Nolan Voge

Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2020 |
Sound Designer, Sound Mixer, Sound Editor
Film |
Outer Dark Qasim Hussaini / SDSU |
|
2020 |
Co-Director, Co-Producer, Editor, Sound Designer, Assistant Director
Film |
Dead Men Don't Write Eldon Shih and Nolan Voge / SDSU |
|
2020 |
Sound Mixer, Sound Designer
Film |
Hearts of Darkness Qasim Hussaini / Mattress Man |
|
2020 |
Videographer, Editor
Theatre |
HOMEFRONT 2.0 Eden Hildebrand / SDSU |
|
2020 |
Script Supervisor
Film |
Beyond The Veil Keegan O'Brien / Dodge College of Film & Media Arts |
|
2019 |
Producer, Director of Photography, Editor, Sound Designer
Film |
A Century Old Haunting Eldon Shih / SDSU |
|
2019 |
1st AC, Camera Op, Key Grip
Commercials & Industrials |
Save Our Hookah Zev Lerner / Fumari |
|
2019 |
Executive Producer, Sound Designer, Sound Mixer
Film |
Sydney Qasim Hussaini / SDSU |
|
2019 |
Sound Mixer
Film |
Bridging Over Adolescence Laura Nguyen / SDSU |
|
2019 |
Camera Operator
Performing Arts |
Future Standard Luke Lace / Playhouse |
|
2019 |
Sound Mixer
Film |
"The Big Lebowski" Scene Recreation Eldon Shih / SDSU |
|
2019 |
Sound Mixer, Sound Designer, BTS Photographer
Film |
"The Big Lebowski" Scene Recreation Qasim Hussaini / SDSU |
|
2019 |
1st AC, Camera Op, Key Grip
Commercials & Industrials |
Fumari | The Mix: Cherrilla Mocha Zev Lerner / Fumari |
|
2019 |
Camera Op, Photographer
Commercials & Industrials |
Ebyke Pro - Simply Adventure, Together Eldon Shih / Ebyke Pro |
|
2019 |
1st AC, Camera Op, Key Grip
Commercials & Industrials |
Fumari | How to Make a Hookah Fruit Bowl Zev Lerner / Fumari |
|
2019 |
BTS Photographer, BTS Videographer
Performing Arts |
Amazon Prime Blue Room OM Digital |
|
2019 |
Camera Op, Editor
Commercials & Industrials |
Ebyke Pro - Viper Bike Specifications Eldon Shih / Ebyke Pro |
|
2019 |
Editor, Sound Designer
Film |
Bygones Eldon Shih / SDSU |
|
2019 |
Colorist
Film |
Reservation at Eight SDSU |
|
2019 |
Best Boy
Film |
Babygirl Luke Lace / Playhouse |
|
2019 |
Key Grip
Film |
In Sickness and In Health Theatre Corner |
|
2019 |
Art Director, Grip
Film |
Nude Territory Olivia Breen / SDSU |
|
2019 |
Gaffer
Film |
Fortuna Nick Mora / SDSU |
|
2019 |
Sound Designer, Sound Mixer
Film |
We'll Go North SDSU |
|
2019 |
Script Supervisor, Post-Production Sound Designer/Mixer
Film |
Hurry Now Jack Fahey / SDSU |
|
2019 |
Sound Designer, Sound Board Operator, Videographer, Editor
Theatre |
To Be Alive Ross Graham / Skull and Dagger Dramatic Society |
|
2018 |
1st AC, Camera Op, Key Grip
Commercials & Industrials |
Fumari Hookah Master Mix Series: Citrus Nights Zev Lerner / Fumari |
|
2018 |
Key Grip, Colorist, Audio Engineer, Assistant Editor
Film |
For When We Argue Eduardo Orozco / SDSU |
|
2018 |
Voice Actor, Director of Photography, Colorist, Sound Design, Foley Artist, Camera Op
Film |
Hero.Exe Rene Rey Romero / SDSU |
|
2018 |
DIT/Data Wrangler, Assistant Editor
Film |
Glaze Dodge College of Film & Media Arts |
|
2018 |
Producer, Actor, Director of Photography, Editor, Colorist, Sound Design, Foley Artist, Camera Op, Gaffer, Production Design
Film |
BALLSY Eldon Shih / SDSU |
|
2018 |
Videographer, Editor
Commercials & Industrials |
SDSU Delta Upsilon Rush Video - Fall 2018 Delta Upsilon Fraternity |
|
2018 |
Producer, Director, Camera Op, Sound Mixer, Editor
Commercials & Industrials |
Exodus Escape Room Training Video Nolan Voge / Exodus Escape Room |
|
2018 |
Art Director, Set Dresser
Film |
Trailblazer Dodge College of Film & Media Arts |
