M.K. Rose
Overview
- Ethnicity
- White / European Descent
- Age Range
- 35 - 45
- Height
- 5' 2" (1m 57cm)
- Weight
- 14st. 2lb. (90kg)
- Hair Colour
- Red
- Eye Colour
- Green
- Build
- Curvy
Documents
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document fileM.K. Rose - CV.pdf
Agent
-
Twenty-Nine Five GroupAgent
-
+44 (0) 20 7859 4040Contact
- Website
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2023 |
Aunt Helen & Lady of the Court [Featured]
Theatre |
A FORAY IN INNOCENCE by Ronan Colfer Liam Rear |
Upstairs at the Gatehouse |
2021 |
Victoria [Lead]
Online & Multimedia |
THE REVIEW by Lyla's Place - THERE IS NO INSTITUTIONAL RACISM IN THE UK Lyla Smith-Abass / Lyla's Place |
|
2020 |
Teacher [Featured]
Film |
MICAL screenplay by Malcolm Duffy Yewweng Ho / Lewis & Ho Productions & Silverprince Pictures |
|
2020 |
Amanda, Chelsea, Jan + [Supporting/Featured]
Theatre |
WELCOME TO THE ROSE COTTAGE by Kieran Brooks Kieran Brooks / |
Bread & Roses Theatre |
2018 |
Lady Rochester [Lead]
Theatre |
HOME by Alfie James Mark Beer & Alfie James / Alfie James Productions |
Tristan Bates Theatre |
2017 |
Hedda Gabler [Lead]
Theatre |
HEDDA by Henrik Ibsen, adapted by Emma Willis Roz Riley / Factory Space Theatre Company |
Star of the Sea Theatre |
2017 |
King Duncan [Featured]
Theatre |
MACBETH by William Shakespeare Roz Riley / Factory Space Theatre Company |
Star of the Sea Theatre |
2017 |
Sarah Simpson [Lead]
Theatre |
SIMPSON J. 202 by Richard Beynon Rosie Daly / Liverpool Performing Arts Ensemble Inc. |
Casula Powerhouse Arts Centre |
2017 |
Bridget Baines [Supporting]
Theatre |
A CHORUS OF DISAPPROVAL by Alan Ayckbourn Roz Riley / Factory Space Theatre Company |
Star of the Sea Theatre |
2016 |
Meg Bacon [Lead]
Theatre |
SECRET BRIDESMAIDS' BUSINESS by Elizabeth Coleman Johnathon Brown / Liverpool Performing Arts Ensemble Inc. |
Casula Powerhouse Arts Centre |
2016 |
Jenny Henley [Lead]
Theatre |
ALMOST NEARLY PARADISE by Brenda Gottsche Roz Riley / Factory Space Theatre Company |
Star of the Sea Theatre |
2016 |
Gwen [Lead]
Theatre |
AWAY by Michael Gow Tony Woollams / Liverpool Performing Arts Ensemble Inc. |
Casula Powerhouse Arts Centre |
2016 |
Beryl [Supporting]
Theatre |
EVERYTHING IN THE GARDEN by Edward Albee Roz Riley / Factory Space Theatre Company |
Star of the Sea Theatre |
2015 |
Interviewer [Featured]
Film |
THE LIVES WE LEAD Davo Hardy / Davo Hardy Productions |
|
2015 |
Marilyn Thompson [Supporting]
Theatre |
DEAD TIME by Fleur Beaupert Fleur Beaupert / Lace Balloon |
107 Projects |
2015 |
Female Cockroach [Featured]
Commercials & Industrials |
INVISIBLE GUESTS for Flick Anticimex Hugh Mitton / Zoo Advertising & Film Construction |
|
2014 |
Wilhelma Davison [Supporting]
Theatre |
AN UNEXPECTED EXECUTION by Frederick Schiller, adpated by Emma Willis Roz Riley / Factory Space Theatre Company |
Star of the Sea Theatre |
2014 |
Eliza Doolittle [Lead]
Theatre |
PYGMALION by George Bernard Shaw Wendy Hudson / Liverpool Performing Arts Ensemble Inc. |
Casula Powerhouse Arts Centre |
2013 |
"50's Housewife, Depressed Infomercial Saleswoman, Khloe Kardashian, Sexually-Crazed Nonagenarian [Lead/Supporting/Featured]
Television |
THE LIVE SHOW by David Perrin & Celine Oudin David Perrin & Celine Oudin / Screaming Goat Productions |
|
2013 |
Doris [Featured]
Film |
BLACKOUT BANDITS Jacques Lang / EarthHour Group |
|
2012 |
Karen Holt [Lead]
Theatre |
SOMETHING TO HIDE by Leslie Sands Guenter Bieniasch / Liverpool Performing Arts Ensemble Inc. |
Casula Powerhouse Arts Centre |
2012 |
Cynthia Walling [Supporting]
Theatre |
BRUSH WITH A BODY by Maurice McLoughlin Jim Searle / The Guild Theatre |
The Guild Theatre Rockdale |
2012 |
Rosalind [Lead]
Theatre |
AS YOU LIKE IT by William Shakespeare Jacqueline Hornjik / Liverpool Performing Arts Ensemble Inc. |
Casula Powerhouse Arts Centre |
2011 |
Ann Putnam [Supporting] & Sarah Good [Featured]
Theatre |
THE CRUCIBLE by Arthur Miller Johnathon Brown / Liverpool Performing Arts Ensemble Inc. |
Casula Powerhouse Arts Centre |
2011 |
Rita [Lead]
Theatre |
EDUCATING RITA by Willy Russell Jenifer Bryant / Liverpool Performing Arts Ensemble Inc. |
Casula Powerhouse Arts Centre |
2009 |
Cherry [Supporting]
Theatre |
COSI by Louis Nowra Johnathon Brown / Liverpool Performing Arts Ensemble Inc. |
Casula Powerhouse Arts Centre |
2008 |
Penelope Ascot [Lead]
Theatre |
THAT SCOTTISH PLAY by Simon Denvers Dawn Ridsdale / Liverpool Performing Arts Ensemble Inc |
Casula Powerhouse Arts Centre |
2003 |
Lynne [Supporting]
Theatre |
STEPPING OUT by Richard Harris Joy Baker / Arts Theatre Cronulla |
Arts Theatre Cronulla |
2021 |
Margret [Supporting]
Online & Multimedia |
ARRESTED by Lyla's Place - THERE IS NO INSTITUTIONAL RACISM IN THE UK Lyla Smith-Abass / Lyla's Place |
Education
Year | Qualification | Where |
---|---|---|
Bachelor of Performance | Theatre Nepean, University of Western Sydney |
About me
Trained and Experienced Character Actor.London-Based.
