Colvin Ang
Documents
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document fileColvin_Resume
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2020 |
G&E Swing
Film |
OFF THE DEEP END Jeff H. / Harbor Light Studios, LLC. |
|
| 2019 |
Gaffer
Video |
MNDSGN / Snaxx Sam Fragoso / Stones Throw Records |
|
| 2019 |
G&E Swing
Film |
Apartment Manager Dylan VOx / Apartment Manager LLC |
|
| 2019 |
G&E Swing
Film |
RUNAWAY Linden A. / Blue Sky Films |
|
| 2019 |
Set Lighting Technician
Commercials & Industrials |
Stinky Booty Duty 2.0 Farhad Ahmed Dhelvi / Look At The Moon Pictures |
|
| 2019 |
Best Boy Grip
Film |
A Mother's Deception Penelope B. / Stonecrest Entertainment, LLC |
|
| 2019 |
Grip
Film |
That One Time Melanie Wagor / WE HAD A TIME, LLC |
|
| 2019 |
G&E Swing
Film |
Mr. Wonderful Tom Shell / Doodle Pictures, LLC |
|
| 2019 |
G&E Swing
Film |
Prison House Daniel Lusko / Tool Vox Productions |
|
| 2019 |
Swing
Film |
Sun Gazer Benji Bakshi / Sun Gazer LLC |
|
| 2019 |
Swing
Video |
Ming Wei / Social Animal Personal |
|
| 2019 |
Swing
Film |
Horse Latitude Noah Gilbert / Horse Latitudes, LLC |
|
| 2019 |
Swing
Film |
Pappy Hour Nell Teare / Personal Project |
|
| 2019 |
Key Grip
Film |
Speed of Life Liz Manashil / Womanashil, LLC |
|
| 2018 |
Director of Photography
Film |
Kaaway Wester Demadante / The Narra Collective |
|
| 2018 |
G&E Swing
Video |
Red Room / Offset Aisultan Seitov / Capitol Records |
|
| 2018 |
Grip
Film |
The Day After Josh Marble / Personal |
|
| 2018 |
Grip
Film |
The Terms Of Us Roberto Sanchez / 110 Pirates |
|
| 2018 |
Swing
Video |
Ming Wei / GRAVITY Carlos Asse / Personal |
|
| 2018 |
Gaffer
Film |
Interloper Lawrence Hennigan / Personal |
|
| 2018 |
Director of Photography
Film |
Blind Date Lauri Deason / Azusa Pacific University |
|
| 2018 |
Best Boy Electric
Video |
Ming Wei / Have a Dream Carlos Asse / Personal |
|
| 2018 |
Grip
Video |
Nipsey Hustle / Hustle & Motivate Sergio Maldonado / Echosworld |
|
| 2018 |
Grip
Film |
Down To Nothing Rory Kelly / Firehole Production |
|
| 2018 |
Grip
Commercials & Industrials |
Health-Ade Kombucha Anthony Bui / Buoy Films |
|
| 2018 |
Best Boy Grip
Commercials & Industrials |
SpinKilder Don Thacker / Imagos Films LLC |
|
| 2018 |
Best Boy Electric
Commercials & Industrials |
NYDJ Mother's Day Campaign Natasha Kermani / NYDJ |
|
| 2018 |
Grip
Video |
MinJum Wei / Have a Dream Carlos Asse / LAFS |
|
| 2018 |
Grip
Film |
Down To Nothing Rory Kelly / UCLA |
|
| 2018 |
G&E Swing
Film |
Sorry Not Sorry Monique Sorgan / Razor Edge Films |
|
| 2018 |
2nd AC
Film |
Before The Dawn Jay Holben / ADF Productions |
|
| 2018 |
Electrician
Film |
Miller & Son Asher Jelinsky / AFI |
|
| 2018 |
2nd AC
Commercials & Industrials |
Park Avenue Egale Big Mama Production |
|
| 2018 |
2nd AC
Film |
MUNA Kevin Nwonkwor / KevStel Group, LLC. |
|
| 2018 |
1st AC
Film |
Hi death - “Cold Read” Brad Sykes / Nightfall Pictures |
|
| 2018 |
Key Grip
Commercials & Industrials |