|
2018 |
Sound Board Operator, Videographer, Video Editor
Theatre |
Pillowman Ross Graham / Skull and Dagger Dramatic Society |
|
2018 |
Grip
Film |
Thumper Jack Weinmiller / SDSU |
|
2018 |
Script Supervisor, Line Director, Best Boy Electric
Film |
Lost Words Dodge College of Film & Media Arts |
|
2018 |
2nd AC, Grip, BTS Photographer
Commercials & Industrials |
Pooch-o Dog Commercial Zev and Ari Lerner / PoochoLife |
|
2017 |
1st AC, Best Boy, Grip
Commercials & Industrials |
Coronado Island Film Festival Opener Ari Lerner / Coronado Island Film Festival |
|
2017 |
2nd AC, Grip
Film |
Where's Martin? Katie Ann O'Keefe / FilmEd |
|
2017 |
Boom Op, Grip
Film |
Fruit Flies SDSU |
|
2017 |
Boom Op, Grip
Film |
Alchemy SDSU |
|
2017 |
1st AC, Grip, Boom Op
Film |
The Stars Will Dance Ari Lerner / SDSU |
|
2016 |
Grip
Film |
The Projectionist SDSU |
|
2016 |
Grip
Film |
Cornered SDSU |
|
2016 |
Producer, Director, Director of Photography, Camera Op, Editor, Colorist
Film |
Children's Maritime Foundation Nolan Voge / El Dorado High School Digital Media Arts Academy |
|
2016 |
Editor
Film |
One Night Stand Jack Massura / El Dorado High School Digital Media Arts Academy |
|
2016 |
Gaffer, Grip, Supervising Colorist
Film |
Finding Me Katie Ann O'Keefe / El Dorado High School Digital Media Arts Academy |
|
2016 |
Gaffer, 1st AC
Film |
Los NiƱos Exploradores Katie Ann O'Keefe / El Dorado High School Digital Media Arts Academy |
Education
Year | Qualification | Where |
---|---|---|
2020 | Television, Film, and New Media - Production Emphasis; Theatre Sound Design Minor | San Diego State University |
Equipment
I own and can operate: Zoom H6 Handy Recorder
I can operate: Sound Devices MIXPRE-3 Multitrack Field Recorder, Zoom H4n Pro Handy Recorder, Sony Alpha 7R II, Canon Cinema EOS C300 Mark II, Panasonic LUMIX G DMC-GH4, Sony Alpha 6500, Sony PXW-FS7, Blackmagic URSA Mini Pro 4.6K EF Mount Cinema Camera, Blackmagic Design Production Camera 4K
About me
For more than a decade, I have been learning the craft of filmmaking, whether it was through self teaching or formal education. I have been able to branch into nearly every position of a film, and I have even been able to go past cinema into arts such as theatre and fine art. When it comes to the craft I am making, I will always put the most amount of effort in and will back a project up to the fullest I can give. Recently, I have widened my horizons to becoming the best sound designer and audio engineer I can become. I am always willing to learn more, even finishing up at university, and am ready to hit the ground running!Additional information:
I have been able to find proficiency in numerous avenues of the filmmaking process, from preproduction to set itself to postproduction. I prefer being on sets and participating in postproduction in the sound and technical areas. Over the years, I have consistently been able to show that I could swing from department to department and position to position.
Skills
Secondary Job Title | Production Sound Mixer |
---|---|
Job Titles | Assistant Grip, Boom Operator, Colorist, Digital Media Technician, DIT / Data Wrangler, Editor, Editor (Colourist), Editor (Final Cut Pro), Foley Artist, Grip, Key Grip, Photographer, Picture Editor, Production Assistant, Production Sound Mixer, Script Supervisor, Set Decorator, Sound Designer, Sound Editor, Sound Engineer, Sound Mixer, Video Editor, Videographer |
Years in industry | 6+ years |
Languages Spoken | English |
Driving Licences | Standard |