Ellis J. Wells

Overview
- Ethnicity
- White / European Descent
- Age Range
- 32 - 42
- Height
- 6' 0" (1m 83cm)
- Weight
- 11st. 6lb. (73kg)
- Hair Colour
- Brown
- Eye Colour
- Hazel
- Build
- Muscular
Images
Audio
Video
-
video fileSHOWREEL (2023)
-
video fileCOMMERCIAL SHOWREEL (2023)
Agent
-
Ashrow Talent ManagementAgent
-
020 8133 5995Contact
- Website
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2023 |
Albert [FEATURE FILM - lead]
Film |
the Island of Wonder and Despair Sharon Axcell / HOTS Productions |
Filming in France |
2023 |
Phil [FEATURE FILM]
Film |
Trace Jack Murphy |
Filming in London |
2023 |
Zant [FEATURE FILM]
Film |
Kindgom Falls Sam Creech / Creech Productions |
Filming in Bristol |
2023 |
Mysterious Guest [FEATURE FILM - minor role]
Film |
The Trilogy Bruno Pischiutta / Global Film Studio |
Filming in Greece and London |
2023 |
Det. Kuegler (minor)
Television |
Kanneda Chandan Arora / Black Cumin Pictures |
Filming in Canada |
2023 |
General Stormstrike [PILOT - lead]
Television |
Time of the Wolf Sarah Hutchinson / Huscarle Productions |
Filming in Yorkshire |
2023 |
John Newton
Theatre |
Forever Mine Ruth Garvey-Williams / Living Breath Productions |
Tour of Ireland |
2023 |
Percy Shelley
Theatre |
Creature of Coercion [R&D] Nancy Ellis / Human Alien Theatre Co. |
Edinburgh Fringe |
2023 |
Alex
Theatre |
Mirror Me Thomas Sellick-Newton / Atmostheatre |
Edinburgh Fringe |
2023 |
the Herald
Theatre |
Swan Lake Sir Peter Wright / Birmingham Royal Ballet |
Birmingham Hippodrome |
2023 |
Ian Bennett, CDG
Online & Multimedia |
View From the Precipice Andrew Fraser / Assert Films |
|
2023 |
Juror
Online & Multimedia |
Ned's Den Ned Kaltakchiev / Insane Films |
|
2023 |
the Artist [SHORT FILM - lead]
Film |
the Grotesque and the Sublime William Kowanec / WicKed Productions |
|
2022 |
Bartholomew Wurdlesworth (lead)
Television |
Once Upon A Time... In Frickley Ashley Nashville |
Filming in Yorkshire and Aberdeen |
2022 |
Edmund [FEATURE FILM - lead]
Film |
the Passion of St. Edmund Campion Anthony Plumridge / EWTN |
Filming in Suffolk and Sussex |
2022 |
John [FEATURE FILM - lead]
Film |
Backbencher Daniel Irlam / Buddy Box Films |
Filming in Essex |
2022 |
Lucilius [FEATURE FILM]
Film |
Misanthropos (Based on Timon of Athens) Maximianno Cobra / United World |
Filming in Portugal & Poland |
2022 |
Rufus Hackney
Commercials & Industrials |
Wash & Go Charlie Parker / FKC |
Curzon Street Studios |
2022 |
Fleshcreep
Theatre |
Jack and the Beanstalk Hayley Evenett / REDduck Productions |
Fisher Theatre |
2022 |
Prof. Snape
Theatre |
Puffs Malary Lynn Harris / Sparks Theatre |
Denver, Colorado, USA |
2022 |
Gerald
Theatre |
Plague of Innocence Alan Dix / 509 Arts |
Kala Sangam Theatre |
2022 |
Leo
Theatre |
Mirror Men [R&D] Thomas Sellick-Newton / Atmostheatre |
|
2022 |
Phil [SHORT FILM - lead]
Film |
Trace Jack Murphy / Trace Film Productions |
Filming in London |
2022 |
Mr Frankin [SHORT FILM - lead]
