James Manalisay
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2022 |
Gaffer
Film |
Bearly Love Will Ness |
Big Bear and Anaheim California |
2022 |
Director of Photography / Editor
Commercials & Industrials |
Master Class segments on the 25 BodyTypes Dr Carolyn Mein / BodyType.com |
|
2022 |
Camera 1
Film |
Night Games Lawrence Adisa / Lawrence Adisa Fims, LLC |
|
2022 |
Gaffer
Film |
Night Games Lawrence Adisa / Lawrence Adisa Fims, LLC |
|
2021 |
DP / Editor
Online & Multimedia |
Hair extension interviews Emily Wyant / Bond Hair Bar |
|
2021 |
Co-director
Film |
Can one night change everything? Sean Hilton / Sean Hilton Productions |
Digital Cinema |
2021 |
Editor
Film |
Sean Hilton Film Animation Sean Hilton / Sean Hilton Productions |
Film |
2021 |
DP
Film |
Lust of the eyes Sean Hilton / Sean Hilton Productions |
|
2019 |
Camera and editor
Video |
Roger Shah / The sun will rise again Sunlounger |
|
2019 |
Director
Television |
Wake up and be love Kelli Gayle / Ascension Digital, Inc. |
|
2017 |
Camera Man
Television |
American Health Front Show Rick Blaski / Medical Media Group |
|
2016 |
Camera Man and Editor
Commercials & Industrials |
ZURB Brian Zmijewski / Ascension Digital |
|
2016 |
Camera Man and Editor
Commercials & Industrials |
Kohan Group Mohsen Ghoreishi / Ascension Digital |
|
2015 |
Camera Man and Editor
Commercials & Industrials |
ELO Touch Stephanie Paulson / Ascension Digital |
|
2015 |
Director (Self shooting) and Editor
Commercials & Industrials |
Focusmaster Fit 30 Pro Marty Keary / Ascension Digital |
|
2014 |
Camera Man and Editor
Commercials & Industrials |
Institute of Bio-Photon Sciences Diane Pahler / Ascension Digital |
|
2012 |
DP and Editor
Event |
Women Now TV Ena Sarkar / Ascension Digital |
|
2012 |
Camera Man and Editor
Event |
Fiancial Times NY Annette Berry / Stanford University |
|
2012 |
Camera Man
Television |
CarbonatedTV Omar Khan / CarbonatedTV |
|
2011 |
Editor
Commercials & Industrials |
United Way Lisa Sorge / Ascension Digital |
|
2011 |
Camera Man and Editor
Commercials & Industrials |
Adamson Police and Winchester Ammunition Ken Carbone / Dolphin Graphics |
|
2010 |
DP and Editor
Commercials & Industrials |
KeyPoint Credit Union Stephanie Paulson / Stephenz Group |
|
2010 |
Camera Man and Editor
Commercials & Industrials |
Stanford Blood Center John Williams / Michelle Hyndman / Ascension Digital |
|
2009 |
Camera Man and Editor
Commercials & Industrials |
ET Solar Installation Linhui Sui / Ascension Digital |
|
2008 |
Camera Man and Editor
Commercials & Industrials |
Uncle Credit Union Laura Olson / Ascension Digital |
|
2008 |
Camera Man and Editor
Commercials & Industrials |
Urban Shield Ken Carbone / Dolphin Graphics |
|
2008 |
Director (Self shooting) and Editor
Television |
MMA Worldwide TV show Robert Pittman / Tapout Magazine |
|
2007 |
Camera Man
Television |
The Montel Williams Show Sonia Juarez / The Montel Williams Show |
Education
Year | Qualification | Where |
---|---|---|
1992 | AA degree - Electronics | Health Institute of Technology |
1988 | Photography | NY Institute of Photography |
Equipment