License & Passport
Passport: | Yes |
Driver's License: | Yes |
Skills
Languages Spoken | English |
---|---|
Accents/Dialects | Australian, English - Cockney, English - London, English - Received Pronunciation, Scottish, Standard American |
Media Specialism | Events |
Dance Styles | Ballroom, Jazz, Modern, Tap, Waltz, Zumba |
Musical Style | A capella |
Vocal Types | Alto, Mezzo Soprano |
Singing Styles | Pop/Rock |
Athletics | Aerobics, Boxing, Football, Ice Skating, Roller Skating, Rollerblading, Tennis |
Musical Skills | Flute, Piano/Keyboards |
Highlights
-
“Then of course there was my favourite, Cherry – what a drama queen! The character is played by M.K. Rose, who brings to life a sassy obsessive compulsive lunatic...”
- Shery Demian, Arts Reporter, Liverpool City Champion
COSI (2009) -
“I especially enjoyed the direct address of the modern(ised?) Davison character (M.K. Rose) and the irony of her journey was a jolly good thing for the drama”
- Geoff Cartwright (Artistic Director), Rough Hewn Theatre Troupe
AN UNEXPECTED EXECUTION (2014) -
“Jenny, a full-on exuberant Melissa Kathryn Rose dominates the room, espousing her thoughts about happiness, money and sex with humour and way too much candour!”
- Wendy Lewis, TheatreBlog
ALMOST NEARLY PARADISE (2016) -
“It says something about how good a show is when you don’t feel like you’re watching actors on a stage… Everything about the production feels natural… The actors are perfectly cast. It’s a sign of great acting when you don’t notice the acting… M.K. Rose as the Bride stole the show with her comic timing and natural reactions as the night unravelled… Ms Rose is well matched by her fellow cast…"
- Peter Novakovich, Stage Whispers
SECRET BRIDESMAIDS’ BUSINESS (2016) -
“… I laughed so much, I was afraid others in the audience would be disturbed. All had their share of funny moments but M.K. Rose seized hers with both hands; a wonderful comedian I have enjoyed on this stage before…”
- Michelle Holmes, Radio Northern Beaches
A CHORUS OF DISAPPROVAL (2017) -
"The real revelations of this production are the outstanding portrayals of the women in Jack’s life. His mother (played by M.K. Rose) and his sister Annie. These two ladies give genuine, layered and nuanced performances that tell the story of the lesser known part of Jack’s life. You don’t ever get a sense that these women are “acting” – the way they listen and respond to each other is never forced, nor overplayed…”
- Emma Caldwell, WeekendNotes
SIMPSON J. 202 (2017) -
“M.K. Rose (Duncan, monarch of Scotland) is quietly stoic but the emotionally-charged portrayal of the role is thought-provoking and proud, determined to defeat unruly ambition and tyranny...”
– Sue Hinchey, WeekendNotes
MACBETH (2017) -
“The actress in the title role of Mrs Hedda Tesman (nee Gabler), delivers a consummate performance throughout, as the quick-witted HEDDA in one of the theatre’s greatest dramatic roles…”
– Lynn Belvedere, Sydney Arts Guide
HEDDA (2017) -
"There are glimpses of engaging performances played out in some of the relationships. Particularly enjoyable was when as Lady Rochester, Melissa Kathryn Rose pleads with stubborn gardener Bennett to stay working on the estate. An interesting affection is also shared with her well-reasoned daughter Isabelle…”
– Isla Robinson, North West End UK
HOME: FOR A LOST SOLDIER (2018) -
“MK Rose is a convincing down-to-earth aunt…”
– Anna Clart, London Pub Theatres
A FORAY IN INNOCENCE (2023)