Leslie Tong
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2021 |
Set PA
Television |
Nash Bridges Greg Beeman / Village NB |
San Francisco |
| 2021 |
Set PA
Commercials & Industrials |
Novato Expert Testimonial + B-roll Shoot Visual Rivet |
Vallejo |
| 2020 |
Set PA
Film |
Venom: Let There Be Carnage Andy Serkis / Columbia Pictures |
San Francisco |
| 2020 |
Set PA
Film |
The Matrix 4 Lana and Lilly Wachowski / Warner Brothers |
San Francisco |
| 2019 |
Casting PA, Set PA
Television |
13 Reasons Why Paramount Pictures |
Sonoma |
Education
| Year | Qualification | Where |
|---|---|---|
| 2017 | Interdisciplinary Computing in the Arts | University of California, San Diego |
Equipment
My Equipment/Kit:
I can use: Blackmagic Pocket Cinema Camera 4K, Logic Pro, Ableton Live, Unreal Engine, Open Broadcaster Software (OBS), MuseScore, Unity, Instagram, Canon Cameras, Wireless Lavalier Microphone Kit, Gimbals, Film Photography, Rode Shotgun Mic, Sennheiser MKE 600, 360 Camera, Sennheiser G3 Wireless Mics, Adobe Premiere Pro, Adobe Photoshop, DaVinci Resolve, Adobe Lightroom, Avid Pro Tools
About me
I'm an Audio Test Engineer and I've worked on set with productions large and small. I've also done my own independent projects for social media, producing soundtracks, shooting, and editing my own videos. However, I'd love to learn from the best and be of service to their creative vision in post-production with the technical skills I've acquired.Referees:
Available on request.
License & Passport
| Passport: | Yes |
| Driver's License: | Yes |
Skills
| Secondary Job Title | Post Production Assistant |
|---|---|
| Job Titles | Post Production Assistant, Camera Assistant, Production Assistant (PA), Camera Operator, Cinematographer, Videographer, Photographer, Retoucher, Sound Operator / Engineer, Assistant Grip |
| Years in industry | 3 to 6 years |
| Musical Skills | Guitar, Piano/Keyboards, Violin |