My Equipment/Kit: 12+ Foot rolling dolly track and wheel set, 200watt HMI 6000k four light kit, 650watt HMI 6000k four light kit, Infocus IN199HDx DLP 1080p Projector, LED on camera panel lights, Set of 5, Mac Pro Tower 12-Core editing system with 4K monitors and high speed SSD drives, MacBook 15" Retina editing laptop - Final Cut 7, Final Cut X, SSD bay, 4K ready, MAVIC Pro 2 Drone with 4K Anamorphic lens upgrade, Panasonic Lumix GH4 and GH5 cameras, Ronin S2 Gimbal, Sennheiser MD 46 vocal microphone and related cabling, Sennheiser ME66 shotgun microphone set of 2, Sennheiser ME66 shotgun wireless boom, Set of 4 Senal AWS2000 wireless lapel microphone, Tascam DR-40 4-Track Handheld Digital Audio Recorder, Tungsten focusable lighting kit with power distributor set of 8, Two boom poles - XLR wired and wireless, Two Cinema Rigged Fuji-Film X-T3 cage ProRes Atomos 4K kits - Sigma ART 18-35mm / 16-55mm X lenses, Z-Cam F6 with three Zeiss prime lenses: 24mm, 50mm, 85mm in F1.4 or F1.8
I can use: Z-Cam F6 With Three Zeiss Prime Lenses: 24Mm, 50Mm, 85Mm In F1.4 Or F1.8, 200Watt Hmi 6000K Four Light Kit, Sennheiser Me66 Shotgun Microphone Set Of 2, Led On Camera Panel Lights, Set Of 5, Tungsten Focusable Lighting Kit With Power Distributor Set Of 8, Macbook 15" Retina Editing Laptop - Final Cut 7, Final Cut X, Ssd Bay, 4K Ready, Sennheiser Me66 Shotgun Wireless Boom, Sennheiser Md 46 Vocal Microphone And Related Cabling, Panasonic Lumix Gh4 And Gh5 Cameras, 650Watt Hmi 6000K Four Light Kit, Set Of 4 Senal Aws2000 Wireless Lapel Microphone, Two Cinema Rigged Fuji-Film X-T3 Cage Prores Atomos 4K Kits - Sigma Art 18-35Mm / 16-55Mm X Lenses, Infocus In199Hdx Dlp 1080P Projector, Mac Pro Tower 12-Core Editing System With 4K Monitors And High Speed Ssd Drives, 12+ Foot Rolling Dolly Track And Wheel Set, Mavic Pro 2 Drone With 4K Anamorphic Lens Upgrade, Ronin S2 Gimbal, Two Boom Poles - Xlr Wired And Wireless, Tascam Dr-40 4-Track Handheld Digital Audio Recorder
About me
I am currently updating to my Mandy Profile with my newest gear and experience. I won 2 Telly Awards for the self-directing and editing the 8 episode TV show, "MMA Worldwide". I've won other smaller awards for TV commercials and national photo awards. My documentaries have own award at the Accolades film Festival, Indi-X festival and Awareness Film Festival.Referees:
My clients include: Stanford University, TapOut magazine, The Montel Williams Show, Women Now TV, Carbonated TV, Comcast TV, Bills.com, Toro University, ForeScout Software, RiskIQ, ZURB, Financial Times NY, United Way, KeyPoint Credit Union, Uncle Credit Union, ELO Touch, K-1 USA Pro Boxing, 944 Magazine
Additional information:
I own and operate a Z-Cam F6, Titla, Ronin 2 rig with three Zeiss prime lenses, two Fuji XT3 rigged with 4K ProRes recorders, Kit of five 600w and 200w HMI lights, along with LED lighting, Mavic Pro2 anamorphic lens drone,, 3 editing systems, Sennheiser ME66 microphones and other wireless sound gear. I've also edited over 2000 projects on Final Cut Pro 7 and FCP-X for TV, Cinema, Corporate and Web.
License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Editor (Final Cut Pro) |
---|---|
Job Titles | Camera Assistant, Animator, Director, Producer, Camera Operator, Cinematographer, Director of Photography (DOP), Videographer, Photographer, Video Editor, Aerial / Drone Operator, Boom Operator, Sound Operator / Engineer, Sound Assistant, Lighting Tech / Operator, Casting Assistant |
Years in industry | 6+ years |