Felice Gioia
Credits
| Year | Job Title Project Type |
Project Name Director / Company |
Location |
|---|---|---|---|
| 2024 |
Focus Puller
Film |
Celestial Poppy Luard |
London (Battersea power station) |
| 2023 |
Focus Puller
Film |
Rats Josephine Lohoar Self |
London |
| 2023 |
Focus Puller
Film |
Red Michael Lindsay |
London |
| 2023 |
1st AC/Focus Puller
Film |
Loose Strands Panayiota Panteli/Far Lane Media |
Hitchin, Hertfordshire. |
| 2022 |
Focus Puller
Music & Singing |
Twelve Remain "Comes Around" Lachlan Smith Films ltd |
Brighton |
| 2022 |
Focus Puller
Commercials & Industrials |
Thortful "Father's Day - Approved" Isobel Advertising |
|
| 2022 |
Focus Puller (Phantom + Canon 50-1000)
Film |
Save Our Squad Disney - 2020 Productions ltd |
|
| 2022 |
Focus Puller
Film |
Misanthtopos Quintessence FIlms ltd |
Wroclaw - Poland |
| 2021 |
Focus Puller
Television |
Two Faces of Tomorrow Patrick Hough |
|
| 2021 |
Focus Puller
Film |
The Night Burns Like Cigarettes Elisabeth Felson / Steppen Wolves Films |
|
| 2021 |
Focus Puller
Film |
Delivered Rex Glensy / Aurelia Pictures |
|
| 2021 |
Focus Puller
Film |
Fish Emilie Cheung / Resource Productions |
|
| 2021 |
Focus Puller
Commercials & Industrials |
Nature's Bounty "We've Got This" Dan Castella / Initials |
|
| 2021 |
Focus Puller
Commercials & Industrials |
Pepsi - Challenge Your Taste Blok (Paul Casey & Richard Jobson) / Dark Energy Films |
|
| 2020 |
Focus Puller
Film |
The Fire Of Olympus Or On Sticking It To The Man Tim Benjamin |
|
| 2020 |
Focus Puller
Film |
July and IDA Benjamin Adnams / Rag Tag |
|
| 2020 |
Focus Puller
Film |
Immune Robert MacFarlane / FAR LANE MEDIA Ltd |
|
| 2020 |
Cinematographer
Television |
Brink - UK Graffiti Art Ben Mart / Mart Films |
|
| 2019 |
Focus Puller
Commercials & Industrials |
The Lost Thing Ruairi Watson / Royal Opera House |
|
| 2019 |
Cinematographer
Film |
Delivery Driver Peter Mimmack / Hertbreak Productions |
|
| 2019 |
Cinematographer
Film |
Alienated James Mace / freelance |
|
| 2019 |
AC/Lighting assistant
Commercials & Industrials |
Purina Daniel Fazio / Getty Images |
|
| 2019 |
Camera op/1st AC
Television |
Ballet And The Brain Alex Swinfen / Royal Opera House |
|
| 2019 |
Focus Puller
Commercials & Industrials |
4Sight "Dummies" Samir Guessous / FKC |
|
| 2018 |
Focus Puller
Film |
Granada Nights Abid Khan / eyefivefilms Ltd |
|
| 2018 |
Camera Operator
Commercials & Industrials |
The Great Escape - Fender Sam Gordon / Fender Uk |
|
| 2017 |
Lighting Cameraman
Video |
Evyltyde / Eye for an Eye Danny Merton / Blue Mountain Entertainment |
|
| 2017 |
Camera op/1st AC
Commercials & Industrials |
A Studio on the Go - Adam Pretty Chris Pencakowsky / Canon |
|
| 2017 |
B cam Focus Puller
Film |
The Conductor Xavier Guignard / Essay Pictures |
|
| 2016 |
A Cam Focus Puller
Commercials & Industrials |
John Lewis - Xmas commercial 2016/2017 John Lewis |
|
| 2016 |
Camera op/Gaffer
Event |
Good Housekeeping - 300 dishes - Adam Baroukh / Good House Keeping |
Education
| Year | Qualification | Where |
|---|---|---|
| 2012 | - Night photography - | Nigel Wilson's workshops |
| 2007 | Cinematography | N.U.C.T. (New University of Cinema ad Television) |
| 2006 | B&W Photography | Ettore Rolli - Rome |
| 2005 | MA in mass media/Thesis in history and critique of cinema based on Peter greenaway's work. | "La Sapienza", Rome |
Equipment
My Equipment/Kit: 7" sdi/hdmi monitor. 4x150w Fresnel tugsten lights, bicolor flexi LEDs, FalconEyes RGB tube. 2 sets of reflectors. C-Stands, Magic Arm with super clamps, Manfrotto Autopoles. On board directional mic BOYA BY-MM1., Feiyutech AK4000 3-Axis Gimbal Stabiliser with Dual Handle Grip, fujifilm xt3 (4k/60 10bit), xh1 (4k stabilised sensor), full set of canonFD lenses (20, 28, 50, 105 MACRO, 135, 200, 20-210) with focal reducer/speedbooster adaptor and xf adaptor (1.5 crop factor)., Kenro tripod and fluid head. Hand held gear. AC gear., TILTA WLC-T03-K1 Nucleus-M Fiz Hand Unit Motor Wireless follow focus Control TILTA WLC-T03-K1 Nucleus-M Fiz Hand Unit Motor Wireless Follow Focus Control
I can use: Tilta Wlc-T03-K1 Nucleus-M Fiz Hand Unit Motor Wireless Follow Focus Control Tilta Wlc-T03-K1 Nucleus-M Fiz Hand Unit Motor Wireless Follow Focus Control, 20-210) With Focal Reducer/Speedbooster Adaptor And Xf Adaptor (1.5 Crop Factor)., 200, 135, 105 Macro, 50, 28, Full Set Of Canonfd Lenses (20, Xh1 (4K Stabilised Sensor), Fujifilm Xt3 (4K/60 10Bit), Feiyutech Ak4000 3-Axis Gimbal Stabiliser With Dual Handle Grip, Hmi, Kinoflo, Dedo, Arri Skypanels, Aladin, Briese Lights., 35Mm, S16Mm, S8Mm, Panasonic Dvcprohd, Hdcam, Xdcam, Gh5S, Dslrs, Sony F3-F5-F55, Canon C100-300-500, Red Mx, Epic, Dragon, Gemini, Helium, Alexa (Studio-Mini), Amira., Kenro Tripod And Fluid Head. Hand Held Gear. Ac Gear.
About me
I graduated in cinematography c/o Cinecittà Romeand now London based
work experience c/o Technovision Rome
Arri and Panavision London
shooting experience on 35mm, S16mm, S8mm, DVCproHD, HDcam, XDcam, DSLRs, Sony F3-F5-F55, Canon C100-300-500, Black Magic, RED MX, Epic, Dragon, Alexa (studio-mini), Amira.
Background in black and white still photography (shoot-process-print).
Referees:
removed ; removed ; removed ; removed ; removed ; removed ; removed ; removed
Additional information:
Working mainly as focus puller/1st AC to gain as much experience as possible, alongside with some spark jobs. Lighting-cameraman on few indie and music videos. Cinematographer on few selected projects.
License & Passport
| Driver's License: | Yes |
Skills
| Secondary Job Title | Cinematographer |
|---|---|
| Job Titles | Camera Operator, Camera Assistant, 2nd Assistant Camera - Clapper / Loader, Director of Photography (DOP), Cinematographer, 1st Assistant Camera - Focus Puller, Camera Trainee |
| Years in industry | 6+ years |
| Organisations / Memberships | Shooting People (UK) |