Ozgen Alpoglu
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2021 |
Location Sound Recordist
Film |
Smoking Fist Daniel Newman / Newman Consults |
|
| 2021 |
Performer
Performing Arts |
Technodrome VII _ First Post Pandemic Rave Ilke Oktem / Synergy Eventz |
Bar A Bar |
| 2021 |
Audio Designer
Online & Multimedia |
X Form Aaron West / FilmMyBusiness |
|
| 2021 |
Foley recordist and audio designer
Commercials & Industrials |
StubHub Ash Warner / Above Bar Films |
|
| 2021 |
Audio Designer
Film |
Ruby Rings George Watson / Independent |
|
| 2020 |
Performer
Online & Multimedia |
Future Industry Fulya Bahar / Independent |
|
| 2019 |
Performer
Performing Arts |
Teknodrome Ilke Oktem / Synergy Events |
|
| 2017 |
Audio Designer
Event |
Artis Mathematicae John Sims / Independent |
|
| 2016 |
Audio Designer
Film |
The Room Ömer Kula / KULAWORKS |
Education
| Year | Qualification | Where |
|---|---|---|
| 2021 | Post Production Sound for Film, TV and Games | Institution of Contemporary Music Performance |
| 2019 | Location recording and soundscape composition | Morley College |
| 2013 | Master of Arts of Cinema and Television | Anadolu University Institute of Social Sciences |
| 2007 | Advertising and Public Relations | Anadolu University Faculty of Communication Sciences |
Equipment
My Equipment/Kit: ZOOM F4 Field Recorder, Rode NGT 4+ shotgun, 2 x Rode Lav mics, 3 m Rode boom pole, A dead cat, Rycote wind shield, Lazy boom setup. Can use & I own it
I can use: Zoom F4 Field Recorder, Rode Ngt 4+ Shotgun, 2 X Rode Lav Mics, 3 M Rode Boom Pole, A Dead Cat, Rycote Wind Shield, Lazy Boom Setup. Can Use & I Own It
About me
Hello There,In his notes on cinematography, Bresson says "if the image is the information, audio is the emotion", and I completely agree with him. If one's aim is to invite their audience into some sort of state of mind through their visual creation, they'd better put "how it sounds?" issues in perspective.
My approach to arts is top production comes from an interdisciplinary point of view. Organic, living interaction between audio and visual is a massive deal. In fact, making sounds and images talk to each other is my top concern when I work on the sound.
Besides my studies and works on advertising and video/film, I have been specifically working on "sound cinematography " for the last five years.
I have produced for different productions like animations, short films, documentaries and for lectures of academics. However, any attractive projects are welcome.
You can utilize any of the following services that I proudly provide:
Audio design
Audio editing (Dialogue, effects and atmos)
Location recording
Foley recording and editing
Re-recording mixing
Audio mixing for surround systems
Ambisonics and 3D Spatial Audio mixing for interactive environments
DOLBY ATMOS mixing for cinema and home entertainment
I am also an academic geek and a part-time broadcast journalist working for SKY Executive TV.
Research is the core, "the inevitable" to me. So do not hesitate to make an inquiry due to the need for research regarding your project/production. I would enjoy providing you with research that may highly include the unique, unexplored sides of your subject area.
You can use the link below to reach my post-academic study I authored in Turkish, but you will see an additional "ABSTRACT" (v) page in English.
Book Title:
"Re-Criticizing The 'Guilt' Theme In Michael Haneke Films Based On Its Relationships To Simulation Theory".
http://libra.anadolu.edu.tr/libra.aspx?IS=DETAY&SP=4970469040871634&N1=&N2=&KN=1035651
Referees:
Available upon request
Skills
| Secondary Job Title | Production Sound Mixer |
|---|---|
| Job Titles | Researcher, Boom Operator, Sound Operator / Engineer, Sound Mixer / Recordist, Sound Editor, Sound Designer, Dubbing Editor / Mixer, Post Production Assistant |
| Years in industry | 6+ years |
| Work Permits | EU |
| Musical Skills | Recorder |