Christina (Chriss) Horgan
Video
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2017 |
Sound Editor / Sound Designer / Supervising Sound Editor
Event |
Please Check My IMDb Page for All Projects through 2017 Various / Various Companies |
|
| 2014 |
Sound Designer
Film |
CUT! David Rountree / Psycho Rock Productions |
|
| 2014 |
Sound Designer / Sound Editor
Film |
108 STITCHES David Rountree / Psycho Rock Productions |
|
| 2013 |
sound editor
Film |
100 Degrees Below Zero R.D. Braunstein / The Asylum Home Entertainment |
|
| 2013 |
sound editor
Film |
Cleaver Family Reunion H.M. Coakley / The Asylum Home Entertainment |
|
| 2013 |
sound editor
Film |
Jack the Giant Killer Mark Atkins / The Asylum Home Entertainment |
|
| 2012 |
sound editor
Commercials & Industrials |
Late Bloomer Kaye Kittrell / Late Bloomer Show |
|
| 2012 |
sound editor
Film |
Clash of the Empires Joseph J. Lawson / The Asylum Home Entertainment |
|
| 2012 |
Supervising Sound Editor
Film |
RESISTANCE Salina Conlin / Steel Trap Productions |
|
| 2012 |
Additional Foley Editor
Film |
THE SHIFT (2013) Lee Cipolla / Oliva Productions Inc. / M.A.D. Elephant Inc. |
|
| 2012 |
ADR Recordist
Television |
RISE OF THE ZOMBIES Nick Lyon / The Asylum Home Entertainment |
|
| 2012 |
Sound Editor
Film |
SINGLE AND READY TO MINGLE Jason Rose / Gunner Jones, Executive Producer |
|
| 2012 |
Sound Designer / Sound Effects Editor
Film |
Road To Red Tito da Costa / 100 to 1 Productions, Worldwide Artists |
|
| 2011 |
Sound Effects Editor
Film |
GREED (2012/II) Scott Toler Collins / Broken Limits Production |
|
| 2011 |
BG FX Editor / Supervising ADR
Film |
RA ENERGY Swan / ESP Filmworks |
|
| 2011 |
foley editor
Film |
THE LIFT (II) (2011) Lyndon Barrois / Jowhara Films |
|
| 2011 |
supervising sound editor
Film |
PREGNANT PAUSE Martin Nowak / A Martin Nowak Film |
|
| 2011 |
background sound editor
Film |
FORTUNE 500 MAN Richard Ryan / Ox Films |
|
| 2011 |
additional dialogue editor
Film |
I LOVE YOU TO DEATH (2012/I) Lloyd Lee Barnett / Matter Splatter Pictures |
|
| 2011 |
dialogue editor
Television |
DON'T CHANGE THE SUBJECT Mike Stutz / Hoffenrich Productions |
|
| 2011 |
ADR/DIA Recordist/Editor
Film |
Lone Mountain Orion Martindale / Lone Productions |
Education
| Year | Qualification | Where |
|---|---|---|
| 2011 | Pro Tools / Audio Engineering | Video Symphony The Hollywood Institute |
Equipment
My Equipment/Kit:
I can use:
About me
In 2015, I won the Best Sound Design Award for the Psychological Thriller Horror feature film CUT! at the FANtastic Horror Film Festival in San Diego, CA.I have experience working on Features for both Film and Television, Shorts, and Web Series. My skills are broad, including all elements of Sound Editing.
I completed my audio education and certification in Pro Tools at Video Symphony in Burbank, CA. I received my extensive training under many notable veterans and heavy hitters in the post production sound industry such as dialogue editor Victoria Rose Sampson, foley editor Solange Schwalbe, sound effects editor Rickley Dumm, and 8x Grammy Award Winner Roger "The Immortal" Nichols (R.I.P.), and audio mixer Michael Verdick. I have since enjoyed working on many short and feature films with Victoria Sampson, and currently work with Solange Schwalbe on feature films.
In 2012, I was hired as the sound editor for the Award Winning TV/Web series LATE BLOOMER SHOW now in its 5th Season.
I am an M.P.S.E. member.
Referees:
Available on request.
Additional information:
I also have a strong background in print and graphic design, including prepress and web design. I previously enjoyed a successful career in Graphic Design in print and multimedia prior to my transition into Sound Editing.
Skills
| Secondary Job Title | Sound Editor |
|---|---|
| Job Titles | Production Assistant (PA), Production Support, Sound Mixer / Recordist, Sound Editor, Sound Designer, Sound Assistant, Dubbing Editor / Mixer, Post Production Assistant |
| Years in industry | 6+ years |
| Organisations / Memberships | MPSE |