Matt Iacono

Video
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video fileMatt Iacono: 2019 Cinematography Reel
Other
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My Contact Number:
Links
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2019 |
Gaffer
Video |
Anthony Flammia / OD Josh Charow / Unavailable |
|
2019 |
G&E Swing
Video |
ABOOGIE X LIL TECCA / Unavailable Trey Lyons / Atlas Productions |
|
2019 |
Best Boy Electric
Film |
All Night Long Mike Klubeck / Not Available |
|
2019 |
Grip
Film |
Chasing Ghosts Noemi Schneider / Not Available |
|
2019 |
Key Grip
Film |
Still Life Laurel Burgam / Not Available |
|
2019 |
2nd Assistant Camera
Commercials & Industrials |
Three's Company Randy Pyburn / ABC |
|
2019 |
Best Boy Electric
Video |
Swizz Beatz, DMX, Rick Ross / Just In Case Daps / Creative Row |
|
2019 |
Cinematographer
Film |
The Musician Christian Pinglo / Luresa Films |
|
2019 |
1st Assistant Camera
Film |
Midnight Show Zac Wiesel, Adrian Kader / Not Available |
|
2019 |
1st Assistant Camera
Film |
Worst Day Of My Life Jaret Martino / J.M. Productions |
|
2019 |
1st Assistant Camera
Film |
Career Day Kamila Daurenova / Not Available |
|
2019 |
1st Assistant Camera
Film |
Call The Sandman Lou Blackmon / OddOneOut Productions |
|
2019 |
1st Assistant Camera
Film |
Anna Comes Home Amber Suzor / Not Available |
|
2019 |
2nd Assistant Camera
Film |
When Summer Comes Jiwon Uhm / Not Available |
|
2019 |
2nd Assistant Camera
Film |
Champion Ryan Beggs / Not Available |
|
2019 |
1st Assistant Camera
Film |
Blood Type Pasha Gambourg / Not Available |
|
2019 |
1st Assistant Camera
Film |
Wolf Pup Dante Capone / Not Available |
|
2019 |
Cinematographer
Film |
"A Melody Within" Proof Of Concept Christian Pinglo / Luresa Films |
|
2019 |
1st Assistant Camera
Video |
All My Sons / Flowers Jared Hada Smith / Not Available |
|
2019 |
1st Assistant Camera
Film |
In Passing Martin Blanco / Not Available |
|
2019 |
1st Assistant Camera
Film |
Climb Ryan Christopher Lee / Not Available |
|
2019 |
1st Assistant Camera
Film |
Bliss Sarah Gold / Not Available |
|
2019 |
1st Assistant Camera
Film |
American Felt Building Cole Greenbaun / Not Available |
|
2019 |
Cinematographer
Film |
Morning Dove Nina Bangalore / Not Available |
|
2019 |
Best Boy Electric
Film |
The Feud Artemiy Repin / Not Available |
|
2019 |
Key Grip
Film |
Skip Tantrum Daniel Nemroff / Not Available |
|
2019 |
Cinematographer
Film |
Hindsight Lana'e Hernandez / Not Available |
|
2019 |
1st Assistant Camera
Film |
Bloodflowers Miguel Villalba / Not Available |
|
2019 |
Cinematographer
Video |
Mercury and the Architects / Images Rob Ulitski / Not Available |
|
2019 |
Cinematographer
Video |
Mercury and the Architects / Spies Rob Ulitski / Not Available |
|
2018 |
2nd Assistant Camera
Film |
40 Nickels Yasim Gorenberg / Not Available |
|
2018 |
2nd Assistant Camera
Film |
Suburbia Derin Egrikavuk / Not Available |
|
2018 |
2nd Assistant Camera
Video |
Chynna Rogers / You, Me, and the Devil Makes Three Henry DaCosta / Not Available |
|
2018 |
1st Assistant Camera
Television |
Conversations in Apt 3A Shivangi Jain, Ashley Van Egeren / SAG/14 Production Company |
|
2018 |
Cinematographer
Film |
Atlantic Afternoon Anna Manae / Not Available |
|
2018 |
Camera Operator
Performing Arts |
(G)I-DLE Flash Mob NYC Minu Park / CUBE Entertainment inc. |
|
2018 |
Cinematographer
Film |
Goodnight Moon Dan Dagesse / 7Scott Productions |
|
2018 |
Production Assistant
Film |
Porch Christian DiPillo / Underscore Productions |
|
2018 |
Virtual Camera Operator
Performing Arts |
Cisco Live Peter Stone / Cisco |
|
2018 |
2nd AC, Production Assistant
Film |
Sometimes We Never Really Change Christian Pinglo / Luresa Films |
|
2018 |
Cinematographer
Commercials & Industrials |
Inspirational Grace Allie & Matt Iacono / St. Petersburg Ballet Conservatory |
|
2018 |
Photographer
Modeling |
St. Petersburg Ballet Conservatory Still Photography for Paradise Magazine Allie & Matt Iacono / St. Petersburg Ballet Conservatory |
|
2018 |
Cinematographer
Video |
Delaney Staack / Company Delaney Staack / 7Scott Productions |
|
2018 |
Camera Operator
Television |
Plague Of Souls Cody Peterson / Not Available |
|
2018 |
Grip
Film |
The Parallel One Colin Treneff / Good Enough Films |
|
2017 |
Co Cinematographer
Film |
An Off Day Dan Dagesse / 7Scott Productions |
|
2017 |
Director, Cinematographer.
Television |
Beats From The Heart, "A Blessing From The Streets." Matt Iacono / WEDU |
|
2017 |
Cinematographer
Film |
Tough Luck Colin Treneff / 7Scott Productions |
|
2017 |
Videographer
Commercials & Industrials |
UPS and the NYC Marathon Freelance |
Education
Year | Qualification | Where |
---|---|---|
2018 | Digital Video Production | St. Petersburg College |
2017 | Insiders, Screenwriting | USC, School of Cinematic Arts (summer program) |
2016 | Film and Digital Cinematography | USC, School of Cinematic Arts (summer program) |
Equipment
My Equipment/Kit: Aputure 120d II, Glidecam HD-2000, MacBook Pro 15", Sony Cameras, Tilta Nucleus-N, Tilta Shoulder Rig & Follow Focus
I can use: Quasar Science Tubes, Mole Richardson Tungsten Units, Tilta Shoulder Rig & Follow Focus, Tilta Nucleus-N, Arri Hmis, Aputure 120D II, Macbook Pro 15", GlideCam HD-2000, GH5, Sony Cameras
About me
I was first introduced to filmmaking at eleven years old when I took a film class at a homeschool co-op and that started it all. Since then, I have studied film at St. Petersburg College, as well as USC's School of Cinematic Arts. I've shot short films, music videos, and some promotional content for corporate companies such as UPS. My goal is to get consistent work, and tell great stories as a cinematographer and I will work hard to achieve that goal. I love working on sets with good people that are all passionate about filmmaking and telling a good story.License & Passport
Driver's License: | Yes |
Skills
Secondary Job Title | Camera Assistant |
---|---|
Job Titles | Key Grip, Teacher, Video Editor, Camera Assistant, Photographer, Videographer, Director of Photography (DOP), Cinematographer, Camera Trainee, Camera Operator, Production Assistant (PA), Director, Writer, Colorist |
Years in industry | 1 to 3 years |