Joseph Tate
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2009 |
Sound Designer
Film |
Clockwork Royal College Of Art |
|
| 2009 |
Dep Sound Technician
Theatre |
Phantom Of The Opera Really Useful Group |
Her Majesty's, London |
| 2009 |
Sound Designer and Operator
Theatre |
Victory: Choices In Reaction Iceni Productions |
The Arcola, Dalston |
| 2009 |
Dep Sound Technician
Theatre |
Joseph Really Useful Group |
The Adelphi,London |
| 2008 |
Sound Technician
Theatre |
Love Never Dies Really Useful Group |
|
| 2008 |
Dresser
Theatre |
Lord Of The Rings The Musical Kevin Wallace Ltd. |
Theatre Royal, Drury Lane |
| 2007 |
Dresser
Theatre |
Les Miserable Cameron Mackintosh Ltd. |
The Queens, London |
| 2007 |
Dresser
Theatre |
The Producers Mel Brookes Productions |
Theatre Royal, Drury Lane |
| 2005 |
Dresser
Theatre |
Mary Poppin's Cameron Mackintosh Ltd. |
Prince Edward Theatre London |
Education
| Year | Qualification | Where |
|---|---|---|
| 2004 | BTEC National Diploma in Performing Arts | Cirencester College |
Equipment
My Equipment/Kit:
I can use:
About me
My name is Joe Tate, I have been working as a freelance sound designer and engineer since 2009. The majority of my work has been with animation, and Musical Theatre, and I have very close ties with the Royal College of Art Animation course, for which I have done six sound designs, one being the BAFTA nominated Matter Fisher by David Prosser, and the two I finished May of last year were part of the official selection at Sundance film festival in February. I am currently working on a further two for completion in May. Since my initial leg up, I have worked on a freelance basis for production companies; Mummu, Agile, and Hornet. Clients include; Nokia, Nike, Channel 4, MTV, Coats and WeSC.I work from a small home studio, and base a lot of my work around bespoke field recorded audio and foley, all of which I enjoy doing myself, and have filed away for use on any project that requires it, although I also have extensive knowledge of synthesis and sequencing should particular projects not require this approach.
I have gathered knowledge and built a career from the ground up, without any formal training. I am still learning as I work, and I am keen to try new approaches, processes and ideas and will learn whatever I need to deliver the most exciting and forward thinking results possible, whilst sticking to the harsh deadlines so common in the industry and maintaining a professional attitude throughout the process.
Skills
| Secondary Job Title | Sound Designer |
|---|---|
| Job Titles | Sound Operator / Engineer, Sound Designer, Theatre Technician |
| Years in industry | 3 to 6 years |
| Work Permits | EU |