Daniel Lee-Paul
Overview
- Ethnicity
- White / European Descent
- Age Range
- 38 - 48
- Height
- 5' 8" (1m 73cm)
- Weight
- 11st. 0lb. (70kg)
- Hair Colour
- Black
- Eye Colour
- Brown
Audio
-
audio fileAnimation
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2016 |
Sebastian
Film |
St Giles-in-the-Fields: The Tempest |
|
2015 |
Clive Morris
Film |
John Lyon Theatre: Seasons Greetings |
|
2014 |
Student
Theatre |
dramaschooldirect.com: educational film |
|
2016 |
Jacob
Film |
Short Film: The Fool |
|
2015 |
Gareth Hines
Film |
Lyric Hammersmith: Daisy |
|
2015 |
Belcher
Film |
Lyric Hammersmith: Game of Soldiers |
|
2015 |
Mr Cleaver
Film |
The Boogaloo: Underhanded |
|
2015 |
Movember commercial: voiceover
Film |
Radio Lola |
|
2015 |
Hamlet
Film |
City Lit shakespeare showcase |
|
2015 |
William / Billy
Film |
City Lit showcase: Lovesong |
|
2015 |
Drama Foundation
Film |
City Lit |
|
2015 |
Actor (various)
Film |
City Lit: Directing course |
Education
Year | Qualification | Where |
---|
About me
Dedicated, disciplined and emotionally articulate. In July 2016 I performed as the dastardly Sebastian in a 10 show production of The Tempest at St Giles in the Fields Church. In December 2015 I performed in a run of Season's Greetings at the John Lyon Theatre, wherein I played a shy but somewhat narcissistic writer. In August 2015 I starred in two short plays at the Lyric Hammersmith as an emotionally damaged social worker and a working class early 20th century British soldier. Graduated from the accredited City Lit Foundation course in 2015, with experience of Stanislavski, Meisner and Laban.Skills
Languages Spoken | English |
---|---|
Accents/Dialects | English - Cockney, English - London |
Additional Skills | Acting |
Highlights
-
In 2016 I took on the role of Sebastian in The Tempest as part of a 12 show run at the John Lyon Theate and St Giles in the Fields church. I performed in two short plays at the Lyric Hammersmith in 2015 as part of a festival of new writing, and followed those with a run as Clive Morris in Alan Ayckbourn's Seasons Greetings at the John Lyon Theatre. I've also performed in scratch theatre, shot a short film, and carried out voiceover work for a student radio station. While I lack a formal drama school education I have attended a Drama UK certified year-long Foundation Drama course, which has been augmented by a wide variety of workshops across London that have covered such things as screen acting, developing different character voices and work on specific plays like Angels in America.