Film |
Pick A Card Shyam Jilka / Ace Productions |
Filming in Birmingham |
2022 |
Bliss [SHORT FILM - lead]
Film |
Kinky Devil Anthony Dortch / RC Video Productions |
Filming in London |
2022 |
Richard [SHORT FILM - lead]
Film |
Amnesia Luka Vidovic |
Filming in London & Kent |
2022 |
Djid [SHORT FILM - lead]
Film |
Touch Green, Taste Black Jacob Charles Clarke |
Blackberry Wood |
2022 |
Bliss [SHORT FILM - lead]
Film |
Pure Artistry Anthony Dortch / RC Video Productions |
Filming in London |
2022 |
Andrew
Online & Multimedia |
Cui Bono [REHEARSED READING] MJ Hagopian |
|
2022 |
Model
Online & Multimedia |
TikTok Lipsync Kayed Mason / the Social Shepherd |
Northumberland Buildings |
2022 |
Lord Harrington
Voiceover |
Guildhall Ghosts Ellie Chadwick / Sleight of Hand Theatre |
|
2022 |
Character B
Voiceover |
En Attendant Dogo Emmeline Braefield / Theatrephonic |
|
2022 |
Model
Modeling |
Idle Disco Ball Wade Radford Zane / Bedlam BD |
|
2022 |
Henry VIII
Event |
Horrible Histories Experience Victoria Ruskin / EPTC |
Easton Farm Park |
2022 |
Olaf
Event |
Frozen Experience Victoria Ruskin / EPTC |
Easton Farm Park |
2022 |
Dougal Johnson
Event |
Noir Nights Paul Andrew Goldsmith / Twisted Reality Productions |
|
2021 |
Eury [FEATURE FILM - lead]
Film |
Orpheus' Summerhouse Wade Radford / WWMM |
Filming in Norfolk |
2021 |
Sir Percy Blakeney
Theatre |
the Scarlet Pimpernel Ivan Wilkinson / Quill & Inkling |
Tour of Norfolk and Suffolk |
2021 |
the Cardinal of Verona
Theatre |
Romeo & Juliet: the Ballet Sir Kenneth MacMillan / Birmingham Royal Ballet |
Theatre Royal Plymouth |
2021 |
Scales
Theatre |
(Large and) In Charge Rory Thomas-Howes / Paper Mug Theatre |
Above the Stag Theatre |
2021 |
Alexander D. Goode
Television |
Combat Ships Lloyd Thompson / Woodcut Media |
Chatham Historic Dockyard |
2021 |
Eric Apalategui
Television |
World's Most EVIL Killers Woodcut Media |
Anthology Studios |
2021 |
PFC Miller [SHORT FILM]
Film |
The Chair Robin Forrest / Dancing Dog Films |
Euston Hall |
2021 |
C.C. Westing [SHORT FILM]
Film |
Part of the Furniture Jaina Liu / MET Film School |
Camden Studios |
2021 |
Shylock
Online & Multimedia |
the Alternative Smiles of Shakespeare Spencer Kennedy / T.N.C Theatre |
|
2021 |
Necronaut [MUSIC VIDEO]
Video |
Voyage of the Necronaut Steve Kennedy / Spectral Darkwave |
Fort Borstal |
2020 |
Flynn [FEATURE FILM - lead]
Film |
Last Chancers Phil Stubbs / Dark Escape Films |
Manor by the Lake |
2020 |
Nomad [FEATURE FILM]
Film |
Homesick Jason Farries / Black Elk Productions |
Filming in Yorkshire |
2020 |
Himself
Commercials & Industrials |
Mario Anniversary Memories Seb Ford / Nintendo |
Double Jump Studios |
2020 |
Daniel [SHORT FILM - lead]
Film |
95 Steps Billy Rees / Bald N Hairy Films |
|
2020 |
Mike [SHORT FILM - lead]
Film |
Guardian Angel Watch Robin Danzey-Persaud / Raggo |
Windsor Wings |
2020 |
Alex [SHORT FILM]
Film |
Cardboard Bindni Karia / Ambermemo Films |
|
2019 |
