Helen Cunningham
Overview
- Ethnicity
- White / European Descent
- Age Range
- 18 - 28
- Height
- 5' 10" (1m 78cm)
- Weight
- 10st. 1lb. (64kg)
- Hair Colour
- Blonde
- Eye Colour
- Blue
- Build
- Slim
Documents
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document fileHelen Cunningham CV.pdf
Other
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My Contact Number:
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2015 |
Mrs Peachum
Theatre |
Beggars Opera Louise Shephard - Oxford School of Drama |
Oxford Castle |
2013 |
Mrs Pembridge
Theatre |
Whistle Down the Wind National Youth Music Theatre |
Rose Theatre Kingston |
2014 |
Tiffany/Enselble
Theatre |
The Wedding Singer Company Youth Music Theatre |
The Lowry, Salford |
2018 |
Steff
Film |
Play-Off LightHouse Productions. Directed by Sam Thorpe |
|
2018 |
Emily
Film |
Chrysalis MRSTR UK, Cedrick Jison |
|
2018 |
Singer
Theatre |
Voices from Violence: A Women’s Journey to Sked Healing Code Red Company |
Balham Seventh Day Adventist Church |
2018 |
Anna
Film |
Her Calling Monica Witkowska |
|
2018 |
Writer
Theatre |
Love, Genius and a Walk Holly Payne-Strange / Bringing Up The House |
Ye Old Rose and Crown Theatre Pub, Walthamstow and Rosemary Branch Theatre, Islington |
2018 |
The Writer
Theatre |
Love, Genius and a Walk (rewrite) Holly Payne-Strange / Bringing Up The House |
The Drayton Arms Theatre, The Etcetera Theatre |
2018 |
Lead Performer
Music & Singing |
Let it Snow Charlie Hamilton/Partytime Productions |
Touring |
2019 |
Philly
Theatre |
Country Roads Take Me Home Jude Spooner / Rah Rah Theatre Company |
Tour |
Education
Year | Qualification | Where |
---|---|---|
2015 | Foundation Musical Theatre | Oxford School of Drama |
2017 | Part Time Acting course | Giles Foreman Centre for Acting |
License & Passport
Passport: | Yes |
Driver's License: | Yes |
Skills
Athletics | Stage Combat |
---|---|
Musical Skills | Clarinet, Piano/Keyboards |
Organisations / Memberships | Equity (UK) |
Highlights
-
"Alma, would be my great takeaway from the cast, if not for the really excellent performance by debutant Helen Cunningham as the nameless Author. The latter is a difficult part, potentially unmoored from the main thrust of the plot, but Cunningham makes us focus, and care. She deals especially well with some of the more didactic passages put in the Author’s mouth, managing to make them more than lectures" - Melinda Hauton for View from the Cheap Seats.