Travis Devin
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2019 |
Sound Mixer
Commercials & Industrials |
Various Corporate Productions Pratt & Whitney |
|
| 2019 |
Sound Mixer
Commercials & Industrials |
Various Corporate Productions United Technologies Corporation |
|
| 2019 |
Sound Mixer
Film |
Bodymore Darren Mallet |
|
| 2019 |
Supervising Sound Editor, Boom Operator, Composer
Film |
Cat Fight Ariel Sinellnikoff |
|
| 2019 |
Sound Mixer
Film |
Rehab Cabin Kate Beacom |
|
| 2019 |
Supervising Sound Editor
Film |
I'll See You Around Daniel Pfeffer / ISYA Film LLC |
|
| 2018 |
Sound Mixer
Commercials & Industrials |
Various EPK Productions The Hallmark Channel |
|
| 2018 |
Sound Mixer, Supervising Sound Editor
Television |
Half Life Outta Brooklyn, LLC |
|
| 2018 |
Sound Mixer, Supervising Sound Editor
Online & Multimedia |
Eating It Brian Park |
|
| 2018 |
Sound Mixer
Film |
Bob & Dale David Rosfeld |
|
| 2018 |
Sound Mixer
Film |
Barren Davids Rosfeld / Barren |
|
| 2018 |
Sound Mixer, Supervising Sound Editor, Composer
Film |
Esta Niña Linda Christian Fernandez / Esta Niña Linda |
|
| 2018 |
Sound Mixer, Supervising Sound Editor
Film |
Rosa's Esperanza Amanda Reyes / Rosa's Esperanza |
Education
| Year | Qualification | Where |
|---|---|---|
| 2019 | MFA in Media Scoring | CUNY Brooklyn College |
| 2015 | BA in Music | Westfield State University |
Equipment
My Equipment/Kit: Sanken Cos-11D microphones, Sennheiser G3 Wireless, Sennheiser MKH50, Sennheiser MKH60, Sound Devices Mixer/ Recorder, Timecode Sync Boxes
I can use: Sennheiser MKH50, Sennheiser MKH60, Sennheiser G3 Wireless, Sound Devices Mixer/ Recorder, Sanken Cos-11D Microphones, Timecode Sync Boxes
About me
Production Sound Mixer for Film, Television, and other Visual/Auditory Media. 10+ years experience recording production dialogue.The technologies that we use to make films and visual media along with their respective production environments are constantly evolving. I constantly adapt to these environments and strive to find solutions to record excellent production dialogue in any scenario. Complicated multi-camera shoot? I’ll communicate effectively with your lighting and camera departments so I can get my microphones in the best positions. Shooting in an unpredictable remote location? I have experience working my equipment in a variety of different environmental conditions ranging from hot and humid to cold and windy.
Additionally, my experience on set carries over to my post-production work. My familiarity with the techniques used to record production dialogue allows me to edit dialogue quickly and effectively. When creating a final mix or sound design for your film, I call on my years of listening experience and background as a composer to create a layered soundscape that compliments the written and visual storytelling language of your project.
Recording production dialogue and telling a story with sound is never the same twice! There is always a new problem and I am passionate about offering professional solutions that work for your production.
I look forward to working with you and your team.
Referees:
References are available upon request.
License & Passport
| Driver's License: | Yes |
Skills
| Secondary Job Title | Sound Editor |
|---|---|
| Job Titles | Sound Mixer / Recordist, Sound Editor, Sound Designer |
| Years in industry | 6+ years |