Lord Byron
Theatre |
Genesis: the Mary Shelley Play Amanda Cutting / Artists Collective Theatre |
C-Cubed |
2019 |
Squire Allworthy
Theatre |
the History of Tom Jones, a Foundling Ross Ericson / Red Dragonfly Productions |
Tour of England |
2019 |
William
Theatre |
Scream Queer Murder Andrew McKinnon / Theatre North |
the Palace Theatre |
2019 |
Francis Shackleton
Television |
Legend Hunter Stephen Shearman / Icon Films |
Travel Channel |
2019 |
Marc
Theatre |
Piece of Cake Michelle Yim / Red Dragonfly Productions |
Cheltenham Everyman |
2019 |
Ellis [SHORT FILM - lead]
Film |
Murder and Other Hobbies Billy Rees / Firebird Films |
|
2019 |
Darth Plagueis [SHORT FILM]
Film |
The Master Tobias Hamilton / Dwarf Star Films |
|
2019 |
Midnighter [SHORT FILM - lead]
Film |
To Hell and Back Tobias Hamilton / Dwarf Star Films |
|
2019 |
Peter [SHORT FILM]
Film |
Joseph Turns 42 Paul Maziere / MET Film School |
Filming in France |
2019 |
Hero of Oakvale
Online & Multimedia |
Virtual Vendetta Nick Sapwell / NicksFlicks |
|
2018 |
Gabriel Utterson
Theatre |
Sherlock Holmes and the Curious Case of Dr Jekyll & Miss Hyde Tom Jordan / Rain or Shine |
Tour of England and Wales |
2018 |
James de Mille
Theatre |
the Haunting of Hunstanton Daisy Plackett / Strange Fascination Theatre Company |
the Golden Lion |
2018 |
Inspector Root
Theatre |
Twist Adam Morley / Baroque Theatre Company |
Tour of England |
2018 |
Guasto
Theatre |
Edith in the Dark Adam Morley / Baroque Theatre Company |
Tour of England |
2018 |
Corporal Parker
Television |
Tommy Jason Farries / JB Productions |
|
2018 |
LGBT+ Spokesman
Commercials & Industrials |
Superdrug Live Event Gil Kolirin / 1947 Films and Media |
International Convention Centre |
2018 |
Phillip
Film |
Real Doll Will Hewitt / Wet Paint Production |
|
2018 |
Model
Modeling |
Black&White AGAINST COLOUR Darren Pickersgill / Rogue Photography |
|
2018 |
Model
Modeling |
COLOUR... within the Forest Andrew Miller / AMphotography |
Forest of Dean |
2018 |
Human
Theatre |
Broken Episodes Thomas Sellick-Newton / Atmostheatre |
Tour of South West |
2018 |
Simulator
Theatre |
GP Recruitment Claire Richards / Fluellen Theatre Company |
Mercure Hotel |
2018 |
Assassin
Film |
Wolf Mark Wake / Flamingo Post |
Queen Elizabeth Country Park |
2018 |
Porthos
Theatre |
the Three Musketeers Ivan Wilkinson / Baroque Theatre Company |
Tour of England |
2018 |
Helmuth Silberberg
Theatre |
And Then They Came For Me June Trask / Moondog Productions |
the Mission Theatre |
2017 |
Malcom Webster
Television |
Nurses Who Kill Chris Jury / First Look TV |
|
2017 |
Doctor Watson
Theatre |
the Accidental Adventures of Sherlock Holmes Anna Marshall / Tobacco Tea TC |
Swindon, Bristol, Brighton, Bath & Edinburgh Fringes |
2017 |
Michael
Film |
Edge Doug Kirby & Billy Rees / Bald N Hairy Films |
|
2017 |
Lt. Swordfish
Film |
Maria's Place Dapo Sijuwola / Dove Films |
|
2017 |
Matt
Theatre |
APOCALYPSE: Facehugger David Shopland / Fake Escape |
