Sadie Tremblay
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2018 |
A2
Theatre |
A Christmas Carol Henry Wishcamper / Goodman Theatre |
Goodman Theatre |
2017 |
Sound Engineer
Theatre |
Marie Christine Lili-Anne Brown / Boho Theatre |
Theatre Wit |
2016 |
Sound Engineer
Theatre |
Bat Boy: The Musical Scott Weinstein / Griffin Theatre |
The Den Theatre |
2015 |
Sound Engineer
Theatre |
Soon I Will Be Invincible Paul S. Holmquist / Lifeline Theatre |
Lifeline Theatre Co. |
Education
Year | Qualification | Where |
---|---|---|
2018 | Sound Design | DePaul University |
Equipment
My Equipment/Kit:
I can use:
About me
Theatre has always been a huge part of my life. Every summer of my childhood was spent at acting camps and my family's love of the arts allowed me to attend some priceless and life-changing performances. In high school I was given the opportunity to expand my involvement in the process of producing a play, working more with the technical elements of theatre, and from there I fell in love with sound engineering. I attended the Theatre School at DePaul University for sound design, and their incredibly involved and inclusive alumni base in Chicago allowed me to begin working freelance in the city long before I finished school. I've been lucky enough to work on dozens of shows that have continued to teach me about effective collaboration, creative problem solving and troubleshooting, and the vast array of technology and equipment out there. I'm now hoping to expand my horizons and my resume further so I can continue to build my lifelong passion for great theatre into a successful and fruitful career.Additional skills:
Qlab 2,3, and 4 programming
LogicX Sequencing
Yamaha, Behringer, Soundcraft, etc. digital console programming
Skills
Job Titles | Sound Operator / Engineer, General Staff |
---|---|
Years in industry | 3 to 6 years |