Paul Tinta
Video
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video fileSound Reel
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2020 |
Re-recording mixer
Television |
The Riot and the Dance: Part 2 N.D. Wilson / Burman Sound Inc. |
|
| 2020 |
Sound Effects Editor
Television |
To Catch a Beautician Scout Productions - VH-1 |
|
| 2020 |
Sound Effects Editor
Television |
Tirdy Works Scout Productions - TruTv |
|
| 2020 |
Sound Designer & Re-recording mixer
Film |
32 Weeks Brian Cavallaro |
|
| 2020 |
Sound Designer & Re-recording mixer
Film |
Blue Call Brian Farmer / Final Kill Productions |
|
| 2020 |
Dialogue Editor
Film |
HELD Travis Cluff / Trememdum Pictures |
|
| 2019 |
Sound Design/ Re-Recording Mixer
Film |
Stoker Hills Benjamin Louis / Streetwalkers LLC |
|
| 2019 |
Dialogue Editor
Film |
The Two Hundred Fifth Brock Heasley / Tremendum Pictures & Juicebox Productions |
|
| 2019 |
Sound Editor / Mixer (S1 Eps 101-107)
Television |
Evan Goes Wild Animal Planet |
|
| 2019 |
Sound Effects Editor
Television |
I think You Should Leave with Tim Robinson (S1 Eps 101-106) N/A - Non-Disclosure / NetFlix |
|
| 2018 |
Sound Design / Re-Recording Mixer
Film |
D-Railed Dale Fabrigar / Suzanne DeLaurentiis Productions |
|
| 2018 |
Foley Artist/Editor, Re-Recording Mixer
Film |
Prey Franck Khalfoun / Tremendum Pictures |
|
| 2018 |
Dialogue Editor / Re-recording Mixer
Film |
ENTER ENTER |
|
| 2018 |
Foley Artist
Film |
José José |
|
| 2018 |
Dialogue Editor, Foley Artist/Recordist/Editor, FX/BGs, Sound Design, Re-Recording Mixer
Film |
Dying for the Crown Sam Irwin / Stargazer Films |
|
| 2018 |
Re-Recording Mixer
Film |
Frank and Ava Michael Oblowitz / 8th House Entertainment |
|
| 2018 |
Re-Recording Mixer
Television |
The Riot and the Dance ND Wilson / Gorilla Poet Productions |
|
| 2018 |
Foley Artist/Editor, Re-Recording Mixer
Film |
The Wrong Son Nick Everhart / Stargazer Films |
|
| 2016 |
Sound Restoration: Mixing/Mastering Engineer
Film |
Audio Mechanics Audio Mechanics |
|
| 2016 |
Dialogue Editor, Foley Artist
Film |
Lookin' Up T. J. Castronova / Marvkap Productions |
Education
| Year | Qualification | Where |
|---|---|---|
| 1993 | Civil Engineering, CAM, and Guitar Study | University of Toledo, Owens Technical College, Musicians Institute of Hollywood |
Equipment
My Equipment/Kit: Avid Pro Tools, ProTools HD, D Command, Waves Plugs, Izotope RX, Zoom Stereo Recorder
I can use: Avid Pro Tools, Protools Hd, D Command, Waves Plugs, Izotope Rx, Zoom Stereo Recorder
About me
Dialogue Editor / Foley Artist, Re-Recording Mixer:I have been involved in Post Production Sound over 20 years professionally. I started my journey as a Sound Assistant working with editors; learning the art of Sound Editing and Mixing.
My career path took a slight turn in 2002 when I accepted an opportunity to work in Sound Restoration as an Audio Engineer for Film/TV. I was mentored by John Polito, owner of Audio Mechanics. It was during this period that I developed my own set of specialized skills and a tuned ear to hear and understand the fine details involved in audio restoration/editing/mixing. I have been involved in hundreds of audio restorations from the UCLA Film Archive, Columbia/MGM/Sony Pictures, Paramount Pictures, and 20th Century Fox.
I am most enthusiastic about Post Production Sound Editorial and Mixing as it allows me the creative expression that I find most stimulating. I thrive on finding new ways to solve daily challenges without sacrificing quality. Today, I am able to utilize my restoration editing/mixing background and apply it to challenged dialog tracks in post production. I specifically desire to be part of a team, collaborating on film/tv projects.
Referees:
available upon request
Skills
| Secondary Job Title | Sound Designer |
|---|---|
| Job Titles | DIT / Data Wrangler, Sound Editor, Sound Designer, Dubbing Editor / Mixer |
| Years in industry | 6+ years |