the Bell Inn |
2017 |
Lecturer
Commercials & Industrials |
Eduserv Promotional Film Jon Hardy / Scubaboy Inc |
Screenology |
2017 |
Willem
Film |
Night Shadows Phil Stubbs / GC Productions |
|
2017 |
Pip the Robot
Online & Multimedia |
Pip the Robot Lawrence O'Brien / JB Productions |
|
2017 |
Accountant
Commercials & Industrials |
6nPay SloMo Misha Vertkin / Jungle Creations |
Camden Studios |
2017 |
Presenter
Television |
Second Date Megan O'Brien / Second Date Production |
the Park, Cheltenham |
2017 |
Bryce Miller
Film |
the Stop-Off Olivia Hughes / University of Bath |
the Old Mill |
2017 |
Colonel Pickering
Theatre |
Pygmalion John O'Connor / European Arts Company |
Tour of Italy |
2016 |
Heinrich Himmler
Television |
Hitler: the Rise and Fall Stan Griffin / E4 |
Fulham Town Hall |
2016 |
Anthony Larks
Theatre |
Parish Fête-ality: A Game of Scones Christopher Cutting / Tobacco Tea TC |
the Warren |
2016 |
Arthur Whitely Shaw
Theatre |
DEADLY: the Nightcap David Shopland / 20:20 Vision |
the Bell Inn |
2016 |
Doctor Watson
Theatre |
the Accidental Adventures of Sherlock Holmes Christopher Cutting / Tobacco Tea TC |
C |
2015 |
Bob Cratchit
Theatre |
A Christmas Carol Tom Jordan / Rain or Shine |
Tour (South West + Norfolk) |
2015 |
Daniel Ryan
Film |
Father Was A Tall Man Jacob Booth / Tasketing Productions |
|
2015 |
Aled
Theatre |
Aled James Woodhams / Theatre West |
Hamilton House |
2015 |
Caliban
Theatre |
the Tempest James Reynard / Rain or Shine |
Everyman Theatre |
2014 |
Lord Capulet
Theatre |
Romeo & Juliet Emma Leigh / MadCap Theatre |
Artrix Arts Centre |
2013 |
Alex
Theatre |
100 Jacqueline Avery & Peter John Cooper / AsOne Theatre Company |
Tour (South West) |
2013 |
Richard III
Theatre |
Richard III Bart Lee / Windsor Globe |
Alexandra Gardens |
2012 |
Lysander
Theatre |
A Midsummer Night's Dream Benjamin Blyth / the Movement |
Tour (London + Norfolk) |
2012 |
Angelo
Theatre |
Measure For Measure Tom Stephen Hartill / Dark Corner Theatre |
the Cockpit |
2012 |
Orsino
Theatre |
Twelfth Night Rory Attwood / the Movement |
Greenwich Theatre |
2011 |
Lucentio
Theatre |
the Taming of the Shrew Rebecca Gadsby / Chapterhouse Theatre Company |
Tour (Britain + Ireland) |
2011 |
Major Gordon
Theatre |
Cranford Rebecca Gadsby / Chapterhouse Theatre Company |
Tour (Britain + Ireland) |
2011 |
Iván Lomov
Theatre |
Anton Chekhov's "the Sneeze" Shane Morgan & Moira Hunt / Roughhouse Theatre |
Victoria and Albert Museum |
Education
Year | Qualification | Where |
---|---|---|
2008 | Bachelor of Arts - Performing Arts | Iowa State University |
About me
AWARDS* nominated Best Actor for "A Midsummer Night's Dream" (KCACTF)
** nominated Best Actor for "Edge" (iFFIF awards)
*** nominated Best Actor for "Last Chancers" (MegaFlix Film Awards)
REVIEWS
"The pompous brilliance of villain character Fleshcreep (Ellis J. Wells) will have you giggling and struggling to hate him, despite his wicked intentions ."
