Brian Uskokovich
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2020 |
Assistant Editor
Film |
Press Play Greg Björkman / Press Play Productions LLC |
|
| 2019 |
Assistant Editor
Film |
Palm Springs Max Barbakow / PS Film Production, LLC |
|
| 2017 |
Assistant Editor
Film |
Union Micky Levy / Directed by Micky Levy |
|
| 2017 |
Editor
Film |
The Last Day on Earth Guzel Saitbatalova / Directed by Guzel Saitbatalova |
|
| 2017 |
Editor
Event |
OVLC — Autumn 2017 Jesse Rivkin / Ojai Valley Land Conservancy |
|
| 2016 |
Editor
Film |
The Executioner Laci Dent / Directed by Laci Dent |
|
| 2015 |
Colorist
Television |
The Great Sasuke Mikiko Sasaki / Directed by Mikiko Sasaki |
|
| 2009 |
Assistant Editor
Television |
The Welcome Kim Shelton / Two Shoes Productions |
|
| 2009 |
Assistant Editor / Camera Operator
Television |
Life Before the Lifeboat: San Francisco's Courageous Response to the AIDS Outbreak Shipra Shukla / Kathaka Films |
Education
| Year | Qualification | Where |
|---|---|---|
| 1997 | Organizational Behavior/Business Policy | Southern Methodist University |
Equipment
My Equipment/Kit:
I can use: Teranex, Aja Ki Pro, Waveform & Vector Monitors/Scopes (Tektronix), Tape Decks (Hdcam; Dvcpro Hd; Digibeta)
About me
I'm a highly experienced post professional who moved to LA in 2017 after years of working at some of the top studios in San Francisco. I attained advanced skills in AVID as I grew from a staff assistant editor to an editor at Lieberman Productions, a company that specializes in broadcast commercials for global brands in the direct response market. Always looking to grow and evolve in the industry, I took it upon myself to learn advanced color correction skills, bringing added value to the company as the second-chair colorist.My skills and experience have made me uniquely qualified to bridge the technical workflows/processes of post with creative storytelling. This is especially valuable for independent films that may require a professional editor who can carry a project in both a creative and technical capacity — a highly effective editor/assistant combination. I'm very resourceful and bring a strong work ethic to every project, earning client trust and inspiring confidence. I have a keen interest in transitioning from advertising to scripted narrative projects and would love to help bring your vision to the screen on both non-union and union films ("rostered" assistant editor with union eligibility).
Referees:
Available on request
License & Passport
| Driver's License: | Yes |
Skills
| Secondary Job Title | Editor (Assistant) |
|---|---|
| Job Titles | Video Editor, Colorist |
| Years in industry | 6+ years |