Andrew Kirk
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2013 |
Composer, Foley
Film |
The Maid 721 Productions |
|
2013 |
News Reporter (voice-over)
Film |
The Whore Asim Abassi |
|
2012 |
Foley
Film |
Brash Young Turks Naeem Mahmood/ Ash Mahmood / Transient Film Exchange |
|
2012 |
Writer, Director, Foley
Commercials & Industrials |
Lionel Blair in the Bridges Up Cheers |
|
2012 |
Writer
Film |
What are Friends For? NozL Recordings |
|
2011 |
Narrator
Performing Arts |
Annual Awards Ceremony 2010 NEPIC |
|
2011 |
Mastering Engineer
Event |
Oslo Flow - They Done Found the Flow NozL Recordings |
|
2010 |
Composer, Photographer
Event |
Glenn Foot Promo Media (pro boxer) Glenn Foot |
|
2010 |
Writer, Director, Composer
Film |
Blam and Plato NozL Recordings |
|
2010 |
Writer, Director, Composer
Film |
Geggseh NozL Recordings |
|
2009 |
Director, Editor, Composer
Commercials & Industrials |
Paul 'The Mackem' Holborn (pro boxer) Paul Holborn |
|
2008 |
Composer, Sound Design
Event |
Urban Graffiti Radio Intros Urban Graffiti |
|
2008 |
Sound Designer
Event |
Reso Radio Intro (music artist) Reso |
|
2007 |
Sound Design, Composer
Event |
The Drawl Radio Intro Grommit & Innerlign |
Education
Year | Qualification | Where |
---|---|---|
2005 | Sport & Exercise Development | University of Sunderland |
Equipment
My Equipment/Kit:
I can use:
About me
Hello and thank you for your interest in my profile.Having worked with music and video projects since 2002, it has culminated in me being involved with feature films, short films and releasing my music on vinyl for various record labels as well as my own.
I love working with music and even more so when it is based around films. I help bring a scene to life through choices of musical texture, melody and emotion, to help further tell the story in a way which the visual aspects alone cannot reach. Everything is aimed to maximise the impact and direction of the scene. I can convey all types of atmospheres, from ultra airy light ambience, to pitch black darkness, sadness and violence and everything in between.
Developing Foley and sound design for films is also an aspect which I have worked on in feature films and shorts. Precise and seamless translations from what is happening on screen is what I aim for and do my very best to make sure I achieve this in every project which I am involved with.
My delivery of work for project deadlines is impeccable and I aim to far exceed the expectations from the director in everything I create, because that is what I expect from myself.
Referees:
Richard Simpson Audio
Skills
Secondary Job Title | Sound Designer |
---|---|
Job Titles | Sound Designer, Composer |
Years in industry | 6+ years |