JACK AND THE BEANSTALK [Beccles&Bungay Journal, Bruno Brown | Dec 19th 2022]
"Ellis J. Wells is perfect as Flynn. He is endearing and entertaining, perfectly capturing the character’s awkwardness without overdoing it. I was rooting for him all the way though the film... Wells and Ronaghan have great chemistry, creating a compelling relationship between Jen and Flynn that flows naturally throughout. It's heart-warming and enjoyable, without the sickly sweetness that sometimes overwhelms British rom-coms (move over Hugh Grant!)."
LAST CHANCERS [IndyReviews, Olivia Ballington | March 6th, 2021]
"Top notch performances, and cinematography that captures the film’s sentiment. The comedic acting chops are there for Ellis J. Wells and Harry Dyer; and the duo seems primed to excise them."
LAST CHANCERS [Take2 - IndieReview, Rich Monetti | Feb 26th, 2021]
"Flynn (Ellis J. Wells) is a slightly unusual character and at first, it’s hard to get a handle on him which is a great way to draw you gradually into the story, figuring out him and his friendship with Aiden before they go down the rabbit hole of crime. Wells gives a great performance, he’s relatable in his general disdain, nervousness and dislike of the modern tendencies towards materialism and vanity."
LAST CHANCERS [FilmCarnage, Carl Burgess | Jan 16th, 2021]
"It is Byron (Ellis J. Wells) who tends to steal every scene he is in, as he doubtless did in real life. If you seek a monster, look no further. This is an entertaining and well-acted offering – a proper piece of solid, traditional theatre that stands out in a Fringe awash with experimental drama of variable quality."
GENESIS: THE MARY SHELLEY PLAY [EdinburghGuide, Jon Cross | Aug 10th, 2019]
"Ellis J. Wells smouldered as the suave, if exasperated, Michael McIntyre-ish lawyer Gabriel Utterson, just about keeping his head while all about him were losing theirs. His was literally an Oscar-winning performance, the coveted trophy handed to him through a large hole that suddenly appeared above the fireplace."
SHERLOCK HOLMES AND THE CURIOUS CASE OF DR JEKYLL & MS HYDE [Cheltenham Echo, Simon Lewis | Jan 5th, 2019]
"Ellis J. Wells was the dishy Mr Utterson, a wonderfully vain heartthrob, constantly sweeping back his hair, conspiratorially smiling and winking at he audience, and striking a pose at the side of the stage each time he has delivered a clever line."
SHERLOCK HOLMES AND THE CURIOUS CASE OF DR JEKYLL & MS HYDE [LymingtonTimes, Alison Smith, Dec 7th, 2018]
"Personally, I think it would have worked far better as a separate production (unrelated to the apocalypse) allowing more time to explore how our leading man got into his bizarre situation. Still, there’s no denying that Ellis J. Wells brilliantly holds a majority of the play on his own, emotively conveying so much dialogue with ease."
APOCALYPSE: FACEHUGGER [BathEcho, Lauren Skillman | June 12th, 2017]
"All three played their main roles excellently... The humour they used to bring the roles alive worked so well, and kept the audience engaged throughout. In this version of the Holmes tales, Watson was more of the protagonist rather than Sherlock. Again this made it more unique to them, and Ellis J. Wells who played Watson did an excellent job at portraying the much loved character."
ACCIDENTAL ADVENTURE OF SHERLOCK HOLMES [FringeReview, Chloe Rogers | June 11th, 2017]
"Apocalypse’s best offering by far, in terms of writing and acting, is ‘Facehugger’. Louis Rembges’ script straddles the border between funny and serious, managing to dip into one without the expense of the other. For the most part a monologue, Rembges’ words are delivered masterfully by Ellis J. Wells, as he adds a disarming, personal nature to the flamboyant comedy, then manipulates that rapport with the shock of sobering changes in direction. It is at once the funniest and the most touching piece in 'Apocalypse'."
