Kenneth Goodwin
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2021 |
Production Intercom Supervisor
Commercials & Industrials |
MOSCHINO SS22 Fashion Show Jeremy Scott / SProjects |
Bryant Park |
| 2021 |
Sound Recordist
Performing Arts |
The Moth Story Slam Jodi Powell / The Moth |
The Bell House |
| 2021 |
Production Intercom Supervisor
Performing Arts |
Louie CK Comedy Special EP - Lea Cohen / Positive Image Video, Inc |
Hulu Theatre at Madison Square Garden |
| 2021 |
Production Sound Mixer
Commercials & Industrials |
Freedom to Be Simbarashe Cha / NYC & Company |
Alvin Ailey American Dance Theatre |
| 2021 |
A1 - Production Sound Mixer
Theatre |
Seize The King Carl Cofield / Classical Theatre of Harlem |
|
| 2021 |
BTS ENG Audio Mixer
Television |
Teen Mom 2 Season 10 Reunion Dave Diomedi / CBS Studios |
|
| 2021 |
Production Sound Mixer
Film |
Coming Home Naim Naif / A film by Margot Bowman and Naim Naif |
|
| 2021 |
Production Sound Mixer/Boom Operator
Film |
Who Is Linda? Federico Rabinovich / NYFA |
|
| 2021 |
Production Intercom Supervisor
Commercials & Industrials |
Old Navy - Onward Stories #21-002A David Terry Fine / Voyager |
|
| 2021 |
Sound Mixer Playback Operator
Commercials & Industrials |
Control BMC Jeroen Bours / Andrea Mitchel Digital LLC |
|
| 2020 |
ClearCom Utility Sound Mixer (Intercom)
Television |
Halston Daniel Minahan / Netflix Productions, LLC |
|
| 2020 |
Sound Designer
Theatre |
Emojiland Thomas Caruso / Visceral Entertainment |
|
| 2020 |
Associate Sound Designer
Theatre |
"Fidler Afn Dakn" (Fiddler on the Roof) Joel Grey / National Yiddish Theatre Folkbiene |
|
| 2019 |
A1 - Sound Mixer
Theatre |
The Bacchae Carl Cofield / Classical Theatre of Harlem |
|
| 2019 |
A1 - Sound Mixer
Theatre |
Socrates Tim Blake Nelson / The Public Theater |
|
| 2019 |
Festival Production Sound
Theatre |
Under The Radar Festival Multiple Directors Festivalwide / The Public Theatre |
|
| 2019 |
Sound Designer
Theatre |
Fern Hill Nadia Tass / 59E59 Theaters |
|
| 2019 |
Associate Sound Designer
Theatre |
Cyrano Erica schmidt / The New Group |
|
| 2019 |
Production Audio Supervisor
Theatre |
Cyrano Erica schmidt / The New Group |
|
| 2018 |
Sound Designer
Theatre |
Annie Christopher Windom / Alabama Shakespeare Festival |
|
| 2018 |
Sound Designer
Theatre |
The Sound of Music Rick Dildine / Alabama Shakespeare Festival |
|
| 2018 |
Substitute Sound Mixer
Theatre |
Fire In Dreamland Marissa Wolf / The Public Theater |
|
| 2018 |
Production Sound
Theatre |
Mother of the Maid Matthew Penn / The Public Theatre |
|
| 2018 |
Associate Sound Designer
Theatre |
Rocktopia: A Classical Revolution Rob Evan and Randall Craig Fleischer / Broadway |
|
| 2017 |
A1 - Sound Mixer
Theatre |
Cagney The Musical Bill Castellino / Brierpatch Productions |
|
| 2017 |
Sound Designer
Theatre |
Bullets Over Broadway Jeff Whiting / Ogunquit Playhouse |
|
| 2017 |
Sound Designer
Theatre |
Freedom Riders: The Civil Rights Musical Whitney White / New York Musical Festival |
|
| 2017 |
A1 Production Sound Mixer
Theatre |
Hamlet (Starring Oscar Isaac) Sam Gold / The Public Theater |
|
| 2017 |
Associate Sound Designer
Theatre |
Oedipus El Rey Chay Yew / The Public Theater |
|
| 2017 |
Associate Sound Designer
Theatre |
The Parisian Woman Pam MacKinnon / Broadway |
|
| 2017 |
Assistant Sound Designer
Theatre |
Groundhog Day Matthew Warchus / Broadway |
|
| 2016 |
Assistant Sound Designer
Theatre |
Elf The Musical (tour) Sam Scalamoni / NETworks Presentations |
|
| 2016 |
Associate Sound Designer
Theatre |
Dry Power Thomas Kail / The Public Theater |
|
| 2016 |
Assistant Sound Designer
Theatre |
The Total Bent Joanna Settle / The Public Theater |
|
| 2016 |
A2 - Deck Audio/Wireless
Theatre |
An Act of God (Starring Sean Hayes) Joe Mantello / Broadway |
|
| 2015 |
Sound Designer
Theatre |
Engagements Louisa Proske / Barrington Stage Company |