Worst Camping Trip Ever Merlin Camozzi / 90 Seconds | Uber |
|
| 2018 |
2nd AC
Film |
This Must Be The Place Merlin Camozzi / UCLA |
|
| 2018 |
Grip
Film |
Iniquity Joey Lanai / Isodrenaline Films |
|
| 2017 |
Grip
Film |
A Place to Stay Charlie Polinger / AFI |
|
| 2017 |
Key Grip
Film |
Always Remember Me Nell Teare / MackeyLu Productions |
|
| 2017 |
2nd AC
Commercials & Industrials |
ARRI: Visions Merlin Camozzi / Tongal |
|
| 2017 |
1st AC
Event |
The Best Movie Hell to End Up In - After Hours Cracked / Ceacket |
|
| 2017 |
Key Grip
Commercials & Industrials |
MACBETH: A FURY Justin Dearing / Under Amour |
|
| 2017 |
2nd AC
Commercials & Industrials |
In Tom's Shoes Matthew Thompson / THEMATTS |
|
| 2017 |
2nd AC
Film |
Mourners Inc. Luke Eve / New Form |
|
| 2017 |
PA
Film |
Walk at Dawn Joseph Lao / Tilta |
|
| 2017 |
PA
Film |
Snowbound Olia Oparina / Infilmity |
|
| 2017 |
Gaffer
Television |
Here To Stay Joel Jerry Duran / 110 Pirates |
|
| 2017 |
Grip
Film |
ANDY Charlie Polinger / AFI |
|
| 2017 |
Camera Utility
Film |
The Day That Dorian Tocker / AFI |
|
| 2017 |
PA
Commercials & Industrials |
Chrysalis Costumes Lemonlight |
|
| 2017 |
Grip
Film |
MAKE AMERICA BLACK AGAIN, Make America Black Again Leon Robinson / JK music |
|
| 2017 |
Grip
Film |
For Only $9.99 AFI |
|
| 2017 |
DIT / PA / 2nd AC
Film |
What Really Matters William Bright / Brightstar Pictures |
|
| 2017 |
Grip
Video |
LahSoul / Can't Be Stopped Anastasia Shulepova / LMU |
|
| 2017 |
Boom Operator
Film |
GEHENNA Hao Zheng / AFI |
|
| 2017 |
Production Assistance
Film |
The Last Parade Oran Zegman / AFI |
|
| 2016 |
Director of Cinematography
Film |
Run: Part 1 Kaixiang Zhang / 777Raw Street LLC |
|
| 2015 |
Production Assistant
Film |
The Road Not Taken Shan Jin / 777Raw Street LLC |
|
| 2015 |
Actor, Production Assistant
Film |
Apart Xin Huang / Invue |
Education
| Year | Qualification | Where |
|---|---|---|
| 2016 | A.O.S Web Design & Interactive Media | The Art Institute of New York City |
| 2015 | Visual Storytelling 2 Tour with Alex Buono | MZed |
Equipment
My Equipment/Kit: Blackmagic Cameras, Sony A7
I can use: Canon Cameras, Blackmagic Cameras, Arri Alexa Mini, Sony A7, Red Weapon, RED Raven
About me
Colvin Ang is a Malaysian filmmaker based in Los Angeles. He has work with/for a range of companies such as Uber, Coca-cola, Tilta and ARRI.He focuses on constructing imagery with lights and shadows. Telling the story within the lens and direct the audience's emotions with camera movement.
Colvin is dedicated to making the movie happen and is flexible when it comes to compensation if the budget goes towards the crew & equipments.
License & Passport
| Driver's License: | Yes |
Skills
| Secondary Job Title | Key Grip |
|---|---|
| Job Titles | Production Assistant (PA), Production Support, Camera Operator, Cinematographer, Director of Photography (DOP), Camera Assistant, Key Grip, Marketing / PR |
| Years in industry | 3 to 6 years |