Claudine Helene Aumord

Overview
- Ethnicity
- Caucasian
- Age Range
- 26 - 36
- Height
- 5' 4" (1m 63cm)
- Weight
- 8st. 11lb. (56kg)
- Hair Colour
- Brown
- Eye Colour
- Brown
- Build
- Slim
Links
- Website:
- IMDB:
-
Equity:
Yes
Credits
Year | Role / Type | Name of Production / Director | Company / Venue | |
---|---|---|---|---|
2018 |
Cheryl
Film (Feature) |
END GAME
TBC - September or October filming 2018 |
Champ Dog Films
|
|
2018 |
Freya
Film (Feature) |
BESERKERS - THE DEATHFIELDS
Louisa warren & Scott Jeffrey |
Champ Dog Films
|
|
2018 |
Christine
Film (Feature) |
BRIDE OF SCARECROW
Louisa Warren |
Champdog Films
Filmed in Wales |
|
2018 |
Jen/Ivy
Film (Feature) |
TOOF
Lousia warren |
Champdog films
Filming in Wales |
|
2018 |
Marilyn Blacklock Charterhouse
Film (Feature) |
DIRTY WORK
Louisa Warren |
Champdog Films
Filmed in London England Crystal Palace |
|
2018 |
Mel The Casting director
Film (Feature) |
A DEADLY CALLBACK
Scott Jeffreys |
Proportion Productions
Filmed in Framlingham Kent England |
|
2018 |
Marty
Film (Feature) |
MUMMY REBORN
Dan Allen |
Proportion Productions
Filmed in Kent Staplehurst England |
|
2012 |
Ensemble Choir
Theatre |
Motherland
Nic Green |
Nic Green BAC Battersea Arts Centre - Producer Liz Moreton
|
|
2010 |
Recruitment Women
Film (Short) |
Marabout
Shango Bsang |
Malukai asbl Productions- Festival De Cannes 2010 - Producer Jacqueline Ngoya
Filmed in London, England |
|
2010 |
Emma
Film (Short) |
Bad Advice
Dean White |
Dean White
|
|
2010 |
Charlotte
Film (Short) |
Field of Time
Dean White |
Absence is a State of Mind Productions
Filmed in London England |
|
2009 |
Model Dresser
Commercial |
Nintendo DSI Style Boutique
|
Salt Film
|
|
2009 |
Emily
Commercial |
Hoover Get Dirty Commerical
Tony Dow |
Bright Giant
|
|
2009 |
Hayley
Film (Short) |
Everything You Ever Wanted Too Know About Silence
Ashley Alcaide and producer Soursdey Kheng |
Broken Pinky Productions and LKD Films
|
|
2009 |
Fan
Film (Short) |
Performance
Guia Carcasci |
Guia Carcasci
|
|
2009 |
Girlfiriend
Film (Short) |
300 Miles
Deev Roth |
Deev Roth - -Broadcast on Filmshortage
|
|
2008 |
Lucy
Film (Short) |
Date Plinth tube
Ewan Bruce |
Ewan Bruce
|
|
2007 |
Ensemble
Theatre |
Smile Theatre
|
Smile Theater Modena Italy
|
|
2007 |
Slyvia
Film (Short) |
Stillness is a Lie
Antje Britt Maehlmann |
Antje Britt Maehlmann, Charlie Guilford, Natasha Avouris -Broadcast on Filmshortage
|
|
2006 |
Wife
Theatre |
Last Carnival
Kazuko Hohki |
Kazuko Hohki BAC Battersea Arts Centre - Producer Liz Moreton
|
|
2006 |
Art Whore
Theatre |
Weaponized Art
John Harrigan |
Foolish people
|
|
2006 |
Alice
Film (Short) |
Little Brinkland
Anab Jain |
Anab Jain Superflux -London Design festival 2006
|
|
2005 |
Lady Genda and Brothel Manager
Theatre |
Mermaid Blood
Diasuke Fujisawa |
Caras Productions
|
|
2005 |
Ensemble
Theatre |
Antigone
Julian Hutton |
Julian Hutton
|
|
2004 |
Ensemble
Theatre |
A puppet in the Works
Mark Down |
Blind Summit BAC Battersea Arts Centre - Producer Liz Moreton
|
|
2004 |
Edward Hopper Lady
Theatre |
17 Studies in Stillness and Light
David Harradine |
Fevered Sleep BAC Battersea Arts Centre - Producer Liz Moreton
|
|
2004 |
Mistress Quince
Theatre |
A Midsummer Nights Dream
Julian Hutton |
Julian Hutton with The Brockley Jack Theatre
|
Education
Year | Qualification | Where |
---|---|---|
2006 | BA Drama and Theater Arts Higher 2:1 | Goldsmiths, University of London |
2003 | 2 yr. Acting | LAMDA MEDAL EXAMINATION BOARD - LONDON ACADEMY OF MUSIC AND DRAMATIC ARTS - EXTERNAL WHICH CAN BE TAKEN ALL OVER THE COUNTRY NOT INTERNAL |
About me
Please read IMDB Pro profile for biographical and trivia information and additional skills or information - and show-reel and voice reel and clips and short films on Vimeo and IMDBhttps://www.spotlight.com/interactive/cv/2610-1201-0143
http://www.gold.ac.uk/alumni/
https://www.instagram.com/claudineheleneaumord/?hl=en
https://twitter.com/ClaudineAumord
