How to Make an Acting Showreel That Gets You Gigs

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A stellar acting showreel - also known as a demo reel — could be what seals the deal with industry people who matter. It’s a visual showcase of what you’ve done so far – and it can hint at the types of characters you can play in the future. 

Whether you’re just starting out or are in the midst of your acting career, a showreel is essential. If you’re about to make your first one, you might wonder: How long should it be? What should you include? How can you make it stand out? Let’s take a look.

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What is a showreel?

A showreel is a short video compilation of an actor’s best performances. It should be a trailer for you as an actor, advertising your talent so that casting directors see you shine. The best showreels show range and versatility, highlighting your best work.

Alongside a CV and headshot, an acting showreel is a crucial part of any performer’s arsenal. It can help you get an agent, bag an audition, and get noticed. You can email it to casting directors, embed a digital link on your casting profile, and use it on your social media pages.

How long should an acting showreel be?

Typically, a showreel should be around four minutes long and feature a range of clips of the film, TV, or stage projects you’re most proud of. You will have to spend some time sourcing, cutting, and pasting together clips; you might want to hire a video editor to ensure it flows seamlessly. 

How to make a showreel

1. Choose your clips.

You want recent, high-quality footage where you are the main focus (and not your scene partner). You don’t have much time to get a casting director’s attention – they’re busy people and may spend as little as 10 seconds watching your reel – so start with your best work.

Scenes should reflect your range as an actor. Think about the story you want to tell: Who are you as an actor? What kind of roles do you want? What is your casting type? Consider genres, character types, and emotions.

Don’t pad out your reel with footage that’s not your best work. Be picky. Think about your choices and balance smaller projects where you feature heavily (and brilliantly) with more high-profile, prestigious productions where you have a minor role. Remember the focus should always be on you, and if you’re not front and centre in your own showreel, you need to have a rethink.

2. Carefully order your clips.

Your showreel should open with your showstopper clip: your best acting moment on film. It needs to hook casting directors (CDs) from the very beginning, rather than make them wait for the good stuff. 

3. Be strict about length. 

You may love every second of that emotional 15-minute soliloquy, but you can guarantee the average CD won’t watch the whole thing. Identify a highlight moment and extract it as an excerpt. Recall that your showreel should be no longer than four minutes – it’s better to leave them wanting more. 

4. Decide whether to DIY or hire a professional editor. 

If you’ve got the money, you can hire a pro editor to splice together your reel. They’ll edit your clips, graphics, and sound into one slick video, smoothing out any awkward moments. It can be money well spent if you’re not a technical wizard, but if you’re on a budget, there are plenty of free, easy editing packages like iMovie, YouCut, and CapCut to help you do the job. Your showreel doesn’t have to be fancy, but it should run smoothly. 

5. Introduce, label, and close it properly. 

Your showreel should start with a title card with your name and headshot. This will make it easier to spot you in the clips. The final shot of your showreel should also be your name and contact details. If you’re able to embed a link to your casting profile in the final frame, even better.

It should be obvious where each clip comes from. That means labelling each clip with the name and date of the project. Make it clear if the scene is self-shot, from a professional project, or re-created rather than a clip from the real thing. If the production was high profile, add the names of the producer, director, and distribution channel (or theatre) as appropriate. 

6. Ensure the focus is on you.

The important product here is you, not the production of the reel. Don’t go overboard with fancy graphics, transitions, or video production. Using excessive music or montages can also be a distraction. If in doubt, keep transitions simple. For instance, a fade to black is subtle. Get rid of anything that detracts from the power of your performance. You want to be hired as an actor, not a video editor.

7. Ask for feedback. 

Once your showreel is ready, ask people you trust – industry friends, family members, your agent – for honest feedback before sending it to professionals. Does the order work? Which do they think is your best clip? Is it too long, too short, or does it not have enough variety? Consider making edits based on their advice. 

8. Keep it up to date. 

Your showreel should be kept up to date with any recent projects. Of course, if you once played a major role in an acclaimed production at the National Theatre, you might want to retain evidence of it, but try to avoid including work from decades ago. There’s no point including a clip of you playing young heartthrobs if you’re looking to be cast as the patriarch of a family now. Your reel should highlight your potential to play the roles you’re hoping to land.

If you’ve got enough material, you could also make several showreels tailored to different genres. For instance, if you’re after a high-paying advert, have a showreel focusing on commercial work, but if it's serious theatre you’re after, fill your reel with previous stage credits or clips of yourself delivering monologues from parts you most want to play.

Finally, if you’re at the beginning of your career with nothing to put in your showreel, don’t panic. Go online and find a script from a project you love. There are loads of TV scripts available – try the BBC Writers Room Script Library to start. Then, enlist a scene partner who will bring out the best in you and film it on your phone. Ensure you’re shooting in natural light against a plain background.

Remember, CDs are hungry for fresh talent. They’ll be scanning showreels in the hope of spotting the next big thing – so make sure yours shows them everything you’ve got.