APOCALYPSE: FACEHUGGER [FringeReview, Joshua Lambert | June 8th, 2017]
"The main reason to watch the show is the marvelous cast. Watson (Ellis J. Wells) gives a fabulous comedy performance; switching between maniacal madness and clowning foolery, raising some hearty laughs in the process. The interplay between the three actors is a joy to watch at times and the physical comedy within the piece is where the show shines most."
ACCIDENTAL ADVENTURE OF SHERLOCK HOLMES [theReviewsHub, Simon Topping | June 3rd, 2017]
"Wells’ Watson is the clear stand-out, at turns put upon, sycophantic and exasperated in his relationship with Holmes, revealing his duplicitous nature in a series of devilishly delightful asides to the audience."
ACCIDENTAL ADVENTURE OF SHERLOCK HOLMES [Bristol 24/7, Kev Lochun | April 12th, 2017]
"The piece worked best when the cast used action rather than words. The cast of three did extremely well and were funniest when they were performing directly to the audience."
ACCIDENTAL ADVENTURE OF SHERLOCK HOLMES [StageTalkMagazine, Keith Erskine | 12th April 2017]
"Ellis J Wells esquire is emphatic in Watson's diagnoses but manfully fits several other costumes; as does Joshua Phillips filling in for everyone Wells has no time to play."
ACCIDENTAL ADVENTURE OF SHERLOCK HOLMES [Arthur Duncan | 11th April 2017]
"Rare gems of this kind are Watson’s asides to the audience, which usually include witty sarcasms regarding his own hidden agenda and Holmes’ conceit. In fact, the character of Watson is much more developed than Holmes’ flimsy two-dimensional paper persona, and Ellis J. Wells, the actor portraying Watson, skillfully depicts his double character."
ACCIDENTAL ADVENTURE OF SHERLOCK HOLMES [EdFringe, Emma Taylor | 12th Aug 2016]
"I especially enjoyed the performance of Ellis J. Wells as Anthony Larks, the camp, over-sexed and ever-so-refined member of the parish elite. Wells commands the stage with ease and his confidence in the role invariably draws the eye towards him in any given scene."
A GAME OF SCONES [EdFringe, Charlotte Thomas | 12th Aug 2016]
"Ellis J. Wells played a perfect stylish sloth, and was just as professional in 'What Do You Want Me To Do'. I found their rendition of a British couple awkwardly talking about their lustful desires hilarious, and scarily realistic."
DEADLY [Bath Chronicle, Verity Annear | 5th June 2016]
"Ellis J. Wells and Clemmie Twiggs are particularly well matched as a troubled couple, struggling to talk through the kinks of sensitive sexual preoccupations"
DEADLY [TheatreBathBlog, Joshua Lambert | 3rd June 2016]
"Each character had depth and believably, most notably Ellis J. Wells' growling, but sensitive, beast Caliban."
THE TEMPEST [Gloucester Echo, Simon Lewis | 22nd Aug 2015]
"Miranda is very girlish when meeting the boyish, grinning Ferdinand. Their scenes together warmed the cockles and limbered the chuckle muscles. But in an audacious spot of doubling, the hugely engaging Ellis J. Wells also plays the monster who once desired her. His Caliban is a bit of dithering hypochondriac really, with more than enough cheekiness to solicit sympathy. Mr. Wells is superb in both parts."
THE TEMPEST [the Shropshire Review, Chris Eldon Lee | Aug 15th 2015]
"Falling in love with Ferdinand (Ellis J. Wells) was inevitable and natural. Sometimes young lovers in plays are a pain; happily both were love-struck, sweet, believable and delightfully daft. Ellis’s considerable achievement was two-fold as his Caliban wrung my heart whilst chilling my soul."
THE TEMPEST [remotegoat, Avril Silk | July 23rd 2015]
"Caliban was promoted as the star of the show. More usually regarded as the villain of the piece, here if anything he was the king of comedy. Ellis J. Wells, who also played the convincing lover Ferdinand, made the very most of his chances upon the throne; both his body language and voice were excellent."
