Nadejda Kolpacoff
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2019 |
Production Coordinator
Film |
UCLA Marie Tollec / UCLA |
|
| 2018 |
Production Assistant
Commercials & Industrials |
MUST BE - Moët & Chandon ICONOCLAST (in Paris) |
|
| 2018 |
Assistant to Executive Producers
Television |
16 Sunrises / 16 Levers de Soleil Pierre-Emmanuel Le Goff / LA VINGT-CINQUIEME HEURE |
|
| 2017 |
Production Assistant
Commercials & Industrials |
McDonald's (2 ads) + Aramis Auto BIRTH PRODUCTION |
|
| 2017 |
Production Assistant
Commercials & Industrials |
Être marin (Being a French Navy) Ernest Desumbila / ICONOCLAST (in Paris) |
|
| 2017 |
Production Assistant
Television |
Genius Ken Biller / Froggie Production (production service in Paris) |
|
| 2016 |
Production Assistant
Commercials & Industrials |
Many commercial videos Wanda Productions |
|
| 2016 |
Production Secretary
Film |
Casse-noisette Justine-Julie Lefevre / OFFSHORE |
Education
| Year | Qualification | Where |
|---|---|---|
| 2020 | Keep your readers hooked | Corey mandell's webinar |
| 2020 | Handling Exposition | Scott myers' screenwriting masterclass |
| 2019 | STORY DESIGN FOR THE MARKET PLACE by Corey Mandell | FILM INDEPENDENT |
| 2019 | GETTING GREAT PERFORMANCES by Brad Barnes | FILM INDEPENDENT |
| 2019 | INDIE BUSINESS PLAN by Stu Pollard | FILM INDEPENDENT |
| 2019 | INTRODUCTION TO CROWDFUNDING by Justin Giddings | FILM INDEPENDENT |
| 2013 | PRODUCTION ASSISTANT - TV & CINEMA (BA graduated) | CEFPF (Film production school in Paris) |
Equipment
My Equipment/Kit: A car (Volvo XC90), Macbook Pro / Laptop
I can use: Macbook Pro / Laptop, A Car (Volvo Xc90)
About me
In my 6th year in Film production, I’ve learned tremendously at each stage of a film production and am dedicated to acquire the skills I still have to learn.In my last experience with La Vingt-Cinquième Heure, I raised funds for a feature documentary and was instrumental in gaining access to native rushes from NASA which was critical to the post-production team.
I have worked as a Producer’s / Production Assistant in a number of configurations involving American teams, from my beginnings with Stéphane Sperry to my latest projects with Froggie Production and its clients - 20th Century Fox and Imagine Entertainment.
Permanent resident in the U.S. (Green Card), I am very excited to expand my professional horizon and adapt to the American work culture.
Referees:
Available on request
License & Passport
| Driver's License: | Yes |
Skills
| Secondary Job Title | Production Co-ordinator |
|---|---|
| Job Titles | Screenwriter, Writer, Production Assistant (PA), Production Coordinator, Production Support, Events Management / Support |
| Years in industry | 3 to 6 years |