Finn Sheriton
Other
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My Contact Number:
Links
Credits
Year | Job Title Project Type |
Project Name Director / Company |
Location |
---|---|---|---|
2022 |
Second Unit Data Manager
Film |
The Marvels Additional Photography Nia DaCosta |
|
2022 |
Second Unit Data Manager; Dailies
Film |
The Marvels Nia DaCosta |
|
2022 |
Second Unit DIT Assistant
Film |
Indiana Jones V James Mangold |
|
2023 |
RF Technician
Film |
Gladiator II Ridley Scott |
|
2020 |
Runner
Video |
Davido / Fall You Meji Alabi / JM Films |
|
2019 |
Camera Trainee
Video |
Wiley ft. Sean Paul, Stefflon Don & Idris Elba / Boasty Henry Scholfield / Caviar |
|
2018 |
Camera Trainee
Video |
Ray BLK / Paradise Thomas Ralph / Caviar |
|
2018 |
Camera Trainee
Video |
KSI / Beerus Konstantin Ermakov / Ikon Films |
|
2018 |
B-cam Operator
Commercials & Industrials |
Original Stationery Promotional Video Guy Davies / Zebrafish Media |
|
2018 |
Playback Operator
Performing Arts |
FIDE Chess World Championship Opening Gala OBR Studios |
|
2017 |
Runner/Clapper
Film |
No Sherbert Joe Magee / Periphery |
|
2017 |
Runner
Film |
Philophobia Guy Davies / Philophobia |
Education
Year | Qualification | Where |
---|---|---|
2017 | English Literature | Sixth Form |
Equipment
My Equipment/Kit: Flanders DM241 Colour Critical Monitor, Tangent Wave2 Grading Panel, access to a full on set 8 camera DIT rig and another 6 monitors, 3 OLED DM220s and another 3 LCD DM240s. 32TB Raid, 8TB NVME Raid, 4TB NVME SSD.
I can use: DaVinci Resolve
About me
Worked high end feature films for last 4 years in the DIT department, including colour critical work on set. Credits include Indiana Jones V, Gladiator II, The Marvels, etc. After working in colour critical work on set as a Data manager I am trying to pick up some freelance colour work in short form.License & Passport
Passport: | Yes |
Driver's License: | Yes |
Skills
Secondary Job Title | Runner |
---|---|
Job Titles | Colorist, DIT / Data Wrangler |
Years in industry | 3 to 6 years |
Organisations / Memberships | BECTU (UK) |