Daniel Kempson
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2020 |
Sound Designer
Film |
Nepenthe Theo Devaney |
|
2020 |
Sound Designer
Film |
Poison Arrows Simon Sprackling / Funnyman Films LTD |
|
2020 |
Sound Designer
Film |
Hear My Voice Daniele Guerra |
|
2020 |
Sound Designer
Film |
Josie's Choice Amy Clegg |
|
2020 |
Sound Designer
Film |
Visitor Ibrahim Awara |
|
2019 |
Sound Designer
Film |
Smoothies for Lost Souls Amit Jacobi |
|
2019 |
Sound Designer
Film |
For Him Ian Killick / Jetblack Productions |
|
2019 |
Sound Designer/Dubbing Mixer
Film |
Edith Alice Lazar / No Quarter |
|
2019 |
Sound Designer
Film |
Hi, I'm a Slut Maddie Quarm |
|
2019 |
Sound Designer/Sound Recordist
Video |
Meara Train / Blackbird Lullaby Vida Breeze |
|
2018 |
Sound FX Editor
Film |
No Ifs or Buts Sarah Lewis / Felt Culture |
|
2018 |
Boom Operator
Film |
Nevermore Adam Tindall / Goldsmiths |
|
2018 |
Boom Operator
Film |
Eunice Eric Garro / Goldsmiths |
|
2018 |
Sound Designer/Sound Recordist
Film |
Stockholm Eric Garro / Goldsmiths |
|
2018 |
Sound Designer
Film |
The Dog isn't Afraid of Fireworks Jaf Yusaf |
|
2018 |
Sound Designer
Film |
Out To Sea Heidi O'Loughlin / Goldsmiths |
|
2018 |
Sound Designer
Event |
Logging On To Love Kate Davis |
|
2018 |
SoundDesigner/Sound Recordist
Film |
Period Piece Heidi O'Loughlin / Goldsmiths |
|
2017 |
Sound Recordist/Sound Editor
Film |
Nice Coat Adam Tindall |
|
2016 |
Sound Designer
Theatre |
Citizen Squid Ivan Thorley / Puppets With Guts |
|
2015 |
Sound Designer
Theatre |
Citizen Squid Ivan Thorley / Puppets With Guts |
|
2014 |
Sound Designer
Film |
Jane Tuff Yak |
Education
Year | Qualification | Where |
---|---|---|
2018 | MA Filmmaking (Sound Recording, Post Production & Design) | Goldsmiths College, University of London |
Equipment
My Equipment/Kit:
I can use:
About me
I’m a freelance sound designer based in London. My aim is to create visceral, engaging sound that integrates perfectly with the picture and always supports the narrative. Experienced in every aspect of audio post production - from dialogue editing, foley, sound FX design to mixing - I have experience in feature, short, documentary and art film. As a fully equipped field recordist, I’m able to create bespoke effects for your project, whist having access to a large sound effects library means I can work quickly and effectively.Please check out some of my recent projects and get in touch if you’d like to discuss your project.
Skills
Secondary Job Title | Sound Editor |
---|---|
Job Titles | Boom Operator, Sound Mixer / Recordist, Sound Editor, Sound Designer |
Years in industry | 1 to 3 years |