Wesley Swanson III
Documents
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document fileWesley Swanson III - Script Supervisor Sample Work
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2019 |
Script Supervisor
Film |
Bottom Feeders Stephen M. Miller / Loose Screw Productions |
|
2019 |
Script Supervisor
Film |
Black Bear Lawrence Michael Levine / Blue Creek Pictures |
|
2019 |
Script Editor
Television |
These Streets Don't Love You Like I Do! Nicole Simone Backus / Sunmoonrising Films |
|
2019 |
Script Supervisor
Film |
Tahara Olivia Peace / Roxbury Tachrichim LLC |
|
2019 |
Script Supervisor
Film |
Drunk Bus John Carlucci and Brandon LaGanke / Ghost+Cow Films |
|
2018 |
Script Supervisor
Film |
The Mental State James Camali / Out of Shot |
|
2018 |
Script Supervisor
Film |
Looks That Kill Kellen Moore / American High |
|
2017 |
Script Supervisor
Event |
Applied Digital Skills Evan Klein / Across the Pond |
|
2017 |
Script Supervisor
Film |
The Tomorrow Man Noble Lincoln Jones / Symbolic Exchange |
|
2017 |
Script Supervisor
Film |
Sushi Tushi or How Asia Broke Into American Pro Football Ziad Hamzeth / Castel Lane Productions |
|
2016 |
Script Supervisor
Film |
Mohawk Ted Geoghegan / Snowfort Pictures |
|
2016 |
Script Supervisor
Film |
How To Get Rid Of A Body (and still be friends) Russell Gannon / Canandaigua Lake Productions |
|
2015 |
Script Supervisor
Film |
We Are Still Here Ted Geoghegan / Snowfort Pictures |
|
2014 |
Script Supervisor
Film |
Owl Street Casey Siegel / Pure Gonzo Films |
|
2012 |
Script Supervisor
Film |
Pickles & Ice Cream Mary Whiteside / Whiteside Productions |
|
2012 |
Script Supervisor
Film |
The Aggression Scale Steven C. Miller / Snowfort Pictures |
|
2012 |
Script Supervisor
Film |
A Wife Alone Justin Reichman / Autonomous Pictures |
|
2011 |
Script Supervisor
Film |
Boxed In Vanessa Tobis / MarydanShadow |
|
2011 |
Script Supervisor
Film |
How We Got Away with It Jon Linstorm / Jailbreak Films |
|
2010 |
Script Supervisor
Film |
The Red Lunchbox Vanessa Tobis / Bethany Ridge Studios |
|
2010 |
Script Supervisor
Film |
Ace Wonder John Moore / HeuMoore Productions |
|
2009 |
Script Supervisor
Film |
Drive Thru Evan Rubenstein / Evan Rubenstein Productions |
|
2009 |
Script Supervisor
Film |
Samantha Ronald Diltz II / Ronald Diltz Productions |
|
2009 |
Script Supervisor
Film |
The Hammer Oren Kaplan / Film Harvest |
|
2009 |
Script Supervisor
Film |
After Pieter Gaspersz / Girl's Gotta Eat Entertainment |
Education
Year | Qualification | Where |
---|---|---|
2017 | Intensive Training (Digital Script Supervising) | ScriptE Systems |
2009 | Beginner to Advanced Script Supervisor Training | Cinema Workshops |
2009 | Film | Full Sail University |
Equipment
My Equipment/Kit: (1) - 15' SDI Video Cable - BNC to BNC, (2) - 1.6’ Thunderbolt Cable, (2) - 1ft, Black Monoprice Commercial Series High Speed HDMI Cable, (2) - 25' SDI Video Cable - BNC to BNC, (2) BNC Female to BNC Male Right-Angle Adapter, (2) Monoprice Hi-Fi Lightweight On-Ear Headphones, (3) - 6ft, Black Monoprice Commercial Series High Speed HDMI Cable, 50’ Heavy Duty Extension Cord, Blackmagic Design UltraStudio Mini Recorder, Custom 15” Apple Macbook Pro Laptop - Quad Core i7 - 2.6GHz - USB 3.0 - 16GB - 2TB SSD HD, Field & Stream Ultimate Tackle Chair, Portable Solar Generator Power Source - 41600mAh 154Wh Battery Pack, Samson LTS50 Heavy Duty Laptop Stand
I can use: Custom 15” Apple Macbook Pro Laptop - Quad Core I7 - 2.6Ghz - Usb 3.0 - 16Gb - 2Tb Ssd Hd, Samson Lts50 Heavy Duty Laptop Stand, Blackmagic Design Ultrastudio Mini Recorder, (2) - 25' Sdi Video Cable - Bnc To Bnc, (1) - 15' Sdi Video Cable - Bnc To Bnc, (2) Bnc Female To Bnc Male Right-Angle Adapter, (2) - 1Ft, Black Monoprice Commercial Series High Speed Hdmi Cable, (3) - 6Ft, Black Monoprice Commercial Series High Speed Hdmi Cable, Portable Solar Generator Power Source - 41600Mah 154Wh Battery Pack, 50’ Heavy Duty Extension Cord, (2) - 1.6’ Thunderbolt Cable, Field & Stream Ultimate Tackle Chair, (2) Monoprice Hi-Fi Lightweight On-Ear Headphones
About me
I have worked for nearly eight years in film establishing relationships that address needs based on director’s work style and vision. Demonstrating strengths including multitasking under demanding conditions, managing simultaneous details, and maintaining excellent records that have contributed to efficiency in meeting production and post-production needs.License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Continuity Supervisor |
---|---|
Job Titles | Script Editor, Script Supervisor / Coordinator, Continuity Supervisor |
Years in industry | 6+ years |
Organisations / Memberships | IATSE |