THE TEMPEST [the Cornishman, Frank Ruhrmund | July 17th 2015]
"The power of love overcoming the desire for revenge is mirrored both in the scenes of joyous first love between Miranda and Ellis J. Wells' Ferdinand, and in the downfall of the villainous Caliban; an impressively contrasting double by Wells."
THE TEMPEST [the Stage, Jeremy Brien | July 1st 2015]
"A young couple (Maya Aitken and Bristol-raised Ellis J. Wells) clash in the choosing of their final memories in much the same way they did when living, but it's the flashbacks to their more tender moments that really engaged the audience."
100 [Guide2Bristol, Rob Rule | Oct 27th 2013]
"Ellis J Wells’ interpretations are particularly engaging. A unique, honest stage presence lends this actor a certain added depth, believability and freshness of portrayal."
100 [Bournemouth Echo | Oct 5th 2013]
"Ellis J. Wells as Richard and Eve Winters as Queen Elizabeth were outstanding in their roles."
RICHARD III [Bracknell News, Tim Vaughn | Aug 7th 2013]
“Today I saw an OUTSTANDING theatre performance by Ellis J. Wells, utterly compelling as Richard. Perfectly measured, faultlessly delivered. A truly exciting young actor! One to watch!”
RICHARD III [Arin Alldridge, filmmaker “Hackney’s Finest” | Aug 5th 2013]
"Performances of the night go to Kieran Hennigan... and Ellis J. Wells as Arthur, the hapless and tender romantic, who my heart went out to."
DRACULA [London Festival Fringe, Swillow | Nov 11th 2010]
"Ellis J. Wells captures the truth in Arthur Seward's gradual breakdown, and portrays the character with strong repressed emotion so that the whole audience emphasised with his plight."
DRACULA [BritEvents.com, Sophie Mulligan | Oct 21st 2010]
"Berowne's (Ellis J. Wells) 'And I, forsooth, in love!' speech, is acted with relish."
LOVE'S LABOUR'S LOST [Plays International, Basil Abbott | Aug 25th 2010]
"Konstantine (Ellis J Wells) the troubled young playwright, was played with energy and vigour, portraying both the joys of youthful romance and the depths of despair."
THE SEAGULL [ThisIsGloucestershire, Victoria Temple | Oct. 15th 2009]
“Special mention should be given to Ellis J. Wells as Konstantine... he showed us the many facets of the character, his intense outbursts were moving; body language and gesture carried through his emotions. An extremely good performance.”
THE SEAGULL [RoseBowlAwards, Linda Evans | Oct. 15th 2009]
"As the ideal suspect, Ellis J. Wells does the best job of the bunch. Nothing about him rings true, but like with Mrs Ralston, we find ourselves sympathizing with Christopher."
THE MOUSETRAP [Berkshire Bright Focus, J. Peter Bergman | July 15th 2008]
"Many scenes are all but stolen, however, by Ellis J. Wells... he delivers an unexpected depth to what initially seemed like someone very frivolous and superficial."
THE MOUSETRAP [the Independent, Bruce G. Hallenbeck | July 18th 2008]
"Ellis J. Wells, who plays Lemming's business manager, accomplishes the same thing (REF: delivering the lines as if they were his own) with the script's more rhapsodic love songs to the national pastime. However, his best moments -- and most endearing -- come when he is tongue-tied in the presence of Lemming's aura."
TAKE ME OUT [Des Moines Register, Michael Morain | Nov 5th 2007]
---------------------------------------------------------------
TRAINED IN:
- Brecht's Epic Theatre
- Shakespeare
- Stanislavsky's Given Circumstances
- Viewpoints
Additional skills:
Skilled at Drawing and Painting (GCSE Degree - Art)
License & Passport
Passport: | Yes |
Skills
Languages Spoken | English |
---|---|
Accents/Dialects | English - General, English - Received Pronunciation, French (Standard International), Irish, Northern Irish, Southern American |
Athletics | Fencing, Stage Combat |
Organisations / Memberships | Equity (UK) |