James Harrison
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2021 |
Sound Recordist
Film |
Testament Paul Syrstad / roarlight |
|
2021 |
Sound Recordist
Film |
The Rich Fool Paul Syrstad / roarlight |
|
2020 |
Sound Recordist
Film |
The Talents Paul Syrstad / roarlight |
|
2019 |
Sound Recordist
Film |
The Hidden Treasure Paul Syrstad / roarlight |
|
2019 |
Sound Recordist
Film |
Inside Code Melanie Barnes |
|
2019 |
Sound Recordist
Film |
The Good Samaritan Paul Syrstad / roarlight |
|
2019 |
Sound Recordist
Film |
The Consultant Ignacio Maiso / Tractorni Productions |
|
2019 |
Sound Recordist
Film |
Lavender Andrew Ball-Shaw / Sonder Pictures |
|
2018 |
Production Sound Engineer and Sound Designer
Film |
SURPRISE! Dan McGee and Dave Green / Hermitage Wanderer and Greenhouse Films |
|
2018 |
Sound Designer
Film |
Fellwalker Dan McGee / Hermitage Wanderer |
|
2018 |
Sound Recordist
Event |
The Sower Paul Syrstad / roarlight |
|
2018 |
Sound Recordist and Foley Artist
Film |
Rebound Andrew Ball-Shaw |
|
2018 |
Sound Designer
Event |
Smoking Man Andrew Ball-Shaw |
|
2017 |
Rerecording Engineer
Film |
Convoyance Andrew Ball-Shaw |
|
2017 |
Sound Recordist and Foley Artist
Film |
Anorak Andrew Ball-Shaw |
|
2017 |
Sound Editor
Film |
Boys Will Be Boys Jenni Cliff / University Project |
Education
Year | Qualification | Where |
---|---|---|
2018 | BSc(Hons) Audio Engineering and Production | Futureworks School of Media |
Equipment
My Equipment/Kit: FabFilter Audio Plug-ins, Pro Tools (Avid Certified User), Røde NTG4+, Rødelink Filmmaker Lavalier Microphones, Sennheiser G3 EK100 Lavalier Set, Zoom F4, Zoom-F8
I can use: Zoom F4, Røde Ntg4+, Rødelink Filmmaker Lavalier Microphones, Zoom F-Control, Pro Tools (Avid Certified User), Fabfilter Audio Plug-Ins, Sennheiser G3 Ek100 Lavalier Set, Zoom-F8
About me
Having started in music through performing at high school, it has been an area of interest since then. When the option at college came for music students to also do a music technology course, it was something I tried and quickly realised that it was an ideal role for me, due to the problem solving nature of the job, alongside the music interest. Whilst at University studying Audio Engineering and Production, I was given the opportunity to get into Production and Post Production sound, which combines the benefits of music production alongside working with larger teams to produce a film. This is something that I am aiming to become increasingly involved in, as while I greatly enjoy working in music production, I enjoy working with the various roles required to make a film, and enjoy seeing how everyone's different jobs come together for the final product.Referees:
Cormac Donelly
University Tutor
removed
Skills
Secondary Job Title | Sound Editor |
---|---|
Job Titles | DIT / Data Wrangler, Boom Operator, Sound Operator / Engineer, Sound Mixer / Recordist, Sound Editor, Sound Designer |
Years in industry | 3 to 6 years |