Stephen Kaiser-Pendergrast
Documents
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document fileResume_SKP_2022
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2022 |
Editor
Film |
Art Thief Arthur Egeli |
|
2021 |
Editor
Film |
Last Hand Chung Lam |
|
2021 |
Editor
Film |
Remnants Principium Jack Settipane / Lesnik Productions |
|
2021 |
Editor
Film |
Carol, Roberta, and Teri Dana Silverman / Filmmaker Underground |
|
2020 |
Editor
Film |
Boys Will Be Hilery Avritt / Cozy Bear Cinema |
|
2019 |
Additional Editor
Film |
Face Your Fears Neil Stevens / A Little Mad, LLC |
|
2019 |
Editor
Film |
PreGame Dana Silverman / Filmmaker Underground |
|
2019 |
Additional Editor
Film |
Model Ran Jing / EnMaze |
|
2019 |
Editor
Film |
Beyond the Law James Cullen Bressack / UFO Pictures |
|
2018 |
Editor
Film |
Line of Descent Rohit Karn Batra / Level Street Pictures |
|
2018 |
Editor
Film |
The Monster Neil Stevens / A Little Mad, LLC |
|
2017 |
Editor
Film |
Plymouth Mathew Roscoe |
|
2016 |
Editor
Film |
Gaslight Grail Karen Bacellar |
|
2016 |
Editor
Film |
Fish Stew Ran Jing |
|
2016 |
Editor
Film |
Lure Neil Stevens |
|
2015 |
Editor
Film |
Reversal Adlee Fayyaz / Iron Sight Productions |
|
2015 |
Editor
Film |
Toby's Big Adventure Michael Sarna / Animal Family Films |
|
2015 |
Editor
Film |
Toby Goes to Camp Michael Sarna / Animal Family Films |
|
2014 |
Editor
Film |
Molly Nara DeMuro |
|
2014 |
Editor
Film |
Almost 8:00 Megan Talmadge |
|
2014 |
Editor
Film |
The Road to St. Mere Eglise Ben Kramer |
|
2014 |
Editor
Film |
Ravenous Adlee Fayyaz, Vivienne Vaughn / Iron Sight Productions |
|
2014 |
Editor
Film |
Little Miss Perfect Marlee Roberts / The Roberts Group |
|
2013 |
Editor
Film |
Act Like Me Karen Bacellar |
|
2012 |
Editor
Film |
Under the Big Top Nara DeMuro |
|
2012 |
Editor
Film |
The Exploration of Cole as Led by the Prepubescent Sandy Jim Mauro |
|
2012 |
Editor
Film |
Pretty Things Mathew Roscoe |
Education
Year | Qualification | Where |
---|---|---|
2013 | BFA Film and Television | New York University |
Equipment
My Equipment/Kit: Adobe After Effects, Adobe Media Encoder, Adobe Photoshop, Adobe Premiere Pro, Avid Pro Tools, DaVinci Resolve, REDCINE-X
I can use: Adobe Premiere Pro, Adobe Photoshop, Adobe After Effects, DaVinci Resolve, Avid Pro Tools, Adobe Media Encoder, Redcine-X
About me
I make it a point to be quick but thoughtful in my work and focused on communicating your story as clearly as possible. In the past, I have helped directors who were unsatisfied with their story rewrite their films in the editing room (through changing structure, character relationships, plot, etc).I also have a large network of talented post-production colleagues whom I can recommend for every other position in post. Additionally, I have knowledge of color, sound, music, and VFX pipelines, and can coordinate with all departments of Post after picture lock is achieved.
I have my own workstation, but can also work on set or in a studio if required. I am willing to travel for work, including internationally. References are listed on my resume.
License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Post-Production Management / Support |
---|---|
Job Titles | Video Editor, Post-Production Management / Support, Post Production Producer |
Years in industry | 6+ years |