum viewership and leaving a lasting impression on the viewer. I am self-motivated and only wish to excel in my chosen craft.Referees:
Available upon request
Additional information:
Over my 15-year post-production career, I've been fortunate enough to have worked countless hours on a variety of productions including television shows, documentaries, fast-paced complex intro animations, trailers, news stories, and many more. I've accumulated dozens of television credits and have taken the lead on many independent passion projects that have generated massive audiences. I've even scouted and sold programming concepts to major networks and streaming services.
License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Motion Graphic Designer |
---|---|
Job Titles | Video Editor, Colorist, Motion Graphic Designer, Camera Operator, Videographer, Photographer, Camera Assistant, Sound Designer, Content Producer, Post Production Producer, Music Production |
Years in industry | 6+ years |