michael nowacki
Documents
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document filemichaelnowackicv.pdf
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2015 |
sound boom
Commercials & Industrials |
New Street Station Rubber Republic |
|
2015 |
sound effects editor
Film |
Bait Dominic Brunt / Mitchell-Brunt Films |
|
2014 |
sound effects editor
Film |
Devils Tower Owen Tooth / Temple Heart Films |
|
2014 |
sound editor
Film |
3 Sides of the Coin Thomas Lawes / The Electric |
|
2013 |
sound effects editor
Film |
Before Dawn Dominic Brunt / Mitchell-Brunt Films |
|
2011 |
sound effects editor, Foley Artist
Film |
Inbred Alex Chandon / Split Second Films |
|
2010 |
post production sound editor and sound mixer
Film |
Murder in Mind Justin McArdle / White Feather Films |
Education
Year | Qualification | Where |
---|---|---|
2015 | Location Sound Recording | National Television and Film School, London |
2010 | Audio Post Production for Film & Television | School of Sound Recording, Manchester |
2007 | Music Technology | Confetti Studios, Nottingham |
Equipment
My Equipment/Kit:
I can use:
About me
I work within the realm of Audio and Sound. I have experience in both sound production and audio post production.Referees:
Thomas Lawes - contact details available on request
Alex Chandon - contact details available on request
Dominic Brunt - contact details available on request
Owen Tooth - contact details available on request
Additional information:
I have identified that there exists a need for someone who can provide both a sound production and a post production service. Traditionally this is not how the industry worked but with the advent of the internet and smaller productions coming into existence it makes sense for all involved that they can be confident of having someone to manage both the production and the post production sound. The big budget productions can afford to go to the plush sound houses of London and Manchester but failing this you are put into a difficult position financially. With the advancements in technology and the decrease in costs of that same technology a gap has opened up meaning that smaller productions can achieve a professional sound without having big budgets. My hope is to work with smaller productions from the start, this way we can plan and discuss the sound every step of the way.
Skills
Secondary Job Title | Sound Designer |
---|---|
Job Titles | Sound Editor, Sound Designer |
Years in industry | 1 to 3 years |