Karl
Overview
- Ethnicity
- White / European Descent
- Age Range
- 18 - 25
- Height
- 6' 1" (1m 85cm)
- Weight
- 11st. 0lb. (70kg)
- Hair Colour
- Brown
- Eye Colour
- Blue
- Build
- Slim
Video
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video fileShowreel
Agent
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Lion Blue CastingAgent
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+27 61 664 8274Contact
- Website
Other
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My Contact Number:
07769254709
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
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2019 |
Carl
Video |
Back To You - Laura White Himomimontv |
Oxfordshire |
2021 |
Elias/043TS
Film |
Red Wall No Holds Barred Pictures |
Manchester/Salford |
2020 |
Billy
Theatre |
Tribes Grace Johnstone |
Putney Arts Theatre |
2019 |
Sean
Theatre |
Days Of Significance Lucy Aley-Parker |
The Questors Theatre |
2020 |
Freddie
Film |
Sunday Evening, Monday Morning Natalie Haddad |
Elephant & Castle, London |
2017 |
Son
Video |
Say Nothing - MUTO VEVO |
Reading |
2019 |
Paddy
Theatre |
Touch Susanna Statton |
Putney Arts Theatre |
2018 |
Eric
Film |
Devil's Dust Ganesh Sharma |
Margarte, Kent |
2016 |
Patrick
Film |
The Chase Lucy Miles |
Royal Oak, London |
2018 |
Tolya
Theatre |
Single Spies by Alan Bennett Kim Dyas |
Putney Arts Theatre |
2018 |
The Orderly
Theatre |
Press Cuttings Carrie Cable |
Putney Arts Theatre |
2016 |
Student
Film |
iBoy Netflix |
East Croydon |
2015 |
Chav
Film |
Grimsby Universal Pictures |
Tilbury, Essex |
2016 |
Creon
Theatre |
Antigone Gill Amos |
The Rose Theatre |
2016 |
Enrique
Theatre |
The Little Mermaid: The Musical Charles Shakespeare |
The Colourhouse Theatre |
2015 |
Punk
Film |
How To Talk To Girls At Parties John Cameron-Mitchell |
Richmond & Shadwell |
2016 |
Company Sgt. Rivers
Theatre |
The War Project Gill Amos |
The Arthur Cotterell Theatre |
2015 |
Macbeth
Theatre |
Macbeth Carlos Santos |
The Arthur Cotterell Theatre |
2016 |
Duke Frederick/Duke Senior
Performing Arts |
As You Like It Gill Amos |
Kingston College |
2020 |
Boyfriend
Online & Multimedia |
Long Distance Call imagiNATION |
Theatre Centre & Theatre503 |
Education
Year | Qualification | Where |
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2020 | Summer Intake Course | National Youth Theatre of Great Britain |
2016 | BTEC Level 3 Performing Arts Extended Diploma | Kingston College |
2014 | Drama AS Level | Cardinal Wiseman RC High School |
License & Passport
Passport: | Yes |
Skills
Accents/Dialects | English - London, Irish, Irish Southern (Munster, Cork), Northern Irish |
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Additional Skills | Horseback Riding |
Athletics | Football, Running, Skateboarding |
Musical Skills | Bass Guitar, Guitar, Piano/Keyboards |
Organisations / Memberships | Equity (UK) |
Highlights
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"Nothing is more important to me than my craft. whether it being under the spotlight or in front of a camera, there is no better feeling. it's a privilege as an actor, to have the task of reflecting back to humanity what it truly means to be human."
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“This sudden scene change, from a fun night out in England to an active war zone in Iraq, makes the scenes that follow all the more shocking as it is not what we as viewers were expecting. The shock is also made more real by the use of just one set design used so creatively throughout the play by set designer Georgia Wilmott; a single wall that once represented the front of Lenny’s burger bar, now acts the only protection for a seriously injured officer and his three soldiers, all waiting to be rescued – a cutting scene that is professionally performed by Perry and Saldanha with Jason Lynch-Welch and Karl Robin.” - Viola Selby, for https://markaspen.com/2019/11/16/day-sig/
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“The 2010 play Tribes by Nina Raine explores ideas of language, identity and communal hierarchy through the experiences of Billy (Karl Robin), a deaf individual born to a hearing family who do little to accommodate his disability. Never having learnt British Sign Language (BSL) and unable to keep up with his family’s constant chatter, Billy constantly feels like an outsider.
Karl Robin is the stand-out performer of the show. A hearing individual, he delivers some incredibly powerful speeches entirely in BSL and signs with marvellous confidence.” - Flora Debble for https://thespyinthestalls.com/2020/01/tribes/