http://www.imdb.com/name/nm9102661/
https://vimeo.com/user65096926
https://voiceovers.mandy.com/uk/voice-artist/profile/claudine-aumord
Additional Information
I consider certain things like Voice-over too be different departments and commercials i have done them but have not added them necessarily because I wanted too showcase the 'Acting' Credits, inverted commas and highlight that instead, some people are respected but they are one thing like a sole 'Voice-over' artist or a largely cast as 'Commercial Artist' or a 'Model', they are separate things - i would certainly take those departments though should the campaign be enough big not as a supporting artist or background artist - i am now a principle actress. Other information can be found on spotlight or IMDB Pro. Most commercial work I have found is normally supporting artist, and I would like it too be largely featured artist etc...I am not too big for it, I just think move forward and on and grow.If i apply and take a commercial job or modelling job other then an acting job for film or theater, then its just that i want it too be beneficial too both me and the casting department and agent and production team and all of use really happy with the campaign and outcome - as a brand. Actors/ actresses can model as a brand rather then as a model, due too skill and ability and look and brand. Same with the voice over work, an animation TV or film programme would be creatively fulfilling. I would like too work between Independent film-making and Mainstream, and back and forth, mainstream is too fund independent filming. I always relish new and exciting but like old.
Remember as well that older actors or people whom started as children - might have a problem with the database system because people and companies go or die, therefore some video evidence for commercials is kept and collected privately, but cannot be added too this database unfortunately, it does not mean going back or more of the same, it means, moving forward anyway, because when you start at the bottom, you work hard and just move up. Not held back. Also sometimes things like that just have too go under 'Other' due too it.
The same problem occurs with Theatre accept, i will try my best too integrate my cv in to the database as much as possible with all areas and fill it all in now and afterwards, but for most people, its Film work which is the easiest too archive especially if its gets an international distributor or broadcaster on TV and in film and get reference for it.
Additional Skills
International distribution of Films HIGH OCTANE PICTURES & ITN DISTRIBUTION & LEFT FILMS. Self-taping auditions supplied for acting/ & voice & conference calls. IMDB updated. Alumni. Might be able too submit or might not be able-Heavy workload till end of August/ September 2018- contact me directly & make the first move then this can be fitted in, which is why i send performance notices & requests for consideration for audition after seeing performance too dairy mainstream work. Other Future Executive/ Principle Actor credits Contracted. removed rather too spotlight office.Skills
Skin Colour | White |
---|---|
Hair Length | Long |
Native accent | English |
Accents (UK) | Cardiff, Cockney, Essex, London, Northern Working Class, Suffolk, Welsh, Standard |
Accents (North American) | New York City, Southern American |
Accents (International) | Australian, French, German, Irish |
Interested in | Comedy, Commercials, Corporate, Film (Professional), Improvisation, Modelling, Radio, Theatre (Professional), TV, Voice Over |
Experienced in | Comedy, Commercials, Film (Professional), Modelling, Motion Capture, Music Videos, Theatre (Professional), TIE/TYA, TV, Voice Over |
Specific Singing Skills | Mezzo-Soprano |
Organisation Membership | Equity |
Stage Combat Skills | Basic |
Perform nude? | Only Professionally |
Accents (International) | Australian, Canadian, French, German, Irish, Australian, Canadian, French, German, Irish |