|
| 2015 |
Associate Sound Designer
Theatre |
Barbecue Kent Gash / The Public Theater |
|
| 2015 |
Assistant Sound Designer
Theatre |
Grounded (Starring Anne Hathaway) Julie Taymor / The Public Theater |
|
| 2014 |
Production Audio
Theatre |
Fun Home Sam Gold / The Public Theater |
|
| 2014 |
Substitute A1 - Sound Mixer
Theatre |
Natasha, Pierre and The Great Comet of 1812 Rachel Chavkin / Ars Nova/Howard & Janet Kagan |
|
| 2014 |
Assistant Sound Designer
Theatre |
Hedwig & The Angry Inch Michael Mayer / Broadway |
|
| 2014 |
Assistant Sound Designer
Theatre |
On The Town John Rando / Broadway |
|
| 2014 |
Substitute FOH & Monitor Sound Mixer
Theatre |
Hedwig & The Angry Inch - Broadway Michael Mayer / Broadway |
Education
| Year | Qualification | Where |
|---|---|---|
| 2012 | MFA: Sound Design | Yale School of Drama |
| 2009 | BA: Theatre Production & Design, Minor: Music Technology | Susquehanna University |
Equipment
My Equipment/Kit: ProTools Ultimate, Logic Pro X, QLab Software for Editing and Playback, Rational Acoustics Smaart Optimization System for large sound system tuning., Schoeps CMC6/MK41 Hypercardioid Condenser Microphone, Sennheiser G4 Wireless Bodyback Transmitter/Receiver, Sennheiser MKE 600 Mono Shotgun Microphone with Wind Protection, Sennheiser MKH418s MS Shotgun Microphone w/ Wind Protection, Sound Devices MixPre6ii Mixer/Recorder, Tentacle SyncE timecode boxes, Vintage 50s-80s Shure and Electrovoice Microphones for period drama
I can use: Sound Devices Mixpre6Ii Mixer/Recorder, Zaxcom, Sound Devices, Lectrosonics, & Wisycom Professional Devices, Rational Acoustics Smaart Optimization System For Large Sound System Tuning., Protools Ultimate, Logic Pro X, Qlab Software For Editing And Playback, Vintage 50S-80S Shure And Electrovoice Microphones For Period Drama, Tentacle Synce Timecode Boxes, Schoeps Cmc6/Mk41 Hypercardioid Condenser Microphone, Sennheiser G4 Wireless Bodyback Transmitter/Receiver, Sennheiser Mke 600 Mono Shotgun Microphone With Wind Protection, Sennheiser Mkh418S Ms Shotgun Microphone W/ Wind Protection
About me
Experience in all types of Run-&-Gun ENG, Documentaries, Features, TV, and Commercials interest me. Please message me if you might have an opportunity. I have 20 years of live sound and theatrical experience in wireless rigging, line-by-line mixing, recording, and playback. Currently in IATSE A.C.T., IATSE Local USA829, IATSE Local 100 and an unplaced IATSE Local One apprentice when COVID-19 hit, I have also freelanced for Local 52.I am qualified to:
-work with high-profile talent
-sanitize and rig microphones to talent.
-coordinate large amounts of wireless frequencies.
-monitoring and replacing rechargeable batteries
-setting plant mics
-distributing IFB and intercom
-performing minor repairs
-setting up and loading out gear in an organized fashion
-operating playback
-mix scripts line-by-line
-supervising large audio crews.
-tuning and optimizing large sound systems
-mixing live audio and sending feeds to broadcast.
-working on water on various sized boats and ships.
My gear is all professional:
-a Sound Devices mixer/recorder,
-Sennheiser wireless
-Sennheiser, and DPA lavalieres,
-Tentacle Sync timecode boxes
-Sennheiser, Schoeps, and DPA microphones.
*For large scale projects please reach out to Silversound.us, a company with a large stock of recording equipment that I freelance for.
**Also Find me on the "Crew Up" and "DayPlay" phone apps.
Best, ~Ken
License & Passport
| Driver's License: | Yes |
Skills
| Secondary Job Title | Boom Operator (Assistant) |
|---|---|
| Job Titles | Production Support, Live Programming / Broadcasting, Dubbing Editor / Mixer, Sound Assistant, Sound Designer, Sound Editor, Sound Mixer / Recordist, Sound Operator / Engineer, Boom Operator |
| Years in industry | 6+ years |
| Organisations / Memberships | IATSE |