Chris Walker

Reviews

YearReviewPublication
2018
Peter Yates
londontheatre1.com

Credits

YearRole / TypeName of Production / DirectorCompany / Venue
2019 - 2020Sound & LX Operator
Theatre
The Cat in the Hat
Lillie Collier
The Turbine Theatre
The Turbine Theatre
2019Sound No. 1
Theatre
High Fidelity
Tom Jackson Greeves
The Turbine Theatre
The Turbine Theatre
2019Senior Technician
Theatre
Edinburgh Fringe 2019ZOO Venues
2019Sound Engineer
Theatre
It's A Small World
Bradley Clapson
Armetis Studios
Kenton Theatre
2018 - 2019Sound No. 1
Theatre
Sleeping Beauty
Suzzi Budd
Camberley Pantomime
The Camberley Theatre
2018Sound Designer
Theatre
Diary of a Scoundrel
Stephen Harper
Rose Bruford College
Rose Bruford College
2018Sound No. 1
Theatre
Blue Stockings
Hanna Berrigan
Rose Bruford College
Rose Bruford College
2018Sound Operator
Theatre
Come To Daddy - Fringe
Sammy Metcalfe & Lucy Barton
Living House Theatre Co.
Summerhall Upperchurch
2018Sound No. 2
Theatre
RENT
Dan Cowtan
Vivo D'Arte Theatre Company
Frogmore Papermill
2018Production Sound Engineer
Theatre
Come To Daddy - Kantor
Sammy Metcalfe
Rose Bruford College
Rose Bruford College
2018Sond Designer
Theatre
Mayday, Mayday, Tuesday: Shawney's Story
David Zoob
Rose Bruford College
The Ugly Duck
2018Monitor Engineer
Music
Symposium ConcertRose Bruford College
2018Sound Operator
Theatre
The Hairy Ape
Steven Dykes
Rose Bruford College
Rose Bruford College Barn Theatre
2018Sound Engineer
Event
Vault Festival LondonVaults
Waterloo Station
  • Education

    YearQualificationWhere
    2019BA Honors Performance SoundRose Bruford College of Theatre and Performance
    BTEC Level 4 Music TechnologyThe Folkestone Academy

    Additional Skills

    Confident with working at height

    Comfortable with lifting and rigging heavy equipment

    Additional Information

    Member of the Association of Sound Designers (ASD)

    About me

    I am a freelance sound engineer based in South East England. I have graduated with a BA Honours degree from Rose Bruford college of Theatre and Performance. My main skillsets lie within, but are not limited to, the engineering and operation sides of the audio industry.

  • Skills

    Years in industry
    • 1 to 3 years
    Company Experience
    • Children's Theatre
    • Circus
    • Cross Cultural Theatre
    • Immersive Theatre
    • National Theatre
    Experienced In
    • Dance
    • Experimental
    • Festival
    • Fringe
    • Live Events
    • Musicals
    • New Writing
    • Outdoor Events
    • Pantomime
    Interested in
    • Cruises
    • European Tour
    • Live Events
    • UK Tour
    • World Tour
    DBS checked
    • No
    Driving Licences
    • Standard
    Industry Training
    • Tallescope Training