Kylie Bryant
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2019 |
Impact Producer, Archive Producer, Post Producer
Television |
Day Zero Kevin Sim / Keo Films |
|
| 2019 |
Archive Producer
Television |
Nothing Like A Dame Fieldday Productions |
|
| 2017 |
Archive Researcher
Television |
Westwind Ben Strunin / Madman Productions |
|
| 2017 |
Research and Licensing Supervisor
Television |
All For One Marcus Cobbledick, Dan Jones / Madman Productions |
|
| 2017 |
Outreach Producer
Television |
That Sugar Film Damon Gameau / Madman Productions |
|
| 2016 |
Associate Producer
Film |
THE DEATH AND LIFE OF OTTO BLOOM Cris Jones / OPTIMISM FILMS |
|
| 2010 |
Producer
Television |
The Naked Lentil Greg Williams / Moppet Films |
Education
| Year | Qualification | Where |
|---|---|---|
| 2010 | Post Graduate Film Producing | Victorian College of the Arts, Melbourne University, Australia |
Equipment
My Equipment/Kit:
I can use:
About me
Kylie Bryant is a Producer who has worked in a wide range of production roles across film, television and corporate video, in both drama and factual formats. Kylie transitioned into the film industry following a successful career in international business, including working as a Diplomat in South Korea. Kylie ran her own small production company, Moppet Films, in Melbourne, Australia, before moving to London. Recently she has worked in a variety of freelance production roles in Production, Post Production and Impact/Outreach. Kylie speaks Korean and conversational Japanese.Referees:
Kari Lia, Executive Producer, Keo Films
Marcy Cox, Head of Development, Keo Films
Anna Kaplan, Producer, Good Thing Productions (That Sugar Film, 2040)
* email/phone details can be provided on request
License & Passport
| Driver's License: | Yes |
Skills
| Secondary Job Title | Archive Researcher |
|---|---|
| Job Titles | Post-Production Coordinator, Researcher, Post Production Producer |
| Years in industry | 6+ years |